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I. Pour une histoire du théâtre indien

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(6)

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(14)

`cb! Théâtres d’Asie et d’Orient. Traditions, rencontres, métissages

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(15)

L’Inde et l’impératif théâtral `ca

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(16)

`bQ! Théâtres d’Asie et d’Orient. Traditions, rencontres, métissages

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`aQ! Théâtres d’Asie et d’Orient. Traditions, rencontres, métissages

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&C$GC7+&12d1$=! "#$%=! Poétique du théâtre indien. Lectures du! N#&ya)#stra=! 0Cr5G=! pF16%! XrC$qC5G%! dBAZ7rWJ%+,r5%$7=! `aaP! O02D65FC751$G! d%! 6BpF16%! XrC$qC5G%!dBAZ7rWJ%+,r5%$7=!`gaU@!!

&C$GC7+&12d1$=! "#$%=! /!.9X5$5751$G! 5$d5%$$%G! d2! >%$r%! 789:7rC6!<=! in! &C6D5r=! (C65$5! Od5r@U=! Genres littéraires en Inde=! 0Cr5G=! 0r%GG%G! d%! 6C! )1rD1$$%! $12Y%66%=!`aaRC=!E@!`ai+P`c@!

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&C$GC7+&12d1$=!"#$%=!Le Théâtre de Kâlidâsa=!7rCd257!d2!GC$Gor57!%7!d2!Er:or57=! Er9G%$79!%7!C$$179=!0Cr5G=!lC665JCrd=!`aag!O^1$$C5GGC$F%!d%!6B,r5%$7U@! &C$GC7+&12d1$=!"#$%=!Pourquoi le théâtre ? La réponse indienne=!0Cr5G=!M566%!

%7!2$%!$257G=!PQQR!O"%G!42CrC$7%!0565%rGU@!!

&C$GC7+&12d1$=!"#$%!Od5r@U=!Théâtre de l’Inde ancienne=!0Cr5G=!lC665JCrd=!PQQg! O&5D65178I42%!d%!6C!0695Cd%U@!

&C$GC7+&12d1$=! "#$%! %7! "Crd5$15G=! x16C$d! Od5r@U=! Sylvain Lévi (1863-1935). Études indiennes, histoire sociale=!*2r$8127=!&r%E16G=!PQQc!O&5D65178I42%!d%! 6BpF16%!d%G!8C27%G!972d%G=!)F5%$F%G!r%65>5%2G%G=!`wQU@!

&C$GC7+&12d1$=! "#$%! O9d@=! 7rCd@U! %7! *r5EC785=! }CJC6%G8CdC77C! O7rCd@U=! An Introduction to Tantric Philosophy. The Param#rthas#ra of Abhinavagupta !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Rw_{! 0Cr! %GG%$F%=! %$! %XX%7=! 6C! F1$GF5%$F%! %G7! 65Dr%! OsvatantraU=! %7=! dC$G! GC! 65D%r79=! ]1257!}

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L’Inde et l’impératif théâtral `a`

with the Commentary of Yogar#ja=! "1$dr%G•(%h! |1ro=! x1276%d>%=! PQ``! Ox1276%d>%!)72d5%G!5$!*C$7r5F!*rCd5751$G=!wU@!

&C$GC7+&12d1$=!"#$%=!/!Aesthetica in nuce!dC$G!6%!J#78%!dB1r5>5$%!d2!789:7r%! 5$d5%$!<! 5$! .BT$75$1=! )56Y5C! %7! l2%$[5=! ^C7%r5$C! Od5r@U=! Aux abords de la clairière. Études indiennes et comparées en l’honneur de Charles Malamoud=! *2r$8127=!&r%E16G=!PQ`P!O&5D65178I42%!d%!6BpF16%!d%G!8C27%G!972d%G=!)F5%$F%G! r%65>5%2G%G=!`iR!K!~5G715r%!%7!Er1G1E1>rCE85%=!cU=!E@!PQa+PwR@!)12G!Er%GG%@!! &1r>%G=!L1r>%!"25G= L’Aleph=!0Cr5G=!lC665JCrd=!`acc!O"BTJC>5$C5r%U@!

^6C2d%6=!0C26=!Mes idées sur le théâtre=!0Cr5G=!lC665JCrd=!`agg!O`Ir%_{!9d5751$!dC$G!}

Cahiers Paul Claudel!T=!0Cr5G=!lC665JCrd=!`aiaU@!

^6C2d%6=!0C26=!L’Échange=!dC$G!Théâtre!TT=!0Cr5G=!lC665JCrd=!PQ``!O&5D65178I42%! d%!6C!0695Cd%U@!

.2Fr17=! ,GhC6d! %7! )F8C%XX%r=! L%C$+MCr5%=! Nouveau Dictionnaire encyclo-pédique des sciences du langage= 0Cr5G=!)%256=!`aai@!

L1#F%=!LCJ%G=!/!"%!drCJ%!%7!6C!Y5%!<=!dC$G!Œuvres!T=!0Cr5G=!lC665JCrd=!`abP@! }CEG7%5$=! MC778%h=! The Rise of Wisdom Moon=! (%h! |1ro=! (%h! |1ro!

-$5Y%rG57#!0r%GG=!PQQa!O^6C#!)C$Gor57!"5DrCr#=!iPU@!

}25E%r=!rrC$F5GF2G!&@!L@=!Varu-a!and Vid!(aka : On the Origin of the Sanskrit Drama= 'JG7%rdCJ•,ZX1rd•(%h+|1ro=! (1r78+~166C$d! 02D65G85$>! ^1JEC$#=! `aca@!!

"9Y5=! )#6YC5$=! Le Théâtre indien,! P%_{! 75rC>%! O`}r%_{! 9d@! `baQU=! 0Cr5G=! ~1$1r9!}

^8CJE51$=! àgw! O&5D65178I42%! d%! 6BpF16%! d%G! 8C27%G! 972d%G=! )F5%$F%G! E856161>542%G!%7!85G71r542%G=!bwU@! MC6CJ12d=! ^8Cr6%G=! /!x57%=! G5J26CFr%=! 789:7r%@! ,DG%rYC751$G! G2r! 6%G! 969J%$7G! drCJC7542%G!dC$G!6%!F267%!G16%$$%6!Y9d542%!<=!5$!&C$GC7+&12d1$=!"#$%!Od5r@U=! Théâtres indiens= 0Cr5G=! pd5751$G! d%! 6BpF16%! d%G! 8C27%G! 972d%G! %$! GF5%$F%G! G1F5C6%G=!àab!OPuru(#rtha=!PQU=!E@!Pi+Rw@! M%%rhCr78=!'6%ZC$dr%=!/!"%G!Kath#kalis!d2!MC6CDCr!<=!Journal asiatique!PQa=! àPg=!E@!àw+PbR@!

09drC>651=!'rJ%66%=!Un drame allégorique sanskrit. Le Prabodhacandrodaya de Kr%(-ami)ra=!0Cr5G=!d%!&1FFCrd=!`acR!O02D65FC751$G!d%!6BT$G75727!d%!F5Y565GC751$! 5$d5%$$%=!wgU@!

M2G=! 0C26=! /!x9G2J9! d%G! F12rG! %7! 7rCYC2Z!S! x57%G! drCJC7542%G! %7! 789:7r%! 5$d5%$G!<=!Annuaire du Collège de France, 67e année=!`agc=!E@!wcc+waQ@!

!

(C>Cr x@! )@! O9d@U=! N#&ya)#stra! with the Commentary Abhinavabh#rat$ by

Abhinavagupt#c#rya=!.%685=!0Cr5JC6!02D65FC751$G=!`ab`+`abR=!R!Y16@!

0Cd12Z=! '$dr9! %7! )56D2r$=! "565C$=! Abhinavagupta. La lumière sur les Tantras. Chapitres 1 à 5 du Tantr#loka=! 0Cr5G=! d%! &1FFCrd=! `aca! O02D65FC751$G! d%! 6BT$G75727!d%!F5Y565GC751$!5$d5%$$%=!ggU@!

x%$12=!"125G=!L’Inde fondamentale. Études d’indianisme réunies et présentées par Charles Malamoud=!0Cr5G=!~%rJC$$=!`acb@!

x1F8%r=! "2d1=! /!*8%! *%Z72C6! *rCd5751$! 1X! 78%! Bh#rat$yan#&ya)#stra!S! '! 0856161>5FC6! 'GG%GGJ%$7!<=! Wiener Zitschrift für die Kunde Südasiens und Archiv für Indische Philosophie!Pi=!`ab`=!E@!`Qc+`wQ@!

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`aP! Théâtres d’Asie et d’Orient. Traditions, rencontres, métissages

)r5$5YCGC$=! )r5$5YCGC! '##C=! On the Composition of the N#&ya)#stra= x%5$D%o=! m%r6C>! X‚r! ,r5%$7C65G75GF8%! rCF8E2D65oC751$%$=! `abQ! O)72d5%$! [2r! T$d161>5%! 2$d!TrC$5G75o=!i+g=!M1$1>rCE85%!`U@!