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Book review: Christopher Wright (2013), The Echo of Things. The Lives of Photographs in the Solomon Islands. Durham, London, Duke University Press

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Wright, Christopher. 2013. The Echo of Things. The Lives of Photographs in the Solomon Islands. Durham, London: Duke University Press. 240 pp. Pb.: $27.95.

ISBN: 9780822355106.

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WHFKQLTXHLPSRVHGRQ³VDYDJH´SHRSOHE\GRPLQDQWRXWVLGHUV&KDSWHU3KRWRJUDSKLF 5HVXUUHFWLRQLVFRQFHUQHGZLWKWKHUROHRISKRWRJUDSK\DVHVWDEOLVKLQJDOLQNEHWZHHQ WKHOLYLQJDQGWKHGHDGDQGVKRZVKRZSKRWRJUDSK\DVDPQHPRQLFSUDFWLFHLVFRQQHFWHG WRµSUHH[LVWLQJ5RYLDQDSURFHVVHVRIPHPRULDOL]DWLRQ¶S&KDSWHU+LVWRULHVGLV- cusses the way historical photographs from the colonial past are being appropriated and thus contribute to the writing of history from a local point of view. In the book’s 3URORJXH and (SLORJXHWKHDXWKRUWRGLVFXVVHVKLVPHWKRGDQGDSSURDFK

The book owes much to the anthropology of photography initiated by authors such as (OL]DEHWK(GZDUGVDQG&KULVWRSKHU3LQQH\,WLVDYHU\JRRGH[DPSOHRIZKDWDQµHWKQRJUDSK\

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$PHULFDQPRGHOVRISKRWRJUDSK\DQGWR³SURYLQFLDOL]H´WKHVHWKURXJKDQHWKQRJUDSK\RI 5RYLDQDSKRWRJUDSKLFSUDFWLFHV¶S,VSKRWRJUDSK\DXQLYHUVDOSKHQRPHQRQ"'RHV LWKDYHDQLGHQWLW\DVDPHGLXP"$UHLWVH[SHFWDWLRQVWKHVDPHDOORYHUWKHZRUOG"S The Solomon Islands case study is particularly pertinent here as photography is clearly DQLPSRUWHGSUDFWLFHZKRVHLQWURGXFWLRQFDQEHUDWKHUSUHFLVHO\GRFXPHQWHG&KDSWHUV DQG:ULJKWZDUQVXVKRZHYHURIWKHULVNRIFRQVLGHULQJORFDOSUDFWLFHVDQGDWWLWXGHV WKURXJKDVFKHPDWLFRSSRVLWLRQEHWZHHQ³PRGHUQ´DQG³SUHPRGHUQ´XQGHUVWDQGLQJVRI photography. Not only have Roviana people been able to understand and use the medium from the beginning (which means that the idea of photography was not alien to their visu- DOFXOWXUHEXWWKHVRFDOOHG:HVWHUQXQGHUVWDQGLQJRISKRWRJUDSK\:ULJKWDUJXHVLVQRW deprived of ideas of magic and ghosts commonly reported in narratives of non-European SHRSOHV¶¿UVWFRQWDFWZLWKSKRWRJUDSK\µ)RU5RYLDQDSHRSOH¶:ULJKWFRQFOXGHVµSKR- WRJUDSK\LVDZD\RIPHGLDWLQJPRGHUQLW\WKURXJKPLPHWLFSUDFWLFHVEXWWKHUHLVDVHQVH in which photography is not new for them. It is connected to previously existing visual DQGPHPRULDOIRUPDWLRQV¶S

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Anthropological Notebooks, XX/2, 2014

The book offers a stimulating discussion of colonial photography and suggests WKDWWKLVLVQRWRQO\µDPDWWHURI(XURSHDQVLPSRVLQJWKHLURZQIDQWDVLHVWKHLUFRORQLDO YLVLRQRQGRFLOHSRSXODWLRQV¶SRQWKHRWKHUVLGHRIWKHFRORQLDOHQFRXQWHUORFDO SHRSOHZHUHDEOHWRFRQVWUXFWWKHLURZQLPDJHVRUDWOHDVWWRSOD\ZLWKWKHPIRULQVWDQFH by responding to the European obsessions about headhunting and cannibalism. Wright also shows how photography was used by Christians missionaries to transform savage ERGLHVLQWR³&KULVWLDQ´ERGLHVDQGVXJJHVWVWKDWFRQWHPSRUDU\DWWLWXGHVWRZDUGVROGSKR- tographs reproduce this temporal shift between savage ancestors and today’s population.

The book thus covers a whole range of issues related to the effects of photography on the formation of social groups. There are inspiring paragraphs on family photography DQGORYHSKRWRJUDSKVZKRVHFLUFXODWLRQDQGFRQVHUYDWLRQLQDOEXPVDUHYHU\VLPLODUWR (XUR$PHULFDQSUDFWLFHVFKDSWHURQWKHZD\SKRWRJUDSK\KDVOHGWRDQµLQFUHDVLQJ individualization of memory’ compared to collective modes of telling the past (chapter DQGRQWKHDUWLFXODWLRQEHWZHHQSKRWRJUDSKVDQGRWKHUµSURFHVVXDOPRQXPHQWV¶VXFK DVVNXOOVKULQHVS

Apart from being a detailed ethnographic account of the role of photographs in WKHOLYHVRI5RYLDQDSHRSOH7KH(FKRRI7KLQJV is a highly valuable contribution to the VWXG\RIYHUQDFXODUSKRWRJUDSK\ZKLFKGXHWRVFKRODUVVXFKDV*HRIIUH\%DWFKHQKDV become so central to the history of photography. Its reading can thus be recommended to all those interested in the relations between photography and anthropology and in the FXUUHQWGHEDWHVRQWKH³QDWXUH´DQG³LGHQWLW\´RISKRWRJUDSK\

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