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I. Bibliographie citée dans le mémoire :

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Arai, T., Yasu, K., & Hodoshima, N. (2004). Effective speech processing for various impaired listeners. In Proc. 18th International Congress Acoustics (ICA) (pp. 1389-1392).

Bänziger, T., Grandjean, D., Bernard, P. J., Klasmeyer, G., & Scherer, K. R. (2001). Prosodie de l’émotion: étude de l’encodage et du décodage. Cahiers de linguistique française, 23, 11-37.

Brickhill, T. (2013). Issues with Multiband Compression Design. Written Report 2. Faculty of Architecture, Design and Planning, The University of Sydney.

Byrne, D., & Dillon, H. (1986). The National Acoustic Laboratories'(NAL) new procedure for selecting the gain and frequency response of a hearing aid. Ear and hearing, 7(4), 257-265.

Castro, S. L., & Lima, C. F. (2010). Recognizing emotions in spoken language: A validated set of Portuguese sentences and pseudosentences for research on emotional prosody. Behavior Re-search Methods, 42(1), 74-81.

Croghan, N. B., Arehart, K. H., & Kates, J. M. (2014). Music preferences with hearing aids:

Effects of signal properties, compression settings, and listener characteristics. Ear and Hearing, 35(5), e170-e184.

Dejong, F. E. (1991). Voice and emotion. Revue de Laryngologie-Otologie-Rhinologie, 112(4), 361-363.

Dupuis, K., & Pichora-Fuller, K. (2007). Use of lexical and affective prosodic cues to emotion

Ekman, P. (1992). Are there basic emotions ?. Psychological Review, 99(3), 550–553.

Elmgren, M. (2016). Loudness War: Introduction and Aftermath of Hypercompression in Mod-ern Music. Thesis commissioned by Arcada. Film and television.

Foucher, m., Gallego, s., & Truy, e. (2011). Appareillage auditif du sujet âgé. Les progrès per-mettent une prise en charge efficace. Repères en gériatrie, 13(108), 105-112.

Füllgrabe, C., Moore, B. C., & Stone, M. A. (2015). Age-group differences in speech identifi-cation despite matched audiometrically normal hearing: contributions from auditory temporal processing and cognition. Frontiers in Aging Neuroscience, 6, 347.

Gendrot, C. (2002). Ouverture de la glotte, Fo, intensité et simulations émotionnelles: le cas de la joie, la colère, la surprise, la tristesse et la neutralité. XXIVèmes Journée d’Etude sur la pa-role, Nancy (France), pp.49-52.

Gilbert, M., Jiradejvong, P., & Limb, C. (2019). Effect of Compression on Musical Sound Qual-ity in Cochlear Implant Users. Ear and hearing, 40(6), 1368-1375.

Goy, H., Pichora-Fuller, M. K., Singh, G., & Russo, F. A. (2016). Perception of emotional speech by listeners with hearing aids. Canadian Acoustics, 44(3).

Goy, H., Pichora-Fuller, M. K., Singh, G., & Russo, F. A. (2018). Hearing aids benefit recog-nition of words in emotional speech but not emotion identification. Trends in hearing, 22, 2331216518801736.

Hammerschmidt, K., & Jürgens, U. (2007). Acoustical correlates of affective prosody. Journal of Voice, 21(5), 531-540.

Heilman, K. M., Leon, S. A., & Rosenbek, J. C. (2004). Affective aprosodia from a medial frontal stroke. Brain and Language, 89(3), 411-416.

Hribar Jr, J. F., & Wright, N. (2020). Verification of Direct Streaming to Hearing Aids: A

Hugo Fillol (2018). Le patient malentendant appareillé perçoit-il les émotions véhiculées par la voix aussi bien qu’un normo-entendant ? Mémoire du diplôme d’État d’Audioprothésiste, École d’audioprothèse de Cahors, Université de Toulouse.

Kates, J. M. (2008). Digital hearing aids. Plural publishing, San Diego Oxford Brisbane. Lafon, J. C., Morgon, A., & Gauthier, J. (1965). Étude de l'homogénéité et de l'intervalle de confiance des mesures audiométriques vocales. International Audiology, 4(2), 94-96.

Libby R. (1986). The 1/3- 2/3 insertion gain jearing aid selection guide. Hearing Instruments, 37, 3, 27-28.

Logiciel Izotope Ozone 9 : https://www.izotope.com/en/products/master-and-de-liver/ozone/ozone-advanced.html

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Mémoire de master en psychologie. Université d’Angers.

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Mitchell, R. L. (2007). Age-related decline in the ability to decode emotional prosody: Primary or secondary phenomenon?. Cognition and Emotion, 21(7), 1435-1454.

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Mitchell, R. L., Kingston, R. A., & Barbosa Bouças, S. L. (2011). The specificity of age-related decline in interpretation of emotion cues from prosody. Psychology and Aging, 26(2), 406.

Moore, B. C. (2008). The choice of compression speed in hearing aids: Theoretical and practical

Moore, B. C. J. and Glasberg, B. R. (1988), “A compression of four methods implementing automatic gain control (AGC) in hearing aids”, Brit. J. Audiol., 22:93-104.

Most, T., & Aviner, C. (2009). Auditory, visual, and auditory–visual perception of emotions by individuals with cochlear implants, hearing aids, and normal hearing. Journal of Deaf Studies and Deaf Education, 14(4), 449-464.

Murray, I. R., & Arnott, J. L. (1993). Toward the simulation of emotion in synthetic speech: A review of the literature on human vocal emotion. Journal of the Acoustical Society of America, 93(2), 1097-1108.

Mussoi, B. S., & Bentler, R. A. (2015). Impact of frequency compression on music perception.

International Journal of Audiology, 54(9), 627-633.

Neuman, A. C., Bakke, M. H., Hellman, S., & Levitt, H. (1994). Effect of compression ratio in a slow‐acting compression hearing aid: Paired‐comparison judgments of quality. Journal of the Acoustical Society of America, 96(3), 1471-1478.

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Paulmann, S., Pell, M. D., & Kotz, S. A. (2008). How aging affects the recognition of emotional speech. Brain and Language, 104(3), 262-269.

Recommandation du Bureau International d’AudioPhonologie (BIAP) 02/1 bis. Evaluation de l’autonomie dans l’utilisation d’un appareillage auditif. http://www.biap.org/fr/.

Schmidt, J. C., & Rutledge, J. C. (1996). Multichannel dynamic range compression for music signals. In 1996 IEEE International Conference on Acoustics, Speech, and Signal Processing Conference Proceedings, Vol. 2, 1013-1016.

Scherer, K. R., Johnstone, T., & Sangsue, J. (1998). L’état émotionnel du locuteur: facteur né-gligé mais non négligeable pour la technologie de la parole. Actes des XXIIèmes Journées d'Etudes sur la Parole.

Sethu, V. (2009). Automatic emotion recognition: an investigation of acoustic and prosodic parameters. Thesis of doctor of philosophy. The University of New South Wales.

Souza, P. (2007, April). Translating compression research into clinical decisions. Audiol On-line, posted. Vol 30.

Fontan, L., Magnen, C., Tardieu, J., & Gaillard, P. (2014). Simulation des effets de la presbya-cousie sur l’intelligibilité et la compréhension de la parole dans le silence et dans le bruit. 30è édition des journées d’étude sur la parole (JEP). U.R.I. Octogone (EA 4156), Université de Toulouse II.

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Verschuure, H., Prinsen, T. T., & Dreschler, W. A. (1994). The effects of syllabic compression and frequency shaping on speech intelligibility in hearing impaired people. Ear and Hearing, 15(1), 13-21.

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II. Autres publications utilisées mais non citées dans le mémoire

Glista, D., Hawkins, M., Vaisberg, J. M., Pourmand, N., Parsa, V., & Scollie, S. (2019). Sound Quality Effects of an Adaptive Nonlinear Frequency Compression Processor with Normal-Hearing and Normal-Hearing-Impaired Listeners. Journal of the American ACAdemy of Audiology, 30(7), 552-563.

Hickson, L. M. (1994). Compression amplification in hearing aids. American Journal of Audi-ology, 3(3), 51-65.

Krmpotic-Nemanic, J. (1969). Presbycusis and retrocochlear structures. International Audiol-ogy, 8(2-3), 210-220.

Kwak, D. H. (2016). Auditory loudness perception and the consumption of popular music be-tween 1980 and 2010 (Doctoral dissertation, University of Pretoria).

Lotz, A. F., Siegert, I., Maruschke, M., & Wendemuth, A. (2017). Audio compression and its impact on emotion recognition in affective computing. Studientexte zur Sprachkommunikation:

Elektronische Sprachsignalverarbeitung, 1-8.

Lourenco, T (2017). Audio Filters For Music Styles (Doctoral dissertation). Worcester poly-technic institute.

Luo, X., Fu, Q. J., & Galvin III, J. J. (2007). Vocal emotion recognition by normal-hearing listeners and cochlear implant users. Trends in Amplification, 11(4), 301-315.

Moore, B. C. (1996). Perceptual consequences of cochlear hearing loss and their implications for the design of hearing aids. Ear and hearing, 17(2), 133-161.

Most, T., & Michaelis, H. (2012). Auditory, visual, and auditory–visual perceptions of emo-tions by young children with hearing loss versus children with normal hearing. Journal of Speech, Language, and Hearing Research, 55(4), 1148-1162.

Pearlman, R. C. (1982). Presbycusis: the need for a clinical definition. American Journal of Otology, 3(3), 183-186.

Scheiner, E., Hammerschmidt, K., Jürgens, U., & Zwirner, P. (2006). Vocal expression of emo-tions in normally hearing and hearing-impaired infants. Journal of Voice, 20(4), 585-604.

Villette, H., & Merlin, L. (2011). La voix dans l'expression et la perception des émotions chez les adultes déficients visuels (Doctoral dissertation). Université de Nice Sophia-Antipolis, Fa-culté de médecine – école d’orthophonie.

Zwicker, T. (2000). Psychoacoustics as the basis for modern audio signal data compression.

Journal of the Acoustical Society of America, 107(5), 2875.