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HAL Id: hal-02416129

https://hal.archives-ouvertes.fr/hal-02416129

Submitted on 17 Dec 2019

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Patrimalp, Science of Heritage : perspectives on cultural artworks

Laurence Ciavaldini Riviere, Emilie Chalmin, Mélanie Duval, Pauline Martinetto, Pierre Bordet, Karine Froment, Catherine Dejoie, Nils Blanc,

Nicolas Holzschuch, Danielle Ziébelin, et al.

To cite this version:

Laurence Ciavaldini Riviere, Emilie Chalmin, Mélanie Duval, Pauline Martinetto, Pierre Bordet, et al.. Patrimalp, Science of Heritage : perspectives on cultural artworks. World meeting “ Heritage Sciences and Technologies, 13-16 Février 2019, Paris, Feb 2019, Paris, France. �hal-02416129�

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Contact

patrimalp-pilotage@univ-grenoble-alpes.fr https://patrimalp.univ-grenoble-alpes.fr

Development of an integrated and

interdisciplinary heritage science Scientific and technological challenges Scientific bottlenecks

Laurence Rivière (LUHCIE) Emilie Chalmin, Mélanie Duval (EDYTEM) Pauline Martinetto, Pierre Bordet (I.

Néel) Karine Froment (ARC-Nucléart) Catherine Dejoie, Nils Blanc (ESRF) Nicolas Holzschuch (LJK) Danielle

Ziebelin, Paule-Annick Davoine (LIG)

Patrimalp aims to:

- Develop an interdisciplinary scientific

community at the heart of Univ. Grenoble Alpes - Create innovative heritage research methods - Initiate an interdisciplinary academic course on heritage

- Support heritage and culture policies

Carrying out these goals will strongly contribute to the attractiveness and international outreach of

Univ. Grenoble Alpes.

history of art archaeology

material sciences geosciences

restauration and conservation computing sciences

geography

CHALLENGES

A cross-disciplinary project

v Reconstitute the different "states" of the artefact

v Develop an ultimate integrated physico-chemical analysis of artefacts

v Understanding artefact materials through a selective analysis method

v Dealing with, organising and sustaining heterogeneous multidisciplinary data

v Write the history of artefacts

Ø Production of a common story of the artefact across the time in its environmental and

cultural context

WP1 - Raw matter ressources

and contextualisation WP2 - Materials, manufacturing process and alteration

WP3: History, life and

trajectories of artifacts WP4 - Modelling and interconnected visualisation of cultural heritage

Antic Theater of Lyon

Epigraphical stone of Vaison-la- Romaine

Saint-Michel de Connexe Priory

Costumes and Jewelleries in the Alps Brocades transposed

Neolithic rock art sites (Rocher du Château, Trou de la Féclaz)

Case studies

PURPOSES: EXTRINSIC ANALYSIS

Artefact story in native cultural context

Understanding the artefact as artistic and cultural technical clue

Spatial and temporal following tracks

SCIENTIFIC APPROACH

Historiography of artefact

History of artefact (primary and secondary sources, workshops, treatises, literature)

Form and creation life

Artistic cartography

Time and space

The innovativ approach developped by Patrimalp

consortium is based on carefully selected case studies

carried out in the West Alpine region and Rhône corridor, from the Neolithic period to the pre-industrial period.

Links with heritage institutions Cultural heritage matter as a« recorder » of artistic human

past activities

Identification of « clues » inside the matter

PURPOSES: INTRINSIC ANALYSIS

Identification and characterization of constituting matters of artefacts

Understanding their manufacturing and alteration

Raw matter

Preparation Manufacturing

Alteration

Transformations ? Mixtures ?

Recipes, savoir-faire ?

Assembly ?

Artistical gesture?

PURPOSES:

Identification of raw materials used in the processing of artefacts

Socio-ecosystemic contextualization of raw material strategies and rock art production

Raw matter

Geological and geomorphological context

Integrated study of Neolithic rock art

Rock weathering

Archaeological context

=> spatio-temporal visualisation trajectories of supplying strategies

PURPOSES:

Modelling knowledge and reasoning about heritage artefacts, their components and context

Geovisualisation

Restitution and Rendering

VISUALISATIONS

Textures, spatial, chronological, upgradable, interactive, 2D, 3D, augmented reality…

3. Identification of process and transformation 1. Identification of

artefacts and their specificities

2. Interoperability between concept and vocabularies

Références

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