Marianne Mesnil,
Uni rersi le lib re de
Bnnelles 44 At'enue Jeanne,1050 Bruxelles, Belgique
Roumanie en miroir. Memoires de tiroir (Trialogue
a
propos d'une exposition)Ioana Popescu, Irina Nicolau Muzeul
Tarwwlui Roman
$oseaua Kiselejf ' nr. 3, sector 1,
Romania
Le .,faire .. d\rn e exposition (,.Roumanie en rniroir. Memoires de tiroir -Treignes, Belgique, juin-octobrc 1997), narre
a
troi s mix qui parlent d' un e .. transmi ss ion .. de I' objet - du proprietairea
l' ethonologu c et de J" ethnologue au public -, de la £ebrilite. refl exiYe mais 11011-COllformiste. des au-teurs en configurant r exposition. de s interrogations de J' ethn ologue rendu es palpables
a
tra,·ersl'objet.
Romania in the Mirror. Memoires from the Drawer (A Tri-alogue on an Exhibition)
The process of ·making' an exhibition (Romania in th e from the Drawer -Trcignes. Belgium. June-October 1997), as narrated in three voi ces. The main topic: the 'transmission·
of th e object from the owner to the ethnographer, and from th e ethnographer to the visitor. To put it differently: about a certain excitement that the authors of th e exhibition have put in their work, as welJ as about the way th e object would make 'touchable' the curator· s most intimate interrogations.
Romania in oglinda. Memorii de sertar (Trialog pe marginea unei expozitii)
.. Facerea ·· unei expozitii ( .. Roumanie en miroir. Memoires de tiroir - Treignes, Belgia , iunie-oc-tombri e 1997). narata pe trei rnci care vorb esc despre .. transmiterea .. obiectului - de la proprietar spre etnolog de la etnolog spre public - , despre febrilitatea. reflexiva dar non-conforrnistii, cu care autoarele au configurat expozitia. despre interogatiile etnologului fa cute palpabile prin obiect.
Jlartor. II - 1997, Rcdecouvrir la museologic
223 Res umes/
Abstracts/ RezumateLes icones de Horia Bernea
Teodor Baconsky Str. Amiral Biilescu nr. 10, sector 1, 71296
u11 c mention rapide du ra pport cntre r objet de cultc et la pi ece de patrimoine. qui aboutit
a
J'icientifi ca ti on ci'un e .. pat hoJogie du rega rd" uniforini ;:a teur. ignorant la Yaieur sy rnb olique de l'i111age. le tex te anal:·se d'i co nes inaugurec au du Pa:·sa n. Deux th emes :· so nt Ull e sacra/it e gradu e//e de !'espace. rcafo ee au 111 oyc 11 de l'ico ne et Je di alogue efficace entre les se ns cl' un e culture trad iti onn elle et l'interroga ti o11 pro p rea
la societe roum aine actu elle.obligee
a
un e co nfrontation non-co mplaisa nte a\·ec so n passc .The Icons of Horia Bernea
Th e paper begins \\'ith a bri ef disc us;:ion on the relati on;:l1i p bel\ree n th e cult object and the pat-rinwine piece. 11·ith co nclu sions th at draw th e analysis in th e directi on of identif:-ing a so rt of ·path o-logy of th e sight' - th at is. of th e equ ali zing sight. closed to th e sy mboli c Yalue of the im age. Then. the auth or int ro du ces us to a refl ecti on 011 th e icon ex hibition ll C\1-l:·-opened at th e of th e Ro-manian Peasa nt. T1rn leadin g tl wmes are de\-eloped in th e text: l. th e grn du al sacrali:ation of th e en-Yironm ental space that is acco mpli shed by means of th e ico n. an d 2. th e effecti1·e dialogue bet\ree n th e ancient mea nings oI a traditi onal culture and the actu al qu esti ons of the Romani an society. fo rced to un-indul ge ntly mee t its mrn pa;;t.
l coanele lui Horia Bernea
Dupa ce menti oneaza rapi d rapo rtul intre obiectul de cult de patrimoniu - ccea ce clu ce la ide ntifi ca rea un ei .. patologii a pri\-irii ·· unifo rmizate. nea tcnta la Yaloa rca simboli ca a imag inii - . tex-tul anali zeaza ex pozitia de icoa ne inaugurata la Tri ranului . Doua teme ,;i nt clesc ifrate. anum e sacra litatea graduala a spatiului . rea li za ta prin intermediul icoane i cli alogul efi cace intre se nsu ril e un ci culturi traditi onale interoga ti a pro pri e societatii actu ale. obligata la o co nfruntare neco mpl eze nta cu propriul trec ut.
_lfa nor. II - 1991. Redccouvrir la museologie
224 Res um es/ Abstracts / Rezumate
Exposer un probleme
Anca Manolescu Jfuzeul Tarwwlui Roman
$osemw Kiselejf 11r. 3, sector 1, Romania
Line lecture des salles !CONES qui met ii profit le fa it d"arnir assiste IP faire de ce tte expos iti o11. d" en arnir co nnu les ctap es, les tatonn emenb. les soluti ons au moment 111 eme OU
A
partir des .. propos de 111u sre00 du sa
Horia Bern ea. Otl essaie de fo r111ul er qu elqu es elements ap-partenant au code intem e de l"ico ne qui ont ete mis ;, l" oc u\Te clans le di scours mu seal du du Paysan. Pour re qui est dPs salles !CO NES. Ja lecture in siste surtout sur les th emes ou de!"exp eri ence chreti enn e qui trou\·ent un e expression
a
traYers des Compositions .. \'iStlf'll ementemOU-\'anteS 00 ou proprement ,.d octrinaires ...
Displaying a Problem
A personal reading of th e hall ICONS. bui lt from th e perspective of so meo ne wh o \\atched th e mak-ing of th e exhibition and witnessed all th e gropings as well as th e solutions in th e ,·pry moment \1·he11 th ey sprang out.
Us ing a few statements of Horia Bern ea as a starting point, th e author aims at id entifying. \rithin th e museological di scou rse of th e of th e Romanian Peasant. several active elements related to the inn er code of th e icon. The paper dwells on th e th eological th emes and on those parti cularly linked to th e Christi an exp eri ence wh ich are approa ched by means of \ ·isually tou chin g· or even "doc-trin aire· composition s.
A expune o problema
Textul propune lectura cui,·a care a asistatf<:1 cerea expozitiei. care i-a perceput etapele, dibuirile solu tiile in chiar momentul ivirii lor.
Plcclnd de la comentariile muzeal e ale Jui Horia Bernea. ince rc sii formu lez cite\·a din elementele apartinind codului intern al icoa nei care sint utilizate in configurarea <lisc ursului Muzeului Taranului.
ln
ce sa lile lCOANE. lectura insista asupra temelor tcologice sau de experi enta care sint pu se in sce na prin interm erliul un or compozitii .. emotionante ,·izual·· sau efectiY .. doctrinarc ...Jlart or. II - 1997. Rcdccounir la museologic