Du littéraire au marionnettique : réécritures de textes littéraires sur la scène marionnettique contemporaine

HAL Id: tel-02933184

https://tel.archives-ouvertes.fr/tel-02933184

Submitted on 8 Sep 2020

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littéraires sur la scène marionnettique contemporaine

Jennifer Ratet

To cite this version:

Jennifer Ratet. Du littéraire au marionnettique : réécritures de textes littéraires sur la scène mari-onnettique contemporaine. Art et histoire de l’art. Université Paul Valéry - Montpellier III, 2019. Français. �NNT : 2019MON30052�. �tel-02933184�

DU LITTÉRAIRE AU MARIONNETTIQUE

REMERCIEMENTS

A mon directeur de thèse,

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RÉSUMÉ

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ABSTRACT

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`a'4#*"/4&(H#+/#4="#b"'48#Z#4="/#*%--"*4"7#7.4.#4=(%&6=#./.-H'"'#%: #,&,,"4#'=%^'#./7# "J*=./6"'#^+4=#,&,,"4#,(.*4+4+%/"('8#O+/.--H;#Z#=.$"#'4(&*4&("7#4="#'4(&*4&("#%: #%&(#("["*4+%/# .(%&/7#4="#:%--%^+/6#4=(""#.J"'X#4="#%,"(.4+%/'#%: #)%7+0*.4+%/'#).7"#4%#4="#'%&(*"D4"J4#+/# %(7"(#4%#'%-$"#4"*=/+*.-#./7#/.((.4+$"#*%/'4(.+/4';#4="#)%7"'#./7#)%7.-+4+"'#%: #/.((.4+$"-H#.*-4+$"#,&,,"4#"J,("''+%/#./7#4="#+/4"(.*4+$"#7H/.)+*'#4=.4#).]"#4="#,("'"/4#'*"/"#.#'%&(*"#%: # ).44"('#+/#4"()'#%: #/.((.4+%/8

KEYWORDS

("^(+4+/6L#,&,,"4#4=".4("L#-+4"(.4&("L#\+'?-"#P+"//"L#C+*=."-#P%6"-L#O(./]#W%"=/-"

SOMMAIRE

INTRODUCTION P8

PARTIE 1. TRADUCTION DU LITTÉRAIRE PAR LE MARIONNETTIQUE P13

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INTRODUCTION

Devons-nous prendre une oeuvre littéraire et considérer que notre tâche est de la mettre en scène ; ou bien une autre démarche est-elle possible ?

Alexandre Taïrov1

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PARTIE 1. TRADUCTION DU LITTÉRAIRE PAR LE

MARIONNETTIQUE

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CHAPITRE 1.1. RECONFIGURATION DU TEXTE

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yo si me enfrentara a uno de esos autores? ¿Y al más grande de todos? ¿Y a varios de sus textos? N`k

Hôtel de Rive // Giacometti // Temps horizontalpg

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