You've seen how the system moves temporary Page End Codes when you reformat and paginate.
Sometimes, though, you'll always want a page to end at a particular place, regardless of the length of the page. Some examples would be:
• Title pages
• Last page of a section or chapter
• Table of Contents
• Reference Pages
You can instruct the system to always end a page where you want by entering a required Page End Code. They are called required because the system will not move them. To enter a required Page End Code you use the CODE key with the number 2 key (see Illustration X-6 below).
FORMAT
SCALE .1 FLUSH RIGHT PAGE END STOP CENTER CENTER COL NULL SWITCH STRIKE OVER BQLD
The CODE + 2 Keys for Page End Codes nlustration X-6
DASH BKSP!I.
In the next exercise, you will add a reference page to the ROMAN document and use a required Page End Code to instruct the system that this page should always be by itself. Then you'll reformat and paginate the document to see how the system honors a required Page End Code.
Step 1
Step 2
Step 3
Step 4
Step 5
Lesson Ten-INPUT II
RECALL the document titled ROMAN.
You can use the SEARCH key to get to any page of a document. In this exercise, you need to get to page 3, so you'll touch SEARCH three times to bring up the TO PAGE NUMBER message and then type the number three.
TOUCH the SEARCH key three times.
TYPE
the number 3 and touch ACCPT.Result The third page of the document is brought to the screen.
HOLD down CODE and touch the ACCPT key to restore the Next Character Mark to the screen.
HOLD down CODE and touch the 2 key.
Result A required Page End Code is inserted in the document, and a new page is brought to the screen. The new page has a Format Block as the first character, since all pages must begin with a Format Block.
TYPE
the text shown below in Illustration X-7.Appreciation is expressed for the help of International Paper Company in the preparation of this report, portions of which are drawn from its publication, Pocket Pal - A Graphic Arts Production Handbook, Tenth Edition, June 1970.
Additional Text for the Document ROMAN mustration X-7
10 - 15
Lesson Ten--INPUT II but leaves the required Page End Code alone.
TOUCH TOUCH
TOUCH
Result
the FORMAT key and set the line spacing at 1.
the FORMAT key again and turn on the following options:
• REFORMAT
• REPLACE LINE SPACING
• PAGINATE
ACCPT to begin reformatting and paginating. Make any necessary hyphenation or page ending dedisions.
The required Page End Code prevented the system from combining the reference page with the text page.
Note: If you had a lengthy document (15 or 20 pages) and made revisions starting on page 7, you could SEARCH directly to page 7 and begin reformatting and paginating from the top of that page.
STORE PRINT
the revised document over the original.
the document. Your printed copy should be similar to Illustration X-8 on the next page.
ROMAN LETTER DEVELOPMENT
The manuscript hand of the Venetian scribes, which Nicholas Jenson followed as his model, developed apart from gothic lettenng.
Tr'FiCiOevolved from roman capital letters. In formal writing and inscrip-tions, the early Romans used square capitals with slig'fif"riiOcJifica~
In'1'ne form of our upper-case alphabet. For correspondence and docu-ments not requiring formal writing, large cursive or running capitals were used.
Many national styles in writing developed as learning was carried from Rome through the rest of the known world. The influ-ence of the roman characters might have been lost, however, had not Emperor Charlemagne taken an interest in the revival and spread of ancient learning. The calligraphy of this school became the model for the rest of Europe.
By the tenth century, the use of letter forms from which we derive our lower case was quite universal. However, the letters did not assume the fixed form with which we are familiar until they were cast in types by Jenson.
In crediting Jenson with our style of roman type face, it would be unfair to overlook other early printers who experimented with roman letter forms, or who modified the early gothic letters. The first German types were angular and pointed; later types became more rounded. A semi-gothic face, tending distinctly toward roman, was used in 1460 by John Mentelin, the first Strassburg Printer.
The humanistic manuscripts, that is, manuscripts of classical literature produced by Venetian scribes, were Jenson's models. He did not copy the handwriting of scribes letter for letter, but created a font of related letters legible and pl~asing in effect. He clearly recognized that mechanical perfection is not as desirable as the com-posite appearance of the page.
Practically all roman type faces in common use today have accompanying italics. This was not true of early roman faces. Jenson, for example, diOiiOtproduce cursive type; italics were a separate
development.
-Lesson Ten--INPUT II
Appreciation is expressed for the help of International Paper Company in the preparation of this report, portions of which are drawn from its publication, Pocket Pal - A Graphic Arts Production Handbook, Tenth Edition, June 1910.
Printed Version of the Revised Document ROMAN nlustration X-8
10 - 17
Lesson Ten-INPUT II
...
REVIEW OF