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البعد الديني والوطني في الشعر الشعبي الأمازيغي شعر(سي محند أو محند)أنموذجا

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Academic year: 2021

Partager "البعد الديني والوطني في الشعر الشعبي الأمازيغي شعر(سي محند أو محند)أنموذجا"

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 







 





                                                                                  

             

               Abstract:

The study is based on a lighthouse model which is the poetSi Mohand Oumhand.It traces the path of his social and cultural life and studying samples of his poetry, based on introductory textual units, which often start by religious formulas, such as: In the name of God, Praise be to Godand Subhan AllahOr

       

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linguistic textual units that begin with letters of the alphabet, such as a, b, c, d and many others. Or a national significative formula by introducing a city among other algerian cities that the poet had visited or whereby he would transited, like the city of Algiers, Annaba, Blida, Bouira, etc.. Regarding the unity of the conclusion, it focuses on prayer and invoke God, the Almighty.

The study concludes with results such as Si Mohand Oumhand’s poetry which is an excellent model for the use of national and religious dimensions in the context of the communication and convergence between the Arab and Amazigh literature in view of the fact that the islamic tradition is the main source and the first confluence of the oral amazigh literature.

problem: This study attempts to highlight the importance of the

amazigh oral discourse and reveal national and religious dimensions of popular amazigh poetry through the model of poetry Si Mohand Omhand, and, focusing on levels of deep structure, characteristics, images, etc.

Keywords:Oral amazigh poetry, national dimension, religious dimension, linguistic features, images, significations.



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            ) 1 (                      1843                                (1)     2002   15  ) 2 (     

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                          ) 1 (                                ) 2 (                                                ) 3 (     (1)Recueil de poésie kabyle, Awal, Alger, 1990, p45

(2)      50    24   (3)     

Les Isefra de Si Mohand, Maspero, Paris, 1972, p 116.

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       1871                                                     ) 1 (                                             (1)       88 

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                                          ) 1 (                                                 ) 2 (               (1)             30  (2)    

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                                                     ) 1 (                                                            (1)                  1996   273 

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                                                          ) 1 (                 ڤ     ڤ               ) 2 (       (1)     276  (2)     285 

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                                                                                                                 ) 1 (          (1)     

Les poèmes de Si Mhand Oumhand, p 258 

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                                   ) 1 (                                                 (1)     

Les poèmes de Si Mohand, Awal, 1992, 2ème édition, p 110.

 

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   ) 1 (                                                 ڤ           ) 2 (                            (1)   63  (2)        53 

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     ) 1 (                                     ) 2 (                                                                            (1)     100  (2)            270 

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   ڤ                                                                      1        2002   2    

Recueil de poésie kabyle, Awal, Alger, 1990,

3          50     

4. Les Isefra de Si Mohand, Maspero, Paris, 1972

5       6      7             1996   8     

9. Les poèmes de Si Mhand Oumhand

10       

11. Les poèmes de Si Mohand, Awal, 1992, 2ème édition

12          13          

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