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Performing Documentation in the Conservation of Contemporary Art

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Performing

Documentation

Lisbon, Fundação Calouste Gulbenkian, 20-21 June 2013

In the Conservation of Contemporary Art

SCIENTIFIC COMMITTEE  Renée van de Vall (UM)  Vivian van Saaze (UM)   Gunnar Heydenreich (CiCS)  Rita Macedo (FCT‐IHA‐UNL) 

Lúcia Almeida Matos (IHA‐UNL/FBAUP)   

LOCAL ORGANIZATION COMMITTEE  Rita Macedo 

Lúcia Almeida Matos  Cris na Barros Oliveira  Andreia Nogueira   Hélia Marçal   Teresa Azevedo 

Performing Documenta on in the Conserva on of Contemporary Art is jointly organized by the research project  Documenta on of Contemporary Art and the Network for Conserva on of Contemporary Art Research (NeCCAR). 

Learn more: http://performingdocumentation.fcsh.unl.pt 

Register: http://performingdocumentation.fcsh.unl.pt/Site/registration.html   

Contemporary art conservation requires a re-assessment of the distinction between the work and its re- configuration in documentation.

Although documentation is crucial for the survival of many contemporary works of art, it is never neu- tral: all approaches, formats, media and systems have their own inherent affordances and blind spots and always transform what they document. Furthermore, in process-centered, technology-based or per- formative artworks in particular, we often can no longer make a sharp distinction between an original work and its subsequent documentation or replication: documentation is part of the work's very core.

On the other hand, even the most meticulously documented works will need to be re-installed or re- performed regularly in order to survive, because otherwise important tacit know-how will get lost.

The role of the artist in this process is central, but contested: what if s/he changes her mind, loses inter- est or is no longer available? And what if the authorship of the work is distributed over several actors?

Also, the role of the conservator has taken new dimensions: conservation responsibilities and tasks are now distributed over a diversity of agents.

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20th June 21th June 09:00 Registration

09:50 Welcome

10:00 NECCAR Presentation Welcome

Renée van de Vall

10:10 Documenting the user experience: from Blast Theory's Rider Spoke, to RAMM's Moor Stories and Tate's Art Maps

Documenting dilemmas. On the relevance of ethically ambiguous cases

Gabriella Giannachi Renée van de Vall

10:40 The role of artistic documentation in

conserving and convey social relationships Analysing Incommensurable Values in Contemporary Art Documentation:

Insights from Cultural Sociology

Liliana Coutinho Jan Marontate

11:00 Performing documentation and documenting performance: assessing methodologies for reinstallation and preservation

Documenting the Artist Interview and Artist Participation for the purpose of Conservation of a Conceptual and Variable Installation by Jan Dibbets

Rebecca Gordon Sanneke Stigter

11:20 Coffee break Coffee break

11:50 Performance art, its «documentation», its archives – about the longing for

recollection, the quality of forgetting and new possibilities of transmission of contemporary art

artemak®. From a compilation of questionnaires … to a wiki-based online- platform … to an interdisciplinary documentation and research project

Irene Mullër Ursula Haller, Erich Gantzert-Castrillo & Ivo Mohrmann

12:10 Poster session Poster session

12:30 Discussion led by Erma Hermens Discussion led by Gunnar Heydenreich

13:00 Lunch Lunch

14:30 We don't need no documentation.

Reflections on the practice of remembrance.

Documenting the Analogue Past in Marijke van Warmerdam's Film Installations

Vivian van Saaze Julia Noordegraaf

15:00 Reactivation Strategies for Unstable Events The quest for the survival of net art, or a speculative approach to documentation

Jo Ana Morfin Annet Dekker

15:20 Discussion led by Paolo Martore Discussion led by Pip Laurenson

15:40 Coffee break Coffee break

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16:10 Documentation of Contemporary Art

Project Presentation (Project Documentation of Contemporary Art)

Rita Macedo e Lúcia Almeida Matos Andreia Magalhães & Susana Lourenço Marques

16:20 (Project Documentation of Contemporary Art) (Project Documentation of Contemporary Art) Hélia Marçal & Andreia Nogueira Hélia Marçal & Andreia Nogueira

16:40 (Project Documentation of Contemporary Art) Public Access in the Age of Documented Art

Cristina Barros Oliveira Glenn Wharton

17:00 Discussion led by Rita Macedo Discussion led by Lúcia Almeida Matos 17:30 Book presentation of Preserving and

Exhibiting Media Art, Inside Installations and Installation Art and the Museum. An authors’

conversation featuring Tatja Scholte, Glenn Wharton, Julia Noordegraaf and Vivian van Saaze

Closing

17:50 Closing

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