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Habitual Suspects : Deborah Stratman + Steven Badgett, SIMPARCH + Yukon School of Visual Arts

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OPENING DEC.17.2010 17:00-19:00 OVER THE WIRE #06

HABITUAL SUSPECTS

DEBORAH STRATMAN +

STEVEN BADGETT/SIMPARCH + YUKON SCHOOL OF VISUAL ARTS

944 3RD AVE DAWSON CITY . YUKON TERRITORY . CANADA DEC.17.2010 - JAN.17.2011

SOVA GALLERY

OVER THE WIRE #06

Deborah Stratman + Steven Badgett/SIMPARCH with Yukon School of Visual Arts

HABITUAL SUSPECTS

SOVA STUDENTS:

J O A N N E A N D E R S O N . K E R R Y B A R B E R . E L L E N F R I E S E N S O LV E Y J O H N S G A A R D . J A C K S O N L O V E T T . K R Y S T A L M A N U E L A U B Y N O ’ G R A D Y . K A T H R Y N P E N N I N G T O N . G R A H A M R U D G E S A R A H S E B U R N . E M M A T I U S . T H O M A S U S H E R

For the 6th edition of OVER THE WIRE – which pairs internationally acclaimed artists with the students at the Yukon School of Visual Arts to create an exhibition through correspondence – Deborah Stratman and SIMPARCH’s Steven Badgett directed the students to intervene with the everyday under the premise that “architecture is frozen habit”. With a project called Habitual Suspects students started off with the writings of George Perec and consciousness philoso- pher Alva Noë, then proceeded to decode a secret message sent by the artists in Chicago via morse code. In turn, the students created solo and collaborative works that interrupted their crystalised personal behaviours, cultural assumptions and established architecture. Using the SOVA gallery as a node, the exhibition includes records of performances in the domestic sphere, modifications to transportation, prosthetics on the verge of the ridiculous, hacks to the architecture of the school and interventions surrounding the building.

-Charles Stankievech SOVA Instructor Deborah Stratman is an artist and filmmaker interested in landscapes and systems. Her films, rather than telling stories, pose a series of problems – and through their at times ambiguous nature, allow for a complicated reading of the questions being asked. Many of her films point to the relationships between physical environments and the very human struggles for power, own- ership, mastery and control that are played out on the land. Most recently, they have questioned elemental historical narratives about freedom, expansion, security, and the regulation of space.

Stratman works in multiple mediums, including photography, sound, drawing and sculpture.

She has exhibited internationally at venues including the Whitney Biennial, MoMA, the Pompi- dou, Hammer Museum and many international film festivals including Sundance, the Viennale, Ann Arbor and Rotterdam. She is the recipient of Fulbright and Guggenheim fellowships and she currently teaches at the University of Illinois at Chicago.

http://www.pythagorasfilm.com/

Steven Badgett is part of SIMPARCH – a collaborative practice involving large-scale, usually interactive installations and events that examine loaded geography, building practices, site- specificity and materials that may be salvaged, recycled or generally brought together with a kind of DIY attitude. Often collaborating with other organizations, like the Centre for Land Use Interpretation, and individual artists, builders, scientists, academics, filmmakers, and mu- sicians, SIMPARCH works at exposing a site’s history and use through social interaction and experimentation with vernacular design and materials. SIMPARCH has shown at Documenta XI, Venice Biennale for Architecture, Whitney Biennial, Tate Modern, Renaissance Society and Deitch Projects, NYC.

http://www.simparch.org/

OVER THE WIRE Series : : http://media.yukonsova.ca/over-the-wire

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A. DO YOUR PART - AUBYN O’GRADY Combs, Mirrors, Studio Lighting, Stool, Camera B. INDECISIONS IN LIFE - KERRY BARBER Wood and Sound Recording

C. EVERY PRECIOUS MOLECULE - ELLEN FRIESEN Bra, Plastic Bag, Tubing, and Mucus

D. PARALLEL TANDEM CYCLE

GRAHAM RUDGE + JACKSON LOVETT 2 Bicycles, Wood, and Steel with Video E. UNTITLED (DOOR)

SARAH SEBURN + EMMA TIUS

Salvaged Door, Free Standing Frame and Spotlight

F. RED HEAD - THOMAS USHER Performance with Conceptual Model G. HORSE REFUGE - KATHERINE PENNINGTON Performance with Collage

H. REFLECTIONS - KRYSTAL M. MANUEL Performance with Mirror and Journal I. OTW06 INSTRUCTIONS

DEBORAH STRATMAN + STEVE BADGETT J. UNTITLED (SLIDE) - SOLVEY JOHNSGAARD Plastic, Rubber and Wood

K. PRIVATE - JOANNE ANDERSON Installation with Mixed Media

SOVA GALLERY Front Doors

Back Stairs 2nd Floor

Women’s Bathroom 1st Floor

K

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