• Aucun résultat trouvé

From the Grain to the Pixel, Aesthetic and Political Choices

N/A
N/A
Protected

Academic year: 2021

Partager "From the Grain to the Pixel, Aesthetic and Political Choices"

Copied!
17
0
0

Texte intégral

Loading

Figure

Figure 11.1  Interactive Composition Conceived by Andi Sojamo from Ibani or the Blue Scarf film  of Nadine Wanono, © N
Figure 11.2  Rhythm. From the film Jazz Dance,
Figure 11.3  The Crawler, © Mapping the Web Infome by Lisa Jevbratt.
Figure 11.5  Urban folktale in Pixels. Phone Tapping © Hee-won Lee and Le Fresnoy—Studio national.

Références

Documents relatifs

How the cinema industry, the film production, follows the general economic transformation in Czech Republic between 1989 and 2013.. The cartography of the film production involved

o Learners’ Voices @ UWIOC, run at the University of the West Indies – Open Campus with the goal to draw – using a questionnaire – a general picture of ICTs importance in

Marti, “ Empirical rheology and pasting properties of soft-textured durum wheat (Triticum turgidum ssp. durum) and hard-textured common wheat (T. aestivum) ,” Journal of Cereal

Considering the limit of hydrogen solubility in nickel crystals, the hydrogen segregation occurs at a relatively high hydrogen bulk concentration for the low excess

This was achieved thanks to a fine optimisation of the structure material (use of buried heterostructure) which facilitates very low operating powers reducing thereby

At this time the people of Hunza were adhcrenl li of th e Twclver Shia sect of Islam (Dara Imami, IIlma 'ashariyya), Silum Khan refused to comply and the pir returned to

On Figure 6, we plotted the variations of the derivative y’(x) of the grain groove profile for Mullins approximation as a function of the distance x from the grain

Communication In Body and freedom Festival Naked Performance in Urban Space Awam · Dihoskan oleh Beatrice