• Aucun résultat trouvé

View of PORTFOLIOS IN THE WRITING CLASSROOM: AN INTRODUCTION (Editor: Kathleen Blake Yancey)

N/A
N/A
Protected

Academic year: 2021

Partager "View of PORTFOLIOS IN THE WRITING CLASSROOM: AN INTRODUCTION (Editor: Kathleen Blake Yancey)"

Copied!
2
0
0

Texte intégral

(1)

Book Reviews

Kathleen Blake Yancey (Editor).

PORTFOLIOS IN THE WRITING CLASSROOM: An Introduction

Urbana, Il: National Council of Teachers of EngUish, 1992 136 pp. $10.50, (NCTE members, $7.95)

Teacbers have many methods of evaluating student writing. One of these in volves assessing students with portfolio collections of their writing. Switcbing to this form of appraisal means that teacbers must cbange the way they approacb instruction, process, and evaluation of student writing. Luck-ily, books sucb as Portfolios in the Writing Classroom: An Introduction belp ease the transition by discussing all aspects of portfolio pedagogy. The editor of this book bas gathered together essays written by many educators: teacbers, prof essors of education, researcbers and administrators wbo offer practical advice to those interested in using portfolios in their classrooms. Some of the writers even tell about their initial resistance to portfolios and their later conversions. These are the essays that ring with the most convic-tion as well as the most practical suggesconvic-tions for converting a classroom to portfolios. AlI the articles, bowever, toucb on the practical aspects of beginning to use portfolios, cboosing what goes into them, evaluating and considering the results. Kathleen Blake Yancey pulls the wbole collection together with ber introductory and concluding summaries wbile the book ends with an annotated bibliograpby, bound to be useful 10 all educators.

Even thougb eacb essay offers overviews of the individual author' s experiences with portfolios, sorne empbasize important points not stressed by others. Sue Gold, for example, in "Increasing Student Autonomy" goes into great detail on the many advantages of portfolio writing. Sbe asserts that portfolios allow students to gain perspectives on their own writing, permit the writers to cboose the work they like best and enable them 10 Lake risks in writing. Furthermore, portfolios encourage writers to increase their

(2)

152 Book Reviews

output and address broad reading audiences. Another author, Catherine D'Aoust, talles in "Portfolios: Process for Students and Teachers" about mundane, but important practical issues. She touches on the actual folders, and what types could be most practical for collecting writing in progress. She discusses where to store the folders and how to make them available to students.

Two essays focus on the important question of who "owns" the portfolios. In "Portfolio Reflections in Middle and Secondary Schools", Roberta Camp suggests that students themselves should choose what goes into the folder, and which pieces the teacher should read. Sandra Murphy and Mary Ann Smith go further in "Looking into Portfolios" by suggesting that the students should not only choose their own pieces for evaluation, but should justify those cboices in writing. Evaluation, in fact, is an issue dealt with in almost all the essays. James Newkirk, one of the con verts to portfolio assessment, spends a great deal of time in the article "Portfolio Practice in Middle School: One Teacber's Story", discussing the concept of assessment as collaborative, holistic, and goal-oriented. He gives excellent examples that elaborate on these ideas.

Tbougb 1 have only mentioned a few contributors, the others also sbared their personal experiences and practical advice. They suggest ways that teachers could move towards portfolio pedagogy. However, even thougb teacbers will gain many new ideas from the wbole text, they may find that the essays tend to repeat themselves. 1 discovered that 1 could read tbree or four of the essays and be familiar with almost all the ideas presented in the book. Nonetbeless, this book addresses an important issue in current edu-cational practice in a readable and practical manner.

D. Greenberg.

A NEW LOOK AT SCHOOLS (1992) Sudbury, ON: Sudbury VaUey School Press

142 pp., $7

Audrey Berner McGill University

This three-part document focusses on value systems and education with a projection on what we could accomplisb if we were able to incorpo-rate the necessary cbanges to reach a "Cree democratic" education. Greenberg emphasizes social and educational transformations, presenting a new con-cept of schooling. In part one, wbich comprises five cbapters, the author

Références

Documents relatifs

C'est pourquoi nous relatons ici quelques observations que nous avons faites chez Veretillum cynomorium Pall.. Nous n'énumérerons pas les nombreux travaux faits

Arnaud-Fassetta (1998) (Figure 86) a montré que l’enfoncement du chenal est quasiment nul sur la période 1895-1969, puis devient beaucoup plus important entre 1969 et 1995,

As the finger pitch increases and the fingers are more spread out, there is less metal coverage per area and thus less shading; however, by increasing the finger pith

3. Group Selection: the heart of the methodology consists of two procedures: one interactive and one al1tomatic. Both are based upon group contribution estimation techniqlles.

Co-expression of a cell membrane transporter (SMF1) and a vacuole metal transporter (CCC1), enhanced metal uptake of manganese and cadmium by more than 10-fold, exceeding their

Il s'agit de cylindres qui ne sont pas planes à génératrices isotropes (alors que dans l'espace Euclidien tout cylindre minimale est un morceau de plan), et d'autres

La principale difficulté pour l’utilisation des nanocristaux en optoélectronique ré- side dans la difficulté à obtenir de bonnes propriétés de transport tout en maintenant

Nous ne pensons pas que la valeur de nos résultats puissent être suspectée de ce fait, car en deux occasions séparées par un intervalle de temps de neuf jours, nous