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To/ The Committee of the Intangible Cultural Heritage- UNESCO Sub./ Approval Document

Best greeting ...

In accordance with Articles (11,12) of the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage, the Cultural Relations Directorate under the Ministry of Culture, Tourism and Antiquities, hereby certifies that the element of the Arabic Calligraphy : Skills, Knowledge and Practices is included in the annexed National List of the Intangible Cultural Heritage of the Republic of Iraq under No. ( 26 }.

This List has been prepared with an extensive participation of the concerned community members, groups of both public and private sectors and the representatives of the relevant NGOs.

The Cultural Relations Directorate will keep conducting the work on future updating and managing the mentioned National List.

Please, accept o respect and appreciation

Minister of Culture, Tourism & Antiquities

~

I 3 / 2020

e-mail: [email protected] Mob:+964-7901247508 ,:)5.,,,.'JI tfo- ~ -.lUa./

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~ - - -

No

1

2

3 4

5

6

7

8

9

10

11

National List

Of the Intangible Cultural Heritage Of the Republic of Iraq for 2014 and Updating through the years 2017, 2019 after adding a number of the elements to the List

Name of an element Category of an element/ ICH domain

Nowrouz Social practices, rituals and festive events Khidr Elias Feast and its Vows Social practices, rituals and festive events Zachariah Day Celebration Social practices, rituals and festive events The Provision of Services and Social practices, rituals and festive events Hospitality during the Arba'in

Visitation

Al- Muhaibis Game Social practices, rituals and festive events Murabba'at Songs Oral Traditions and Expressions, including

language as a vehicle of the intangible cultural heritage

The Palm Tree: Knowledge, Skills, Social practices, rituals and festive events Traditions and Practices

Al- Mudheef Skills related to traditional craftsmanship

Al- Dabkka Performing arts

Al- Chobby Dance Performing arts

Al-Ata'aba Oral Traditions and Expressions, including language as a vehicle of the intangible

cultural heritage

12 AI-Abothia Oral Traditions and Expressions, including language as a vehicle of the intangible cultural heritage

13 Traditional Craft Skills and Arts of Skills related to traditional craftsmanship

AI-Naoor Industry

14 AI-Baptizing Social practices, rituals and festive events

15 Prophet's Birthday Celebrations Social practices, rituals and festive events

16

Manna Candy Industry

Skills related to traditional craftsmanship

17

AI

-Mutanabi Street Visitation Social practices, rituals and festive events 18

Men and Women Abaya

Skills related to traditional craftsmanship

19

Arabian Coffee

Social practices , rituals and festive events

20

Art of Crafting and Playing

Skills related to traditional craftsmanship

O'ud

21

Art Crafting of AI-Mashhoof

Skills related to traditional craftsmanship

22 Al-Ahazeeg Oral Traditions and expressions, including language as a vehicle of the intangible cultural heritage

23

AI-Tuf Al

-Husseini Theater Performing Arts

24

Ashura'a Broth

Social practices, rituals and festive events

"'

25 AI-Daheena Sweet Skills related to traditional craftsmanship

Arabic Calligraphy:

Skills,

Skills related to traditional craftsmanship 26 Knowledge and Practices

27 Skills, Arts and Practices Skills related to traditional craftsmanship associated with engraving on

metals : ( Gold, Silver and Copper)

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::·2 ~ ' Regula .- tJo~s · n · u~- b~~ ' a~d-,d~t~ - ~,· ;~gistratio~ of the . element:

On October 6, 2019, the element was listed according to sequence (26) in the National List of the Intangible Cultural Heritage of the Republic of Iraq for 2014 and Updating through the years 2017, 2019 after adding a

number of the elements to the List.

t·3 { _ ihe fie/ds of intangible cultural heritage to which

"· · · the element belongs:

- - ^{.. . -}

~ traditional crdfisman-ship.

:.4. ·Names of the . co'mmuniiie · s, groups, a~d individuals

involved in the element: ·

. ^{' '} . ^' . ' . '

.. . . . c-.~=:;_-;:7·

among the majori . -of

ftaqi

society fi O_ theYar north-of Ira ftO t '. .

-- ..

l9west soui~ q:ndjJJpractitton,e~~ or those c!Jnc_e_E7fd_with it are

ffo

~-on.fined to=g prg-v-i;;e or regiq; ;ithout the other. --;

5- T,he geographi<;al location of the element:

Pli-e practiqe of A~alJic!'fialiigra_phy isjound in all Iraqi p~(Jvine~t

- - ^- .

: - ' -ose in theAEt(lziv~speak_in -pjpv)ppes. The pres

•. - - - -·:.___- .;:..c:... -

reg[p__n-:-of Iraq (Erbil-.. Dohuk - Sul~imaniyah) speaking_t1i Kurdish

- ·

- . ----

language as their official mother tong_ue.

. '

.. 6 ~ Des~riptio~ of the ~leme_nt:

' [ . , • • • < . "

ArabJq call]graphy can be'"c~l}i,ned as the_,art of drawing and ~es7gr{ing the

_- - . -·:c - - . ---==--~ -

__ -_.,,_ .• ·c.. _· ~ · - -~~~~ CC-. -

accurC!:.c;J{Jo prdduce ar(is_tic paintzngs of greatsplen-dor=m1d beaufy[inrc ·

_ __:--· •-

which OOlJlJs_t~_ncy, convergen~e, flow, and CO}!lplementdryrJ,'?jj;ect the.

- -·· ;~=~ - -

~

^{~- -, iJ}

h~;:- ; /7~

^~h=ftt~

--'"'=- -

i

~~i

^~f ion to th~ callzgraphers fski ,^7- _d intellectft_

- . ---

r_ej , onse of Arg,bi~--etters to 11!riiing and diacr;iticl~incmultiple dire~_npns. ^C

-

Th~Arabi_c-

- ^- - -

t~e Ara Pc11ave-aphieve_rJlzn thefl!;ld~olftne ar~ ;t bivlf tney pre

:qenturies. -I[is a long-stcm¥Jng culturcit

-~ ==:--~~'-":",= •

has it-'i;rooJs thro~u 'h_oJi..t h_i~tory tJratidi§Jinguishe_cLg_lf,r Arab and'1slqmf.9 _

- ^~--

nation exceptionally. This att has gone through-a series of developments_

and changes nearly a thousand and four hundred years ago! 'untillhis i"lrzage was integrated and reached us as it is now, thanks to the honest hands ~{ ,those,t reafi;ve calligrapher who contributed greatly and active - ii ,reviving this~ancient art a"!-d to preserve a treasure Among the-,;;-

treasures of our Arab and Islamic civiliiation, which

18

still Jlll, is

comparable in its splendor ~md unique artistic miracle to all other fields ^CS

- - ~

- -

of art.t

--- --

Arabic calligraphy is also-considered one of the finest fine qrts that

= ~ -~ ~ -

deyelop~tqlentsiand tgstes an_d flaunt feelings and emd-'iions. Its interior is a'science because writing Arabic letters depends on fixed principles and precise~rules -in drawing them An1 its p~-enome1:on isr n arc¹'cent~ cd on~

beauty, :creativity, skill, accuracy of observation, attention [i_,qd abil{ty to~

~ - - - -.c,--= ··:;.:·:_ ~

- -

~ - -

szmulate the transmission of the idea from the writer to the continent, and Arabic cgllig,;aphy isjdistinguishe_dfrom other lines

qy

flexibility and flexibility and zts ability to-decorate, form and reduce.

- -

- - ---

There i&'I'fl:O doiibt that the Arabic galligraphy is consiclered one of the

-

-

- -

great achievements oJthe Ar~bs and Muslims in the field affine visual

- -

arts, w1!:,Jch th_ey presented to the whole world through the examples of archaeological Arabic fonts that decorate the walls of mosques, · _

- - --

churches; cultu_ral heritage-buildlngs, shrines of religious sFirines and

- -

p[aces _Jf wor§_hip {fiat have been decorated and deco~ated 11filh difJerent ^ff-

-

. .

types of Arabic1onts Which~has a "decorative" beautiful "an,,d attragtive"

-

ter (such asl thcvone-third line₁ -the patch, the-

diw;~r,

^{the copi~ -~ .:}

theErznhni, the suspension, the vacatfpn ... etc.)

-- .. --;-;- --.;. - ,: -

Re I-tlG!J2S

the mol fpr minent

of

t7Jr - ines is thec-1fS:{flc=s_cript, whicffil!Jl r1,_e"

- --- - -~~-~i

of the o_laesAArabicfon

characte ~z~ writing letter/ and reached a -,,high" affair of perfeclion, quality,

~ ~;irty

9,nd regula~ity~among other lin~E:-~It vriginated/ing, began to be us){l/,j{f[ihecclate sev,enth~oentury AD qntl.:{fi.e beginning~-oj {h::~" --

':-~,--=.:.:;~~.;: -==,::: _:..:.~.-~--=,_- - _,..;; --~-'c' - _.

e-qfg_rgin;e of Is

l~ m

in The city of Kuja in Iraq iJ:J tli__e";zear

ls

^{AH, -Cc, -?}

~!- -~

-~~~

- - -.•.- -i~ -

^{-=:· -- -== ~i~ ··:}

ff'he writi!7g Df

tli "'e

Noble Quf)an had t;:i great impact on tbe development of Arabzc~e_'glli raphy, ~its refinement, fi:nddts spread outs_@e-the ArabiGtn

-~ .- - - .. - -.- =-="

Peninsula,

; f!Ji4

it became a '~~nservativf}rtistic" cultyr~Ji!,lJfl-a

- -- -

traiisfl -of "civiliztiJion and hefil&ge,_and the latesl-m{lestone in the_i=

- - - .

his"torxof art throug Q,Ut the agei He, needs exceptio,nal skills ana

,.- ::_ -. ;:;.:

_. " -~" - --'--.;.=_~.;c.._ =

exceptional q~aftsmanship, despite the

simpze

traditioncJJ:-·-c:__" s_~used b)!

-- --

calli --- -- -her (brush,_c'Jiin and ink),::because writing~rabic lette!'__s~ :_ rpends Qi!'

txed ~r/[lci~e$ ~ !~ ']!J es thro:g } wbich eah h c~/{ig,:dj,h;r - s ;ts

^QUUO

-~·

~eflect -ft{f ptr-sonality ahg-;__hi~ traditY'finql style c_ --awing an -t3,

- - - . . ~·· _:_:~~ - · T · . ~-~--- . -

letters; and no g iate archa°7/p[ogicalmuseums ancltzlJliq___11al libraPze-si_9.fj

'{ uwuscripts .C ^{th:ula Si} o[-hoardi,/g-{lnd the RJif, ll/J, an:::: 1 lirt'tl

^{nr;re ··}

~ - ·---

boqks and°=hi~torical ~oi1{e __ ojwhichdates back to tHi -Qegjnni;,,gs ofl_ihe_c

~~:;~ - - ~ - - -- -c_ ~ - : . ~ - - -

IslamTc era.

- -·-·

Sincg.-;the early tw_gntieth ce7J___tury, callignaphers havi-developed me( _

; Hl!I bic ,~afrigr:R, L a rfs t ;:

⁰

^employ-f h€mfor uilt fl ~~riow; l@ thrr fields.,

after ~"~s.expd _ _ JJ1he aesfft_et_ic base ancidhe des.iteJ-ro_ introduc

. -

ijraw)ngs

mJ _~.

s_cription~:O- ~fje letters__ojg_t~f~Arabic langJJ[ge~iin an

buildb1~si;_,ifacades ~jministries, goy~1mment depf!:__rtmenfs, no11_~ -

governmental institutions, and iden~ification panels of gove-,-norates and

- ^.

cities An°i)1he1raqi dtfpffcts anddi~ pfs_, as well~as_ %eing ust ent,;q_nces to:Hrime~ and private homes. Also, Arabic c7lllign7ipl}y arts

.;;:_,_;__ - c...~=-.;_:::: -

w.e~e-employed in writing

crnd

¹embroidery.

Fabrics anrj_women 's clo_thing, especially those clothes- used by fema,_le

... --::...__ . . - _·,.._ -···

and craftsrtze11fromjewelers and golden ornaments employ~JtJ:zf use of Arabic call'tg.t_gphy in4ngraving,-engraving ancl~w.rj ting in-4.l libic letters

-:::-:c._ -:· "'?"'"0 . -~ - ·_;_-. ~- -. ~:;:~- ~- -:-;~::._~ -

- .. .. ---,-

on /7'1t ygold~;';fi0Id~ngs,

ltr:ri

^ds necklaces, brace/em, anf!

WO,;,;,, ;.,-~ ~ ;

men-'s rings--1bat car~;J?X(S, medb,ini~, and names written~'in written -

- . ^.

for.mations

that

are very begutiful i71 f2rmality and:ex_ecutive 9-r_fativity .

.. .

~ f ... -

. . .

,

_{.: . . '}

7- Carriers and

_{. . .}

. practitioners of the element:

_{. . - -}

' . .

- 4r-tists.

- C The etrgravers. - - Embass_ers.

Philosophers of A_}abic calltgraphy.

Resgarchers.· ~-

- - ^- -

- Academics (university-e_professors, institute tecu;hers, ang schools). - Writers and Historians.

- Institutes and colleges of fine arts academies.

- -

- -Arab CqJligrgphy Associations-and Centers.

= ^{-= ~-}

- Civ-it society- organizations related to the Arabic script.

- NatiQnal Media Associations.

- Public and private museums and libraries, and publishing and I?;_rinting Houses.

' '

. ^'

- 8- The level of vitality of the element:

~ Very high

•

^Rig~

~

•

^Averdge

•

^Low

•

^Very.low

9-

Are there any threats to the viability

-

-

ofthe element and need for its urgent safeguarding?

~No -

Yes (if yes,'_;please ~xpla_in). -

',

,

. . .

10- Availability of photo, audio and video

-00 Photo 00 video

. 11- Responsib_le _ entity, s(ate _ ag~ncy, institution

. .

- -

The C~ltural ?j?..elationJ Directorate I Ministry of Culture, Tou1'ism. &

·-

Antiquitiel.

- - -

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