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How well can linear stability analysis predict the
behavior of an outward valve brass instrument model ?
Lionel Velut, Christophe Vergez, Joël Gilbert, Mithra Djahanbani
To cite this version:
Lionel Velut, Christophe Vergez, Joël Gilbert, Mithra Djahanbani. How well can linear stability
analysis predict the behavior of an outward valve brass instrument model ?. Acta Acustica united
with Acustica, Hirzel Verlag, 2017, 103 (1), pp.132-148. �10.3813/AAA.919039�. �hal-01245846v4�
behaviour of an outward-striking valve brass instrument 2 model? 3 Lionel Velut 1 , Christophe Vergez 1 , Joël Gilbert 2
, and Mithra Djahanbani
1 4
1
LMA, CNRS, UPR 7051, Aix-Marseille Univ., Centrale Marseille, F-13453
5
Marseille edex 13, Fran e.
6
2
Laboratoire d'A oustique de l'Université du Maine, UMR CNRS-6613, Avenue
7
Olivier Messiaen, 72085 Le Mans edex 9, Fran e
8
De ember 13, 2016
9
Abstra t 10
Aphysi almodelofbrassinstrumentis onsideredinthispaper: aonedegree-of-freedom
11
outward-striking valve for thelips, non-linearly oupled to amodalrepresentation of theair
12
olumn. It is studied through Linear Stability Analysis (LSA) of the equilibrium solution.
13
Thisapproa hprovidesthethresholdblowingpressurevalue,at whi hinstabilityo urs,and
14
the instability frequen y value. The relevan e of the results of this method is theoreti ally
15
limitedto the neighbourhoodof theequilibriumsolution. Thispaper he ks thee ien y of
16
LSA to understand thebehaviour of the model omputed through time-domain simulations.
17
As expe ted, a good agreement is observed between LSA and numeri al simulations of the
18
ompletenonlinearmodelaroundtheos illationthreshold. Forblowingpressuresfarabovethe
19
os illation threshold, the pi ture is more ontrasted. In most of the ases tested, a periodi
20
regime oherent with the LSA results is observed, but over-blowing, quasi-periodi ity and
21
period-doubling also o ur. Interestingly, LSA predi ts theprodu tion of the pedal note by
22
a trombone, for whi h only nonlinear hypotheses have been previously proposed. LSA also
23
predi ts the produ tion of a saxhorn note whi h, although known to musi ians, has barely
24
been do umented.
25
1 Introdu tion
26
LinearStabilityAnalysis(LSA) anbeusedtoanalysethebehaviourofdynami alsystemsaround
27
equilibriumpoints(i.e. non-os illatingsolutions). LSA onsistsinwritingalinearisedversion ofa
to harmoni perturbations. 30
LSA has already been applied to physi al models of musi al instruments, su h as woodwind
31
instruments [Wilson and Beavers, 1974, Chang,1994, Silva etal., 2008, Karkaret al.,2012℄,
32
ute-like instruments [Terrien et al.,2014℄ and brass instruments [Cullenet al.,2000,
33
Lopez et al.,2006, Silvaetal., 2007℄. By denition, the domain of relevan e of the LSA
re-34
sults is theoreti ally limited to the neighbourhood of the equilibrium solution. However, re ent
35
results on utes have highlighted that LSA an predi t important features of periodi regimes,
36
su h as their frequen ies [Terrien et al.,2014℄. This paper examines to what extent LSA an be
37
used to understandsome aspe ts of the behaviourof a physi almodelof brass instrument.
38
Physi al models of brass instuments have been proposed in multiple
stud-39
ies [Eliottand Bowsher, 1982, Flet her, 1993, Ada hi and Sato, 1996, Cullenet al.,2000,
40
Campbell,2004, Silvaetal., 2007℄. Sin e our fo us in this study is a simple model, a one
41
degree-of-freedom system is retained to model the player's lips: the outward-striking valve,
42
also referred to as "
(+, −)
" in some publi ations. The same goal of simpli ity makes us43
ignore nonlinear propagation in the bore of the instrument, whi h is responsible for "brassy
44
sounds" at high sound levels [Myers et al.,2012℄. The oupling by the airow blown
be-45
tween the lips and the air olumn inside the bore is modelled through a usual nonlinear
46
algebrai equation [Hirs hberg et al.,1995℄. This model is detailed in Se tion 2.1. Even
47
su h a simple brasswind model has more parameters needing to be tuned than the
sim-48
plest models of woodwind instruments, whi h is based on two dimensionless parameters
49
only [Hirs hberg et al.,1995, Dalmontet al.,1995, Taillard etal.,2010, Bergeot et al.,2013℄.
50
However, brasswind players make their instrument os illate on several modes, whi h implies a
51
signi ant modi ation of the me hani al hara teristi s of their lips. In musi al terms, this
52
orresponds to playing multiple notes without pulling a slide nor depressing a valve, whi h is
53
part of the playing te hnique of all brass instruments. Therefore, the lip dynami s annot be
54
ignored,whi h impliesanin rease inthe numberof parameters totune. A bibliographi alreview
55
is given in Se tion 2.2 to give grounds to the values hosen for ea h parameter of the model. In
56
Se tion 2.3, details are given on how LSA is applied to the model. There are several possible
57
approa hes to highlighting nonlinear model behaviours to ompare them with LSA results. For
58
instan e, theHarmoni Balan e MethodgivesaFourierseriesapproximationofthesteady stateof
59
periodi regimes, in ludingunstable ones [Gilbert etal., 1989, Co helin and Vergez, 2009℄. Sin e
60
the pioneering work des ribed in [S huma her, 1981, M Intyre et al.,1983℄, it is also possible to
61
arry out time-domainsimulationsatmoderate omputational ost,providinga esstotransients
62
and possibly non-periodi solutions. The se ond approa h is retained here (see Se tion 2.4).
63
Se tion 3 ompares LSA results and numeri al simulations for dierent sets of parameter values.
64
Periodi regimes, orresponding to the usual sound of the instrument, are explored, along with
65
less ommonregimes su h asquasi-periodi ityand period-doubling. InSe tion 4,we fo us on the
66
lowest a ousti resonan e of brass instruments, alled the pedal note, a parti ularly interesting
2 Tools 69
2.1 Brass instrument model
70
In most windinstruments[Flet her, 1993,Chaigne and Kergomard, 2016℄, in ludingbrass
instru-71
ments[Eliott and Bowsher, 1982,Yoshikawa, 1995,Cullen etal.,2000℄,theos illationresultsfrom
72
the oupling between an ex iter and a resonator. More generally, the losed-loop system
repre-73
sentation shown in Figure 1 has been widely used by the musi al a ousti s ommunity sin e the
74
seminal work of Helmholtz[Helmholtz,1877, M Intyre et al.,1983℄.
75
76
Figure 1: (Color online) Closed-loop model in free os illation, suitable for the des ription of
most self-sustained musi alinstruments. Self-sustained os illationsare generated by the lo alised
nonlinear oupling between a linear ex iter and a linear resonator. For brass instruments, the
ex iteristhe lipreedwhilethe resonatoristheair olumninsidethebore,and the ouplingisdue
to the airow between the lips.
77
For brass instruments, the ex iter is the lips of the musi ian. It is represented by a linear,
78
os illator-likevalvelinkingthe height of the hannelbetween the lips
h(t)
andthe pressuredier-79
en e a ross the lips
δp(t) = p
b
− p(t)
, wherep
b
is the blowing pressure, andp(t)
is the os illating80
pressure signalinside the mouthpie e (the input of the bore).
81
A one degree of freedom valve (referred to hereafter as "1-DOF valve") [Flet her, 1993℄ is
82
enough to model the lips for ommon playing situations [Yoshikawa, 1995℄ with a manageable
83
number of parameters. Two kinds of 1-DOF valves an be onsidered : the "outward-striking"
84
valvetends to open when
δp
grows, while the "inward-striking" valve tends to lose.85
While it is now admitted that woodwind reeds an be satisfa torily modelled by inward
86
striking valves [Wilson and Beavers, 1974, Dalmont etal., 1995℄, there is no onsensus about
87
the modelling of the lip reed, as neither the outward-striking nor the inward-striking valve
88
model reprodu es all the behaviours observed with real musi ians. Parti ularly, brass players
89
are able to rea h a playing frequen y
f
osc
above and below then
th
bore resonan e frequen y
90
f
ac,n
[Campbell, 2004℄, while a 1-DOF inward-striking oroutward-striking valve model is limited91
to playing frequen ies respe tively below or above
f
ac,n
to meet the regeneration onditionex-92
plained in [Eliott and Bowsher,1982℄. Moreover, measurements of the me hani al response of
93
arti ial[Cullen etal., 2000, Nealet al.,2001℄ and natural lips[Newton etal.,2008℄ revealed the
oexisten eofbothinward-strikingandoutward-strikingresonan es-this oexisten eallowing
f
osc
95to bebelowor above
f
ac,n
.96
However, situationswhere
f
osc
isbelowf
ac,n
(inward-strikingbehaviour) are mostly spe i to97
some musi al ee ts. For normal playing situations, the playing frequen y is above
f
ac,n
, and an98
outward-strikingvalvemodelispreferred. Moreover,thegeometryofhumanlipsmakesthemopen
99
when the pressure in the mouth in reases, whi h is onsistent with the behaviour of the
outward-100
striking valve model. The relevan e of this hoi e will be reinfor ed throughout this arti le, by
101
omparing the results of the modelanalysis with experimentalbehaviours of brasswinds.
102
The outward-striking valve model gives the relation below, linking the height of the hannel
103
between the lipsand the pressure dieren e a ross the lips:
104
d
2
h
dt
2
+
ω
l
Q
l
dh
dt
+ ω
2
l
(h − h
0
) =
1
µ
(p
b
− p(t)),
(1) whereω
l
= 2πf
l
(rad · s
−1
)
is the lip resonan e angular frequen y;
Q
l
the (dimensionless) quality105
fa tor of the lips;
h
0
the value ofh(t)
at rest;µ
a lip surfa e mass equivalent(kg · m
−2
)
. The
106
variables are reported onthe sket h of the lipregion inFigure 2:
107 108
p
b
h(t)
u(t)
p(t)
lip
lip
mouth
mouthpiece
109Figure 2: (Colour online) Sket h of the mouth and lips of the musi ian and the instrument
mouthpie e. The mouth (left) is onsidered as a avity under a stati pressure
p
b
. The lips(ellipses)separatethemouthfromthemouthpie e. The heightbetween thelipsis
h(t)
,the airowbetween the lipsis
u(t)
and the pressure inthe mouthpie e isp(t)
.110
This modelassumes the mouth pressure tobe onstant, even thoughthe existen e of an
os il-111
lating omponentinthemouthhasbeendemonstratedexperimentally[Fréour and S avone, 2013℄.
112
A morepre isemodelwould onsider this os illating omponent,whi hisdue tothe tunablepipe
113
formedby thevo altra t[Eliott and Bowsher,1982℄. Asigni antrole ofthe vo altra thasbeen
114
shown for saxophone and larinet playing [Clin het al.,1982, Fritz, 2005, S avone et al.,2008,
115
Guillemainetal., 2010, Chenet al.,2011℄. However, for brass instrument playing, the role of the
116
vo al tra t does not seem to be signi ant when playing periodi regimes in the usual musi al
117
rangeofthe instrument-althoughitsintera tionwiththe lipshas beenhighlightedby
experimen-118
talstudies[Kaburagiet al.,2011,Chen etal., 2012,Fréourand S avone, 2013,Fréouret al.,2015,
119
Boutinet al.,2015℄.
120
The resonator is the air olumn inside the bore of a trombone or a saxhorn (see Se tion 4.2).
121
It ismodelledby itsinputimpedan e, whi histhe ratio between pressure
P (ω)
and a ousti owU(ω)
inthe mouthpie e. Its expression inthe frequen y domainis: 123Z(ω) =
P (ω)
U(ω)
.
(2)Nonlinear ee ts in the resonator should be taken into a ount to a urately des ribe
124
the behaviour of brass instruments at medium/high playing levels [Hirs hberg et al.,1996,
125
Myers et al.,2012℄ parti ularlythe "brassy sound"relatedto the formationofsho k waves.
How-126
ever, themainobje tiveofthisworkisthestudy ofos illationatlowlevels. Thereforethea ousti
127
propagation along the bore is assumed tobe linear and thus the input impedan e fully des ribes
128
the resonator in our model. Here, input impedan es of a Courtois "T149" tenor trombone (and
129
when mentioned, aCouesnon "Ex elsior"baritone-saxhorn in
B♭
) are used. Impedan es aremea-130
suredwiththe impedan esensor des ribedin[Ma aluso and Dalmont,2011℄. They are ttedbya
131
sum of omplex modes (pole-residuefun tions) using aLeast Mean Squares method, asdes ribed
132
in[Silva,2009,p.2840℄. The hara teristi impedan e of the resonator is
Z
c
= ρc/S
,S
being the133
input ross se tion of the bore at the mouthpie e rim. The modal-tted impedan e is written:
134
Z(ω) = Z
c
N
X
n=1
C
n
jω − s
n
+
C
n
∗
jω − s
∗
n
,
(3)s
n
andC
n
beingthe omplexpolesandthe omplexresiduesofthen
th
omplexmode,respe tively.
135
Translation ofeq.(3)inthe timedomainandde ompositionof
p(t)
intoitsmodal omponentsp
n
,136
su h as
p(t) = 2.
P
N
n=1
Re(p
n
)
results in anordinary dierential equationfor ea hp
n
:137
dp
n
dt
= Z
c
.C
n
.u(t) + s
n
.p
n
∀n ∈ [1, N].
(4)0
200
400
600
800
−180
−90
0
90
180
frequency (Hz)
arg(Z) (deg)
10
3
10
4
10
5
10
6
10
7
|Z| (kg.m
−4
.s
−1
)
138Figure3: ( olouronline)Magnitude(top)andphase(bottom)oftheinputimpedan eofaCourtois
tenor trombone with the slide in itsrst position. The dashed (blue) urve depi tsthe measured
impedan e,thesolid(red) urveisthetted urvewith18 omplexmodes. Thedieren ebetween
tand measurement isalsoplotted (magenta).
maximum relative dieren e between the measured and the tted urves, for frequen ies above 141
30Hz
, is lower than2.6 %
for the magnitude, and4.7 %
for the phase. Measurement in low142
frequen y islimited by the impedan e sensor pre ision.
143
Those two linear elements (ex iter and resonator) are non-linearly oupled by the airow
144
through the lip hannel. The air jet is assumed to be laminar in the lip hannel, but
tur-145
bulent in the mouthpie e, all its kineti energy being dissipated without any pressure
re ov-146
ery. Applying the Bernoulli law and the mass onservation law gives the following expression
147
of the ow between lips, depending on the pressure dieren e and the height of the lip
han-148
nel[Wilson and Beavers, 1974, Eliott and Bowsher,1982, Hirs hberg et al.,1995℄:
149
u(t) =
r 2
ρ
W h(t)pp
b
− p(t),
(5)where
u(t)
is the airow(m
3
· s
−1
),
h(t)
the height of the hannel between the lips(m
),ρ = 1.19
150
kg · m
−3
the density of the airat
20
◦
C
and
W
the width of the lip hannel (m
).151
The dynami s of the system des ribed by (5), (1)and (4) an be put intoa state-spa e
repre-152
sentation
X = F (X)
˙
, where F is a nonlinear ve tor fun tion, and X the state ve tor, ontaining153
the observables of the system. Sin e
p(t) =
P
N
n=1
2Re(p
n
(t))
, this results inthe following system: 154
d
2
h(t)
dt
2
= −ω
l
2
h(t) −
ωl
Ql
dh(t)
dt
−
p(t)
µ
+ ω
2
l
h
0
+
pb
µ
dpn
dt
= s
n
p
n
(t) + Z
c
C
n
q
2
ρ
W h(t)pp
b
− p(t)
forn ∈ [1, N].
(6)This leads to the followingstate ve tor, similar tothe one proposed in[Silva etal.,2014℄:
155
X =
h(t);
dh
dt
; {p
n
(t), n ∈ [1, N]}
′
,
(7)and the fun tion
F
an bewritten as:156
dX
dt
=
dh
dt
d
2
h
dt
2
dp
1
dt
. . .dp
n
dt
= F (X) =
X(2)
−ω
2
l
X(1) −
ω
l
Q
l
X(2) −
1
µ
P
N+2
k=3
2Re[X(k)] + ω
l
2
h
0
+
p
b
µ
s
1
X(3) + C
1
.Z
c
.
r 2
ρ
W X(1)
q
p
b
−
P
N
+2
k=3
2Re[X(k)]
. . .s
N
X(N + 2) + C
N
.Z
c
.
r 2
ρ
W X(1)
q
p
b
−
P
N
k=3
+2
2Re[X(k)]
.
(8)2.2 Choi e of lip parameters
157
Setting the values for the parameters of the lip model is not obvious, be ause measuring the
158
me hani aladmittan e(velo ity overfor eratio) under playing onditions(os illatinglips) seems
159
out of rea h, even if some experiments tend to it [Newton etal.,2008℄. Adjusting parameters to
a one-DOF model depends on a small number of parameters, dierent sets of parameter values 162
mayleadtosimilarresults[Hélieetal., 1999℄. Moreover, lipvalveparametersareexpe tedtovary
163
far more than reed valveparameters, parti ularlythe lipresonan e frequen ies.
164
A bibliographi al review on lip parameter values has been done. Results from the literature
165
are gathered in Table 1 along with abrief summaryof the methodused inthe reviewed arti les.
166
Referen e
h
0
(m)
W (m)
f
l
(Hz)
µ
−1
(m
2
· kg
−1
)
Q
l
Summary[Eliott and Bowsher, 1982℄ N/A N/A 200 0.2 0.5
Q
l
measured on heek[Cullen etal.,2000℄
1
st
(Outward) mode Embou hure: Soft6.3 · 10
−4
18 · 10
−3
189 0.07 10.5 Arti ial lips Medium5.3 · 10
−4
12 · 10
−3
203.5 0.11 6 3 embou hures Tight4.4. · 10
−4
11 · 10
−3
222 0.09 9 [Lopez etal., 2006℄2 · 10
−4
30 · 10
−3
162 0.03 5 Arti ial lips[Gazengel etal.,2007℄ Human lips;
Embou hure: Soft N/A N/A 115.7 N/A 0.79 saxophone-like
Medium N/A N/A 479.9 N/A 0.46 position;
Tight N/A N/A 1073 N/A 0.46 3 embou hures
[Newtonet al.,2008℄ N/A N/A 32 N/A 1.21.8 Human lips
High-speed amera
[Ri hards, 2003℄
5 · 10
−4
7 · 10
−3
162 0.19 3.7 Arti ial lips
tfor goodresults
[Rodet and Vergez, 1996℄ N/A N/A 428.4 0.67 2.88 Trumpet; adjusted
forsimulation
[Ada hi and Sato, 1996℄
1 · 10
−3
7 · 10
−3
60700 variable 0.53 Trumpet; adjusted
forsimulation
167
Table1: Reviewofdierentvaluesoflipparametersfromliterature,alongwithabriefexplanation
of the method. In some arti les, ertain values are not available (N/A). For papers presenting
2-DOFlip models, onlythe rst, outward-strikingDOFis reported. Allbut the lasttwo referen es
deal with trombone parameter values.
168
This work omplements the review published in [Newton, 2009, p.119℄. Many authors do not
169
provide the parameter values they use, nor do they give explanations about their method to get
170
these values, ex ept the fa t that these parameters allow periodi self-sustained os illationof the
171
model. Measurements on human or arti ial lips were made in onditions as similar as possible
172
to the playing onditions. The list of publi ations is not exhaustive: we left aside most of the
173
publi ations sin e they do not justify their values or donot t their measurements with a modal
174
lip-reed model.
175
Geometri parameters (lip hannelwidth, and lip hannel heightwhen the player is not blowing)
176
given inallstudies are onsistent,around
W = 12.10
−3
m
and
h
0
= 5.10
−4
m
. Parametri studies
the model: numeri al values hange but the overall behaviour is the same. Similar observations 179
havebeen madeabout
µ
,even thoughtherange ofthe valuesgathered isalittlewider(µ ∈ [5, 33]
180
for the trombone).
181
Measurements from [Gazengel et al.,2007, Newton etal., 2008℄ tend to give low quality-fa tor
182
values between
0.5
and2
for human lips. However, preliminary analysis arried out withQ
l
≈ 1
183
showed very unrealisti pressure thresholds (order of magnitude :
10
4
to
10
5
Pa
). Thus, a value
184
for
Q
l
= 7
was hosen, losertothe values measuredon arti iallips(Q
l
∈ [3.7, 10.5]
). The set of185
parameters used for simulationand LSA throughout this paperis given inTable 2:
186
h
0
(m)
W (m)
1/µ (m
2
kg
−1
) Q
l
5.10
−4
12.10
−3
0.11 7
187
Table 2: Lip parametersretained inthis study.
188
Thevalueof
f
l
is onstantlyadaptedbythemusi ianwhileplaying. Forthisreason,weperformed189
LSAwith
f
l
valuesrangingfrom20 Hz
to500 Hz
. Thisallows os illationontherst eightregimes190
of the instrument, whi h orrespond to the usual notes of the trombone, from
B♭1
toB♭4
with191
the slide in rst position.
192
2.3 Stability of the equilibrium solution
193
Linearisinga losed-loopsystemtoassesspotentialinstabilitiesisawidelyusedmethod,inthe
dy-194
nami alsystems ommunity[Bergé etal., 1995℄aswellasinmusi ala ousti sforbrasswind,
wood-195
wind and ute-like instruments [Wilson and Beavers, 1974, Cullenet al.,2000, Silvaet al.,2008,
196
Auvray et al.,2012, Terrienet al.,2014℄. Basi ally, the equations modelling the system are
lin-197
earised arounda known equilibriumsolution. Then,the stability of this solution isdetermined.
198
When the system des ribed in Se tion 2.1 is in stati equilibrium, the lip opening position has
199
a stati value
h(t) = h
e
. This equilibrium position is slightly larger than the lip opening at200
rest
h
0
, due to the onstraint of the blowing pressure on the inner sides of the lips. Similarly,201
there is a smallstati overpressure
p
e
at the input of the bore of the instrument, asZ(ω = 0)
is202
nonzero. This is related to the pressure loss in the instrument. Mathemati ally, this equilibrium
203
isobtained by an elling alltime derivativesinthe system,asdes ribed inappendixA. Thevalue
204 of
A =
√
p
b
− p
e
is obtained by solving: 205A
3
+
A
2
β
+ h
0
µω
2
l
A −
p
b
β
= 0,
(9) withβ =
W Z(ω=0)
µω
2
l
q
2
ρ
. The value ofZ(ω = 0)
is extrapolated from the tted version of the206
impedan e. Equation (9) has 1 or 3 real roots. In the latter ase, the smallest real positive root
207
should be onsidered to ompute
p
e
= p
b
− A
2
[Silva,2009℄, as
Z(ω = 0)
issmall. The lip hannel208
height at equilibrium
h
e
is then given by (1)with¨h = ˙h = 0
.In the vi inity of the equilibriumsolution
X
e
, the linearisedfun tionF
˜
an be writtenas: 210˜
F (X) = F (X
e
) + J
F
(X
e
)(X − X
e
),
(10)where
J
F
(X)
is the Ja obianmatrix of the fun tionF
andX
e
the state ve tor at the equilibrium211
solution. The solutions of
X = ˜
˙
F (X)
are under the form:212
X(t) − X
e
=
N
X
i=1
U
i
e
λi
·t
,
(11)where
λ
i
are the eigenvalues ofJ
F
(X
e
)
andU
i
the orresponding eigenve tors.213
Thus,theeigenvaluesoftheJa obianmatrixgiveinformationaboutthestabilityoftheequilibrium
214
solution for a given set of parameters. If at least one of these eigenvalues
λ
has a positive real215
part, the amplitude of the linearisedsolution tends to innity while time in reases, whi h means
216
the equilibriumis unstable and the solution starts os illating. Referring to (11), this means that
217
one ofthe termsof the sumdominates thesolution,allotherterms being de reasingexponentials.
218
As a rst approximation, the solutionof the linearisedsystem an be written:
219
X(t) − X
e
=
X
Re(λ
i
)>0
U
i
e
λi
·t
(12)Thedevelopedtoolndsthelowestvalueof
p
b
atwhi htheequilibriumsolutionbe omesunstable,220
i.e. the value atwhi hone eigenvalue
λ
with positivereal part appears. This value ofp
b
isfurther221
referredtoas
p
thresh
theos illationthreshold(orthresholdpressure). Duringthetransientphaseof222
the os illation,the exponentialgrowth of the amplitude isdetermined by the positive real part of
223
λ
,andtheangularfrequen yisgivenbyitsimaginarypartω = Im(λ)
. However, thenonlinearities224
ofthe systemlimitthenalamplitude andalsoae tthe os illationfrequen y ofthesteady state.
225
This method only dete ts instabilitiesemerging from the equilibrium solution. If a stable
os il-226
lating regime oexists along with the stable equilibrium solution, it will not be dete ted. This
227
situation o urs for example in ertain woodwind instruments, where the Hopf bifur ation
( on-228
ne tingtheequilibriumsolutiontotheos illatingone)isinverse insome ases [Grandet al.,1997,
229
Dalmontet al.,2000, Farner etal., 2006,Ri aud et al.,2009℄.
230
2.4 Time-domain simulation
231
Another approa h forstudying musi al instrumentsrelies ontime-domainab initio simulationsof
232
the hosen model, for a given set of parameters.
233
Multiple numeri al methods have been developed to simulate wind instruments with models
234
similar to the one presented in Se tion 2.1. Various approa hes have been proposed to
imple-235
ment the resonator a ousti behaviour. The ree tion fun tion of the bore has been widely
236
used [S huma her, 1981, M Intyre et al.,1983, Ada hi and Sato, 1995, Vergezand Rodet, 1997,
237
Gilbert and Aumond, 2008℄. The modal de omposition of the bore has been hosen for this
able [MoReeSC, 2013℄. Its prin iples and results have been des ribed in [Silva etal.,2014℄. This 240
simulation tool uses the state-spa e paradigm, similar to the one presented in Se tion 2.1. It
al-241
lowed us to simulate the behaviour of the model with a high number of a ousti modes for the
242
resonator (18 in this study), and oers the ne essary exibility to modify the modelparameters,
243
in ludingthe resonator parameters,as itis done inSe tion 4.
244
3 Results
245
3.1 Linear Stability Analysis
246
The LSA method detailed in Se tion 2.3 is applied to the modeldened in Se tion 2.1, with the
247
set of lip parameters dened in Table 2. The resonator is modelled with a modal t (N=18 in
248
Equation (3)) of a measured impedan e (
B♭
trombone, rst position).249
Forea hvalue of
f
l
onsidered,the eigenvaluesof the Ja obianmatrixJ
F
(X
e
)
presented inEqua-250
tion (10)are omputedforin reasing values of
p
b
,untilarst instability, hara terizedby atleast251
oneeigenvaluewithpositiverealpart,o urs. Forea hvalueof
f
l
,Figure4arepresentsp
thresh
,the252
lowest value of
p
b
givingrise to an unstable equilibriumsolution (see se tion 2.3). Figure4brep-253
resents the imaginarypart of the orresponding eigenvalue divided by
2π
, whi h is the os illation254
frequen y at threshold, further alled
f
thresh
. Ea h horizontal dotted linein Figure 4brepresents255
the
n
th
a ousti resonan e frequen y of the instrument
f
ac,n
, given by the lo almaximum of the256
input impedan e amplitude.
257
It should be noted that, for
p
b
values higher thanp
thresh
, other pairs of onjugate eigenvalues258
may have a positive real part, whi h implies a system with multiple instabilities. If dierent
259
os illating solutions are stable with these parameters, the system is able to start os illating on
260
dierent a ousti resonan es. In Figure 4, and later g. 11 and g. 14, the rst instability (the
261
one orresponding to
p
b
= p
thresh
) is shown for ea hf
l
value (solid urve). The se ond instability262
is reportedonly for anarrowrange of
f
l
(dashed urve).263
Between
20
and500
Hz, the two urves of Figure 4 an be divided into 8 parts. Ea h part264
orrespondstoarangeof
f
l
asso iatedtooneregimeofos illation,relatedtoonea ousti resonan e265
of the instrument:
[30, 63
Hz℄ (rst regime),[72, 123
Hz℄ (se ond regime),[124, 179 Hz]
,[180, 234
266
Hz]
,[235, 288 Hz]
,[289, 352 Hz]
,[353, 404 Hz]
,[405, 460 Hz]
. InFigure4b, anos illatingfrequen y 267plateau is maintained just above ea h value of
f
ac,n
. This is the usual behaviour of anoutward-268
striking valve oupled to anair olumn: when playing on the
n
th
a ousti mode of the bore, the
269
os illationfrequen y atthreshold
f
thresh
isjustabovef
ac,n
,whi histhe resonan efrequen yof the270
n
th
a ousti mode [Campbell,2004℄. For ea h regime,
f
thresh
monotonously follows the variation271
of
f
l
. This mat hes the experien e of the brass player, who an slightly "bend" the pit h up and272
down, i.e. in rease or de rease the pit h, by adjusting
f
l
through the mus ular tensionof the lips,273
and by adaptingthe blowing pressure to the hange in
p
thresh
. The range of ea hplateau,i.e. thequality fa tor
Q
l
, as detailed in [Silva etal.,2007℄. These frequen y limits are plotted as plain 276(blue) lines on Fig. 4b). Between
64
Hz and71
Hz, the equilibrium solution is un onditionally277
stable whatever the value of
p
b
: this frequen y range overs the impedan e minimum between1
st
278
and
2
nd
peaks, whi harefartherapartfromoneanotherthantheotherpeaksdue tothe rstpeak
279
inharmoni ity.
280
It an be observed in Figure 4a that the os illation threshold globally in reases with the rank of
281
the a ousti resonan e. A larger
p
b
value isrequired to rea h the higher notes of the instrument,282
in a ordan e with the musi al experien e. For ea h regime, the
p
thresh
urve is U-shaped, as283
alreadyobserved in[Silvaet al.,2007℄. Itsminimumvalue
p
opt,n
,marked witha ir le inFigure4,284
is known to depend signi antly onthe quality fa tor of the lips
Q
l
. In the following, we assume285
asin[Lopez etal.,2006℄ that
p
opt,n
and the asso iatedlipresonan efrequen yf
opt
l,n
and os illation286
frequen y atthreshold
f
opt
thresh,n
representtheoptimalplaying ongurationforahumanperformer. 287This hypothesis isinlinewith whatmusi iansreport, i.e. they develop astrategytominimizethe
288
eorttoprodu easoundonagivenregime. Thevaluesof
p
opt,n
,between500 Pa
and15.3
kPahave289
thesame orderofmagnitudeasblowingpressure measured by[Bouhuys, 1968℄and [Fréour, 2013℄.
290
The pressure threshold in reases faster when
f
l
grows abovef
opt
l,n
rather than when it de reases291
below
f
opt
l,n
,asillustratedbytheinsetinFigure4a. Theseresultsare ompatiblewiththeexperien e292
of brass players, who reportthat "bending down" a note requires less eortthan bendingit up.
293
The rest of this se tion fo uses on some examples of
[p
b
, f
l
]
points to illustrate the dierentbe-294
haviours observed with the model. For ea h ase, the agreement between LSA results and the
295
sound produ edby the time-domainsimulation des ribed in Se tion2.4 isdis ussed.
50
100
150
200
250
300
350
400
450
1000
5000
10000
20000
f
l
(Hz)
p
thresh
(Pa)
50
100
150
200
250
300
350
400
450
0
100
200
300
400
500
f
l
(Hz)
f
thresh
(Hz)
180 195
215
235
2000
5000
10000
180 195
215
235
230
240
250
b)
a)
297Figure4: ( olour online)Resultsof LSAappliedto the modeldetailedin Se tion2.1with
param-eters from Table 2. For a range of lip resonan e frequen ies
f
l
, (a) shows the threshold pressurep
thresh
, while (b) shows the orresponding os illationfrequen yf
thresh
. Dotted lines are theval-ues of
f
ac,n
. Cir les indi ate the "optimal" valuesp
opt,n
andf
opt
thresh,n
as dened in the text. Themagnied subplot (zoomon
4
th
regime) highlights the asymmetri al
p
thresh
behaviour above andbelow
p
opt,n
. For illustration, the se ond destabilisation threshold (a) and the orrespondingfre-quen y (b) arealsoplottedbetween
f
l
= 109
Hzand123
Hz. Diagonalsolid(blue)lines in(b) areanalyti allimitsto
f
thresh
for a lossless model.298
3.2 Exa t mat h between simulation and LSA
299
The simulated pressure atthe input of the instrumentis ompared with the LSA results. In
par-300
ti ular, the os illation threshold is assessed by performing simulations with
p
b
in the vi inity of301
p
thresh
. The orrespondingfrequen ies, alledf
osc
,arealso omparedtof
thresh
givenby LSA.This 302latterquantity ismeasuredbyapplyingazero- rossingalgorithm[Wall,2003℄,witha sliding
Han-303
ning window(width
0.3s
, overlapping99%
). This method results in small omputationartefa ts,304
whi hshould not be taken intoa ount.
305
A simulation with the exa t value of
p
thresh
would theoreti ally lead to aninnite transient time,306
dened asthe time ittakestorea hsteady state. Therefore, values of
p
b
slightlybelowand above307
p
thresh
are tested. To illustrate a periodi os illationof the model, the lip resonan e frequen y is 308set to
f
l
= 90 Hz
, everything else being given inTable 2. The orresponding mouthpie epressure 309waveforms are represented in the rst two plots in Figure 5. The third plot shows a situation
310
where
p
b
ismu h higher thanp
thresh
.311
When the mouth pressure is below the threshold (
p
b
= 1210 Pa
whereasp
thresh
= 1222 Pa
)312
(Fig.5 a),the os illationde reases exponentially towards the stati , non-os illatingsolution. The
313
mouthpie epressure onverges towards
115.5 Pa
,whi histhevalueofp
e
omputedwithLSA.The314
thi k line represents the exponential de rease in the amplitude
X
a
.e
Re(λ)t
(amplitude of solutions
315
taken from Eq. (12)), where
X
a
is an arbitrary onstant. In this ase, all eigenvalues ofJ
F
316
have negative real parts:
λ
is the eigenvalue ofJ
F
whi h real part is the losest to zero. The317
al ulated os illation frequen y (dash-dotted line) is almost onstant and equal to
f
thresh
= 116
318
Hz = Im(λ)/2π
. 319When the mouth pressure is slightly above the threshold (
p
b
= 1234 Pa
)(Fig. 5b), the simulated320
pressure waveformenvelopein reases exponentiallyduringthe transientphase, inagreement with
321
Equation(12). However,whentheamplitudein reases,thesignalenvelopeisnolongerexponential
322
andnallystabilizesinasteady-stateregime. The al ulatedos illationfrequen y
f
osc
(dash-dots)323
begins at
f
thresh
= 116 Hz
; it be omes quite higher inthe permanent regime(126 Hz
, that is,8.6
324
%
or 143 musi al ents abovef
thresh
).325 326 a) b) )
0
5
10
15
50
100
150
time (s)
Pressure (Pa)
p
b
=1210Pa
0
5
10
15
110
120
130
140
f
osc
(Hz)
0
5
10
15
−2000
−1000
0
1000
2000
time (s)
Pressure (Pa)
p
b
=1234Pa
0
5
10
15
110
120
130
140
f
osc
(Hz)
327Figure5: ( olouronline)Time-domainsimulationswithparametersfromTable 2and
f
l
= 90 Hz
,with mouth pressure
p
b
(horizontal solid line) lower (a) and higher (b) than the linearised modelthreshold (
p
thresh
= 1222 Pa
). Mouth pressure (steady) and mouthpie e pressure (os illating) areplotted (left verti al axis) along with the exponential growth/diminutionof amplitude al ulated
using LSA (thi k urves: envelope of Equation (12)). The dash-dotted urve depi ts the
instan-taneous playing frequen y (right verti al axis). The expe ted os illation frequen y at threshold
is
f
thresh
= 116 Hz
. The third plot ( ) orresponds to a blowing pressure mu h higher than thethreshold (
p
b
= 3 kPa
;zoomonrst se ond of signal).328
As expe ted, the behaviourof time-domain simulationsis a urately predi ted by LSA aslong as
329
p
b
remains in the vi inity ofp
thresh
(Figure5a and 5b). The value ofp
thresh
given by LSA is in330
agreementwith simulations. The eigenvalue with the largest real part predi ts the frequen y and
331
the amplitude of the os illationat the beginning of the simulation. However, above the pressure
332
threshold in Fig.5b, after
t = 8
s,the simulatedamplitude gets ae ted by nonlinear phenomenasignal, but is obviouslyunable tofully predi t the amplitude of the sustained regime waveform. 335
The thirdplot shows the results with
p
b
= 3 kPa
mu hhigherthanp
thresh
. LSA andtime-domain336
simulation give roughly oherent information. As in Figure 5b, the os illating frequen y of the
337
established regime
f
osc
= 130.5 Hz
is8 %
higher thanIm(λ)/(2π) = 120.8 Hz
. The dieren e338
is 134 musi al ents, larger than a semitone. This dieren e is lower when
p
b
is loser top
thresh
.339
Despite this dieren e,
f
thresh
predi ts whi ha ousti al resonan e supports the os illation. An in340
vivo experiment has also shown that the pit h rises when the player in reases the blowing
pres-341
sure [Campbell and Greated, 1994℄. However, this remark shouldbe onsidered arefullybe ause
342
duringpra ti eabrassplayeralwaysapply orrelated ontrolovermouthpressureandlipmus ular
343
a tivity. 344
p
b
(Pa)Re(λ)
Im(λ)/2π
f
osc
(Hz) measured transient duration(s)1234
0.2864
116.74
126.5
9.71
1500
5.5591
117.66
127.6
0.74
2000
12.0262
118.99
128.9
0.31
2500
16.0891
120.01
129.7
0.215
3000
18.8507
120.82
130.5
0.1675
345Table3: Valuesoftherealpartofthe destabilisingeigenvalue
λ
,itsimaginarypartdividedby2π
,theos illationfrequen yoftheestablishedregime,andthedurationofthetransient(bothmeasured
onsimulations)fordierent valuesof theblowing pressure (allother parametersun hanged). The
real part of
λ
in reases withp
b
, whi h implies a faster-growing envelope asp
b
in reases. Thisis onsistent with the transient duration measured with MIRonsets
1
fun tion estimating the time
needed torea h
95%
of the maximum amplitudeofp(t)
.346
Transient time, i.e. the time needed for the amplitude to rea h
95%
of its nal value, have been347
measured with dierentvalues of
p
b
. The values are reported inTable 3.348
The transienttime de reases while
Re(λ)
in reases, whi h anbemodelled: a ording toEq. (12)349
the amplitude grows exponentially with
Re(λ)
. Thus, under the assumption thatp
e
is negligible350
ompared to
95%
of the nal amplitude (hereinafter notedp
95%
), one an write:351
p
95%
= B.e
Re(λ).transient
,
(13)where
B
is areal onstant andtransient
the transient time (s).352
Furthermore,a ordingto[Bergé etal., 1995,p.40℄inthe vi inityofadire tHopfbifur ation,the
353
maximum amplitudeof the os illationisproportionaltothe square rootof the dieren ebetween
354
theparametervalueandthethreshold value,whi hmeans
√
p
b
− p
thresh
here. Therefore, thevalue 355of the pressure at
t = transient
is:356
1
Part of MIRtoolbox: https://www.jyu.fi/hum/laitokset/musiikki/en/resear h/ oe/materials/
p
95%
= 0.95.C.
√
p
b
− p
thresh
,
(14)where Cis areal onstant.
357
Introdu ing this expression of
p
95%
in the natural logarithm of Eq. (13) results in the following358
analyti alexpression of the transient time where
A =
0.95.C
B
: 359transient =
1
Re(λ)
· ln(A
√
p
b
− p
thresh
).
(15)With
A = 4.75
tted on values measured on time-domain simulations, this model mat hes very 360wellwith the evolutionof transient durations measured onsimulationswith dierent values of
p
b
,361 as shown inFigure 6. 362
0
5
10
15
20
0
2
4
6
8
10
Re(
λ
)
transient duration (s)
363Figure6: ( olouronline)Transientdurations measuredontime-domainsimulations,plottedalong
the
Re(λ)
value (∗
symbols). The solid lineisthe transientduration modeldes ribed by Eq.(15). 364The os illationfrequen y alsoin reases with
p
b
. An estimateofthe frequen y is alsogiven(imag-365
inary partof
λ
divided by2π
)whi h mat hes wellthe pseudo-frequen y of the transient phase of366
ea h signal.
367
This example is representative of most ases tested: LSA orre tly predi ts whether the solution
368
is os illating, with an a eptable estimation of the os illation frequen y. The transient duration
369
an be a urately predi ted with the real part of
λ
, asdes ribed in Eq. (15) even forp
b
far above370
the threshold. However, the a ura y of the os illationfrequen y predi tion is limited, and LSA
371
an predi tneitherthe steady-state waveformnor the natureof the os illationregime. This latter
372
observation willbefurther highlighted inthe followingsub-se tion.
373
3.3 Unforeseen behaviours
374
LSAprovidesalotofrelevantinformationaboutthe os illationthresholdand thetransientphase.
375
This is parti ularly true when
p
b
is nearp
thresh
. However, some simulations (detailed below)in ludequasi-periodi os illations. Bydenition, theseare deterministi os illationswhose energy 378
is lo ated at frequen ies whi h are integer ombinations of base frequen ies, whose ratio is an
379
irrationalnumber.
380
381
Quasi-periodi os illations
382
Firstly, the previous omparison between LSA and time-domain simulation is reprodu ed with a
383
dierent lip resonan e frequen y. Three simulations are performed with the parameters given in
384
Table 2 and
f
l
= 110 Hz
. Forthese parameters,p
thresh
is equalto711 Pa
. Again, three dierent 385p
b
values aretested:p
b
= 701 Pa
,p
b
= 720 Pa
toillustratethe behaviourjustbelowand abovethe386
threshold, and
p
b
= 2 kPa
foranexamplefarabovethe threshold. Resultsare plottedinFigure7.387
When
p
b
is under the threshold, results are very similar to the previous ase withf
l
= 90 Hz
388
(Fig. 7a and 7d). However, when
p
b
be omes large enough to indu e an os illatingsolution, the389
os illation of the mouthpie e pressure be omes quasi-periodi instead of periodi (Figure 7b, 7e,
390
7 and 7f). The quasi-periodi natureof the signal is learly visibleonthe spe tra (Figure7e and
391
7f) with se ondary peaksaround the prin ipalfrequen y peaks.
392 393 a) b) )
0
5
10
15
0
20
40
60
80
100
120
time (s)
pressure (Pa)
p
b
=701Pa
0
5
10
15
−1000
−500
0
500
time (s)
pressure (Pa)
p
b
=720Pa
0
0.5
1
1.5
2
−4000
−3000
−2000
−1000
0
1000
2000
time(s)
Pressure (Pa)
p
b
=2000Pa
d) e) f)0
200
400
600
800
1000
−40
−20
0
20
40
60
80
100
Frequency (Hz)
20.log[FFT(p(t)]
0
200
400
600
800
1000
−60
−40
−20
0
20
40
60
80
100
Frequency (Hz)
20.log[FFT(p(t)]
0
200
400
600
800
1000
−40
−20
0
20
40
60
80
100
Frequency (Hz)
20.log[FFT(p(t)]
394Figure7: ( olouronline)Simulationresultsfor
f
l
= 110
Hz,the pressurethresholdbeingp
thresh
=
711
Pa. Like in Figure 5 three simulations are shown withp
b
= 701
Pa (a),p
b
= 720
Pa (b)and
p
b
= 2
kPa, mu h higher thanp
thresh
( ).p
b
is plotted as an horizontal solid (red) line. TheenvelopeofEq.(11)isplottedinplain(bla k)line. Otherparameters(lip hara teristi s)aregiven
inTable 2. Figures (d), (e) and (f)are the spe tra orresponding to(a), (b) and ( ), respe tively
((e) and (f) al ulated using steady regimes of (b) and ( ).
is attested in the vi inity of the bifur ation, and the pressure threshold
p
thresh
is a urately 397predi ted, but the o urren e of aquasi-periodi regime annotbe predi ted.
398
399
Period doubling
400
When
f
l
is equal to55
Hz,p
b
to400
Pa (p
thresh
being161 Pa
), and the other parameters are the401
values given inTable 2,the simulationresultos illatesat
f
osc
= 32.5 Hz
, far belowf
thresh
= 59.78
402
Hz. This is a pe uliar behaviour, as this os illationfrequen y is signi antly under the trombone
403
rst a ousti resonan e (
f
ac,1
= 38 Hz
). Indeed, the hosen model indu es playing frequen ies404
above the a ousti resonan e frequen y (
f
osc
> f
ac,n
), at least near the pressure threshold, to405
omply with the regeneration ondition [Eliott and Bowsher, 1982℄.
406
Figure 8 ompares the spe trum of the mouthpie e pressure simulated with the aforementioned
407
parameters and
f
l
= 55
Hz (dotted line) and then withf
l
= 50
Hz (solid line). Forf
l
= 50 Hz
,408
f
osc
= 65 Hz
is higher thanf
thresh
= 56.3
Hz, like in previous simulations in Se tion 3.2. For 409f
l
= 55
Hz,areasonable expe tationwould beanos illationfrequen y slightlyhigher than65
Hz,410
as
f
osc
tends to in rease withf
l
. However, the simulation os illationfrequen y atf
l
= 55
Hz is411
f
osc
= 32.47
Hz, lose to halfof its value atf
l
= 50
Hz. 4120
50
100
150
200
40
60
80
100
120
140
frequency (Hz)
Magnitude (dB)
413Figure8: ( olouronline)Spe tra ofthe simulatedtrombone mouthpie epressures, with
p
b
= 400
Paforbothlipresonan efrequen ies,
f
l
= 50
Hz(solid)andf
l
= 55
Hz(dotted)(otherparametersfromTable 2). Crossmarkers givethe values of
f
thresh
= 56.3
Hzforf
l
= 50
Hzandf
thresh
= 59.8
Hz for
f
l
= 55
Hz. The solid verti al line indi ates the rst a ousti resonan e frequen y of thetrombone bore,
f
ac,1
= 38
Hz.414
Furthersimulationswere arriedout, with
f
l
goingfrom50
to61
Hzinsteps of1
Hz,p
b
= 400
Pa415
and the others parameters set as in Table 2. Table 4 reports the os illationfrequen y measured
416
on the simulated signals, along with the
f
thresh
value predi ted by LSA. Between54
and55
Hz,417
the os illation frequen y is almost halved. Then, between
56
and57
Hz, the frequen y is again418
halved, be omingaquarterofitsvaluefor
f
l
< 55
Hz. Forf
l
= 59
Hzand above,thefundamentalinthe spe trum. 421
f
l
(Hz) 50 51 52 53 54 55 56 57 58 59 60 61f
osc
(Hz) 65.45 65.48 65.49 65.49 65.46 32.53 32.54 16.32 16.32 65.1 65.1 65.1f
thresh
(Hz) 56.3 56.97 57.71 58.36 59.08 59.78 60.51 61.27 62 62.77 63.58 64.44 422Table4: Os illationfrequen iesmeasuredonthesimulatedmouthpie epressure,forlipfrequen ies
from 50 to 61 Hz,
p
b
= 400
Pa and other parameters from Table 2. Os illation frequen ies atthreshold given by LSA are also reported.
423
These results are lose to those reported in [Gibiat and Castellengo, 2000℄, with a trombone
424
player performing two su essive period doublings. When in reasing
f
l
in this range, the model425
undergoes multiple period-doubling bifur ations. Similar s enarios have been observed on
nu-426
meri al models of woodwind instruments [Gibiat, 1988, Kergomard etal.,2004℄. This su ession
427
of period doublings is also known as subharmoni as ade or Feigenbaum s enario and leads to
428
haoti behaviour, whi hmay explainthe noisinessof signalsabove
f
l
> 58
Hz. Again,explaining429
the o urren eof su h phenomena isout of rea h with LSA.
430
431
Overblowing 432
Besidesthesetwononlinearphenomena,otherdieren esbetweeneigenvalue-basedLSAand
time-433
domain simulation an be observed. Another example is given with
f
l
= 120 Hz
, the parameters434
given inTable2andahighblowingpressure:
p
b
= 6.5 kPa
whilethe thresholdisp
thresh
= 1056 Pa
.435
While
f
thresh
= 128.4 Hz
isjustabovethe2
nd
a ousti resonan efrequen y ofthebore (
f
ac,2
= 112
436
Hz
), the simulation os illation frequen y ex eeds the3
rd
:
f
osc
= 187.5
Hz >f
ac,3
= 170
Hz. 437Figure9 shows the spe trumof asimulation os illatingonthe third a ousti resonan e, while the
438
predi ted os illationat threshold orresponds tothe se ondone.
439
0
100
200
300
400
500
600
700
60
80
100
120
140
160
180
fréquence (Hz)
pression (dB)
f
thresh
440Figure9: ( olouronline)Spe trumofsimulatedmouthpie epressurefor
f
l
= 120 Hz
andp
b
= 6.5
kPa
withotherparameterstakenfromTable2. Theself-sustainedos illationo ursatf
osc
= 187.5
Hz
, orresponding to the third a ousti resonan e, while LSA predi ts an os illation atf
thresh
=
128.4 Hz
(thi k verti al line) withp
thresh
= 1056 Pa
. Ea h dash-dotted line represents then
th
a ousti resonan e frequen y
f
ac,n
of the trombone bore.The method previously used, whi h onsists in retaining the lowest
p
b
value ausing a destabil-442isation, does not predi t the behaviour of the system with su h a high blowing pressure. Yet,
443
this os illation on the third regime an be understood, sin e another pair of eigenvalues of the
444
Ja obian matrix with a positive real part appears for
p
b
> p
thresh
. The dashed lines in Figure4a445
and 4bshows the pressure threshold orresponding to the se ond pair of su h eigenvalues ( alled
446
λ
2
andλ
∗
2
), and the asso iated os illation frequen y. Forf
l
= 120 Hz
the se ond threshold is447
6116 Pa
with an os illation frequen y equal toIm(λ
2
)/2π = 172 Hz
, orresponding to the third 448regimeofos illationofthesystem. Thisis onsistentwiththebehaviourobserved inthenumeri al
449
simulation. 450
3.4 Open-loop transfer fun tion
451
For a better understanding of the origin of the dierent instabilities, another LSA formalism is
452
used,whi hgivesvisualinformationaboutthestabilitymarginsofthedierentos illationregimes.
453
It onsistsinstudyingalinearisedversionof theopen-looptransferfun tion(OLTF)ofthe system
454
dened by Equation (5), (1) and (3) [Saneyoshi et al.,1987, Ferrandet al.,2010℄. This OLTF is
455
divided into two parts: the ex iter admittan e
Y
a
whi h des ribes the lip reed behaviour, from456
Equation (5) and (1), and the resonator input impedan e, whi h is modelled with a modal t of
457
itsinput impedan e
Z
likeinthe otherformalism (see Equation (3)).458
The linearisationof theex iter admittan e
Y
a
simpliestoa1
st
degree Taylor expansionof
Equa-459
tion (5)near the equilibriumpoint;Equation (1) isthen put intothe result. Details an befound
460
inAppendix B about the al ulationwhi h leads tothe followingexpression of
Y
a
:461
Y
a
= W h
e
s
2δp
e
ρ
D(ω)
Kh
e
−
1
2δp
e
,
(16)where
D(ω)
represents the dynami sof the lipreed.462
The stability of the OLTF, alled
H
OL
, is then evaluated with the Barkhausenrite-463
rion [Wangenheim,2011℄, whi h points to possibly unstable solutions when
H
OL
= Y
a
.Z = 1
.464
OnaBodediagram,pointswith
H
OL
havinga0
dBmagnitudeand0◦
phasearelimitsofstability.
465
This methodhas already been used for larinetmodels with inward-strikingvalves, and for brass
466
and ute-likeinstruments [Saneyoshi et al.,1987, Ferrand etal.,2010,Terrien et al.,2014℄.
467
Figure10shows the Bode diagramofthe OLTF of thesystem fed withthe same parametersasin
468
Figure9. The stabilitylimitsare indi ated with rosses.
Figure10: ( olouronline)Bodediagramoftheopen-looptransferfun tionofthe trombonemodel
with the parameters spe iedin Table 2,
f
l
= 120
Hz andp
b
= 6.5
kPa. There are two instabilitypoints ( rosses), with a
0
dBmagnitude and a zero phase.471
Here, the Bode diagram shows two points of
0
dB magnitude and 0 degree phase at132
Hz and472
172
Hz. In terms of the eigenvalues-based LSA tool des ribed in Se tion 2.3, these frequen ies473
orrespond to the imaginary part of the eigenvalues of
J
F
al ulated withp
b
= 6500
Pa and474
havingapositiverealpart. Thefrequen y obtained withOLTFdiers fromthe oneobtained with
475
eigenvalues of the Ja obian matrix, be ause
f
thresh
= 128 Hz
is obtained atp
b
= p
thresh
= 1056
476
Pa
while the OLTF value is obtained withp
b
= 6.5
kPa. The real part ofthe se onddestabilising477
pair of eigenvalues be omes positive above
6116 Pa
, whi h is ompatible with an os illation on478
this regime at
p
b
= 6.5
kPa. The related frequen y at threshold is172.9
Hz orresponding to an479
os illationonthe third a ousti resonan e.
480
Both LSA methods show multiple instabilities of the stati solution, that is, multiple possible
481
regimes of os illation. The predi tions of threshold pressures and possible os illation frequen ies
482
aresatisfa tory. Buttheygivenoinformationeitheraboutthestabilityoftheseos illationregimes,
483
or about whi h regime the instrument will a tually os illate on. This is determined by initial
484
onditions and by the stability of the dierent os illating solutions, whi h depends on nonlinear
485
elements out of rea hof the method.
486
4 Lowest regime of os illation
487
This hapter fo uses on the results of LSA and time-domain simulation on the lowest regime,
488
relatedtothe rst a ousti resonan e of theair olumninsidethe bore. This lowest playable note
489
is alled "pedal note" by musi ians. Forthe trombone in rst position, and the saxhorn with no
490
valvedepressed (neutralposition),the pedal note is a
B♭1
at58 Hz
inthe musi al s ale.To ompare the behaviourof thedierentregistersof thetrombone, the ratiobetween the thresh-493
old frequen y
f
thresh
and the resonan e frequen y of the orresponding a ousti al modef
ac,n
is494
omputed. Figure 11a and 11b give
p
thresh
andf
thresh
like in Figure 4 but on a smallerf
l
range,495
and Figure 11 gives the
f
thresh
/f
ac,n
ratio.496
At the lip frequen ies orresponding to the pressure threshold minima, alled
f
opt
l,n
(see ir les in497
Figure 11), this ratio appears to be signi antly higher for the rst a ousti resonan e than for
498
the other ones:
f
opt
thresh,1
/f
ac,1
= 55.6/38 = 1.46
whilef
opt
thresh,n
/f
ac,n
∈ [1.04, 1.1]
forn ≥ 2
as shown 499inTable 5.
500
It anbe notedthat,atleast forthe ve lowest resonan es,
f
opt
thresh,n
isingoodagreementwith the 501note supposed tobe played onthe instrumentfor this resonan e, a ording tothe tempered s ale
502
(seeTable5). Therefore,LSAgivesareliableestimationofthenote orrespondingtothesea ousti
503
resonan es,in ludingthe pedalnote, witharelativeerror between
f
opt
thresh,n
and thetempereds ale 504note smallerthan
5.5%
. However,f
opt
thresh,n
underestimatesthe playingfrequen y of the pedal note 505while it overestimates the othernotes.
506 507 Regime
f
opt
l,n
(Hz)f
opt
thresh,n
(Hz) tempered s ale (Hz) relativeerrorf
ac,n
(Hz)f
opt
thresh,n
/f
ac,n
1 49 55.6 58.27−4.6%
38 1.46 2 110 122.9 116.545.4%
112 1.1 3 162 180.0 174.812.9%
170 1.06 4 215 238.9 233.082.5%
228 1.05 5 271 301.6 291.353.5%
290 1.04 508 Table 5:f
opt
thresh,n
valuesfor the velowest regimesofthe trombone, omparedwith thefrequen yof the expe ted note. The a ousti resonan e frequen y of the orresponding mode, the
f
opt
l,n
valueand the
f
opt
thresh,n
/f
ac,n
ratio are alsogiven.f
opt
thresh,n
isasuitable predi tionofthe played note. Thef
thresh,n
opt
/f
ac,n
ratio is parti ularlyhigh for the rst os illationregime. 509For illustration, a simulation is arried out with the usual parameters from Table 2 with
f
l
=
510
f
l,n
opt
= 49
Hzandp
b
= 150
Pa(p
thresh
being146 Pa). Theresultingsignalos illatesatf
osc
= 61.86
511Hz, far higher than
f
ac,1
: the frequen y results of LSA and of simulation are onsistent for these512
parameters aswell.