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The ObieAlto project: Looking for correlations between perceptual properties and constructional data

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HAL Id: hal-02362025

https://hal.sorbonne-universite.fr/hal-02362025

Submitted on 13 Nov 2019

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The ObieAlto project: Looking for correlations between perceptual properties and constructional data

Claudia Fritz, Valérian Fraisse, Danièle Dubois

To cite this version:

Claudia Fritz, Valérian Fraisse, Danièle Dubois. The ObieAlto project: Looking for correlations be- tween perceptual properties and constructional data. International Symposium on Musical Acoustics, Sep 2019, Detmold, Germany. �hal-02362025�

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METHODS

• Recordings of two short

musical excerpts (low/high register) by a professional player in a studio

• Free sorting task (20

international violin makers + 10 French players)

• Sound radiation measurements

RESULTS

BACKGROUND

While the outline geometry differs slightly between violins, it can vary considerably between violas, which are less

standardised. During the 2016 Oberlin workshop (run by the VSA), a group of instrument makers have collectively designed the so-called ObieAlto outline. 25 violas were then built

following this model, and set-up with the same strings.

OBJECTIVE

Searching for relationships between construction data, acoustical parameters and sound quality evaluations by listeners.

Listening to 25 viola: no direct mapping between perception, construction parameters

and acoustical properties

The ObieAlto project: looking for relationships between construction parameters & sound quality

Claudia Fritz 1 , Valérian Fraisse 1 , Danièle Dubois 1 ,

F. Krafft, A. Rappas, A. Hampel, S. Zygmuntowicz, M.J. Kwan

2

1

Institut Jean le Rond d’Alembert, Sorbonne Université / CNRS

2

Violin makers

• Calculation of various audio descriptors on the recordings

• Construction data provided by the makers (weight of the plates, wood density,

dimension of the f-holes,…)

JosephCurtin

Low register (makers) High register (makers) High register (players)

Free sorting task : statistical and linguistic analyses

• The only link with audio descriptors was found

between the spectral

centroïd and the high register categorisation

Link with radiation measurements

bright neg.

rich, deep, powerful dark neg.

powerful

Link with construction parameters

SC frequency(kHz)

makers players

CONCLUSION

• Large variability between the participants (20 makers and 10 violists) -> complexity of the task + high diversity of criteria

• But still some groups of instruments share relatively consensual features.

• Very few relationships found between these perceptual features and the construction parameters -> the multiplicity of the parameters during the building process allow instrument makers to obtain a certain set of perceptual properties with very different strategies.

• Only the perceptual feature related to brightness/darkness for the high register seem to correlate, and only for the extremes, with acoustical properties (SC calculated on the recordings, frequencies and amplitude of the three main modes and average sound radiation level)

TCL-labX

2450-6300 Hz 280-670 Hz

190-280 Hz

670-2450 Hz

Average level

Amplitude (relative to the max over the 25 violas) and frequency of the three main signature modes

190-6300 Hz

=> Dark neg. (in the high register): lower than average signature mode frequencies + high

radiation level in low frequency bands and low level in high frequency bands

Bright neg.: the opposite

Références

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