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الأساليب الإقناعية في الإشهارالتلفزيوني عبر القنوات العربية

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Academic year: 2021

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(1)

MBC1

Nessma

(2)

:لىاعت للها لاق

"

اَيَتِنَلَع اَم اَلِإ اَيَل َهِلِع اَل َكَىاَحِبُس اوُلاَق

ۖ

َكَىِإ

َتِىَأ

ُهيِلَعِلا

ُهيِكَحِلا

[ ةيلآا ةرقبلا ةروس "

23

.]

(3)
(4)

ءادها

(5)
(6)

ءادها

(7)

MBC1 ، Nessma ، Ennahar.tv

(8)

Summary:

This paper presents the results of an implicit analytical study, in which the study of the persuasive methods that influence the attitudes of individuals, their beliefs, motivations and behaviors has been chosen in order to achieve the objectives either personal or practical. The study focuses on the persuasive methods used in advertisements as it is a technical information activity that carries with it a lot of messages about the goods, products and services that the public is in need.

Being the advertisements are several and diverse, television advertising has been taken as a choice in this brief, since television is the most widespread having a large popular mass, is an impact of influence in comparison to other media. View the diversification of television channels and the competitive market in order to be more attractive. Three major Arab television channels have been the focus of this study; The MBC 1 channel in the Middle East, the NESMA regional channel and ENNAHAR as Algerian local channel.

The choice of the theme is determined given that it is a current concern, as is the lack of analytical studies of this content at the University of GUELMA, dealing with persuasion in Arab television advertising on the one hand and Desire to deepen in the field of persuasion, which is the main pillar of the media message including television advertising. Three hypotheses have been tested, which are:

- Advertising is based on emotional and more than mental techniques and methods of persuasion.

- Advertising focuses on well-targeted personalities especially on women. - Advertising contributes and influences society on particularly psychic values.

The objective of the study is to analyze the messages instigated by advertising, in order to highlight the most important methods of these convincing messages, the right approach taken into consideration is "content analysis" in Analyzing advertising quantitatively and qualitatively.

A form of content analysis has been used as tools. The form contains a total of twelve (12) different advertisements, of the three selected channels, each of which has four (4) advertising samples. These samples include food, cleaning and maintenance products, accessories for women and children.

After the collection of information, presentation and analysis, the set of general conclusions obtained and as follows:

- Most advertisements focus primarily on women and children, since convincing the woman who is more strategic view that she is closer to her children than convincing the parent.

- All Arab advertisements are interested in providing the same values as those of society.

- Superficially it is commodity marketing but deeply it is the values and traditions by which to influence the consumer.

(9)
(10)
(11)

51

MBC1

Nessma

Ennahar.tv

MBC1

Nessma

Ennahar.tv

MBC1

Nessma

(12)

Nessma

Ennahar.tv

MBC1

Nessma

Ennahar.tv

MBC1

Nessma

Ennahar.tv

MBC1

Nessma

Ennahar.tv

(13)

24

MBC1

NESSMA

ENNAHAR.TV

MBC1

NESSMA

ENNAHAR.TV

MBC1

NESSMA

ENNAHAR.TV

MBC1

NESSMA

ENNAHAR.TV

MBC1

(14)

MBC1

NESSMA

ENNAHAR.TV

MBC1

NESSMA

ENNAHAR.TV

(15)
(16)
(17)
(18)
(19)
(20)

5

MBC1 Nessma Ennahar.tv

"

(21)

technology techno

و

logia

(22)

7

(23)

télévision télé vision

(24)

9

(25)

parabole

(26)

11

MBC

MBC

MBC1 http://www/mawdoo3.com

(27)

(28)

13

(29)

(30)

15

méthode

(31)

Nessma ennahar

(32)

17

(33)

f social Relation Product o

individuel social

(34)

19

H.Blumer

(35)
(36)
(37)
(38)

23

(39)

(40)

25

(41)

(42)

27

emotional appeals

(43)

rational appeals

(44)

29

(45)

(46)

31

public advertising

(47)

(48)

33

Selectivity Flexibility

Creativity

&

Impact

Market Penetration & CostEfficiency

(49)

Formats

(50)

35

Information Format :

Dramatic format

:

(

(51)

(

Problem Resolution Format :

Demonstration Format

Reminder Format :

Cartoon

Teskmanial Format

(52)

37

Humorous

(53)
(54)

39

CNN

MBC

BBC

(55)

MBC

NTV

(56)

41

(57)

(58)

43

(59)
(60)

45

"

mbc

"

"

LBC

"

،

(61)
(62)
(63)
(64)

49 MBC1 Nessma MBC1 Nessma Ennahar

.

TV

(65)

MBC1 MBC1 MBC1

Nessma

Ennahar

.

tv

MBC1 Nessma Ennahar

.

tv

(66)

51

(67)

(68)

53

MBC1

Nessma

Ennahar.TV

Ennahar.TV

Nessma

MBC1

MBC1

MBC1

MBC1

Ennahar.TV

Nessma

MBC1

(69)

MBC1

12,50% 31,25% 12,50% 1,2

مقر تيبسن ةرئاد

01

ليلحتلا ثبئف عيزوت حضوت

ةبنق ثاربهشلا عوضوملا تئف بسح

MBC1 ٌٕرثٍن ياش Lipton Tideذٌاذ مٍسغنا قٕحسي

(70)

55

Nessma

30% 10% 60%

مقر تيبسن ةرئاد

02

بسح ليلحتلا ثبئف عيزوت حضوت

ةبنق ثاربهشلا عوضوملاتئف

Nessma خرٕغاٌ رآشا

(71)
(72)

57 Ennahar

.

TV

Ennahar.TV

29,41% 5,88% 64,70% Ennahar.TV جراحنا ىطاًط رآشا Test دساذ مٍسغنا قٕحسي رآشا ٕسٌٔ مٌداُي رآشا Wisso لافطلان

(73)

MBC1 Nessma Ennahar

.

tv Nessma MBC1 Nessma Ennahar

.

tv

MBC1 Ennahar

.tv

MBC1

(74)

59

Nessma

25% 71,87% 3,12%

مقر تيبسن ةرئاد

04

ليلحتلا ثبئف عيزوت حضوت

ةبنق ثاربهشلا ثبيصخشلا بسح

MBC1

لافطا ءاسَ لاجر

(75)

44,44% 44,44% 11,11%

مقر تيبسن ةرئاد

05

ليلحتلا ثبئف عيزوت حضوت

ةبنق ثاربهشلا ثبيصخشلا تئف بسح

Nessma

لافطا ءاسَ لاجر

(76)

61

(77)

34,21% 55,26% 7,89% 2,63% مقر تيبسن ةرئاد 06 تئف بسح ليلحتلا ثبئف عيزوت حضوت ثبيصخشلا ثاربهشلا ةبنق ENNAHAR لافطا ءاسَ لاجر حٍَٕذزك خاٍصخش

(78)
(79)
(80)

65 8% 8% 8% 8% 16% 12% 4% 8% 4% 4% 4% 16% مقر تيبسن ةرئاد 07 ميقلا تئف بسح ليلحتلا ثبئف عيزوت حضوت ةبنق ثاربهشا يف MBC1 ذٍناقرنأ خاداعنا جذهنا لاًجنا حفاظُنا حعرًنأ جداعسنا ٌٔاعرنأ حكراشًنا زٍفٕرنأ داصرقلاا ٍّفزرنأ حٍهسرنا جٕخلاا سفاُرنا ٍٍسُجنا ٍٍت طلارخلاا جراثلاا

(81)

8,33% 8,33% 16,66% 8,33% 16,66%

مقر تيبسن ةرئاد

08

ليلحتلا ثبئف عيزوت حضوت

ةبنق ثاربهشا يف ميقلا تئف بسح

Nessma

(82)

67

(83)

8,33% 8,33% 16,66% 16,66% 16,66% 8,33% 8,33% 8,33% 8,33%

مقر تيبسن ةرئاد

09

ليلحتلا ثبئف عيزوت حضوت

ةبنق ثاربهشا يف ميقلا تئف بسح

ENNAHAR

ذٍناقرنأ خاداعنا جذهنا حفاظُنا

(84)

69

(85)
(86)

71

MBC1

Nessma

50% 16.66% 16,66% 16,66%

مقر تيبسن ةرئاد

10

ثبئف عيزوت حضوت

يف تمذختسملا تغللا بسح ليلحتلا

ةبنق ثاربهشا

MBC1

ىحصف حٍتزع حٍَاُثن

(87)

25% 37,50% 37,50%

مقر تيبسن ةرئاد

11

ليلحتلا ثبئف عيزوت حضوت

ةبنق ثاربهشا يف تمذختسملا تغللا بسح

Nessma

ىحصف حٍتزع حٍسَٕذ حٍثُجا حغن

(88)

73 ENNAHAR 16.66% 50,00% 33,33%

تيبسن ةرئاد

مقر

12

ليلحتلا ثبئف عيزوت حضوت

ةبنق ثاربهشا يف تمذختسملا تغللا بسح

ENNAHAR

ىحصف حٍتزع حٌزئازج حٍثُجا حغن

(89)
(90)
(91)

17,39% 17,39% 4,34% 4,34% 4,34% 13,04% 8,69% 4,34% 13,04% 13,04%

مقر تيبسن ةرئاد

13

ليلحتلا ثبئف عيزوت حضوت

ةبنق ثاربهشا يف تيفطبعلا تيعبنقلاا بيلبسلاا بسح

MBC1

خاراعشنا واذخرسا خاجاحنا حثطاخي ءازغلاا حٍسُجنا جراثلاا خاٍصخشنا ىهع داًرعلاا حٌٕغهنا ةٍناسلاا جٕرًُنا ىٍظعذ جٕتلاأ حيٕيلاا لاًجنأ ححصنا حزفنأ حثحًنا

(92)
(93)

17,64% 17,64% 5,88% 11,76% 17,64% 5,88% 11,76% 11,76%

مقر تيبسن ةرئاد

14

ثبئف عيزوت حضوت

تيفطبعلا تيعبنقلاا بيلبسلاا بسح ليلحتلا

ةبنق ثاربهشا يف

Nessma

خاراعشنا واذخرسا خاجاحنا حثطاخي ءازغلاا حٌٕغهنا ةٍناسلاا جٕرًُنا ىٍظعذ جٕتلاأ حيٕيلاا لاًجنأ ححصنا حزفنأ حثحًنا

(94)

79

(95)

18,75% 12,50% 6,25% 18,75% 12,50% 6,25% 12,50% 12,50%

مقر تيبسن ةرئاد

15

ليلحتلا ثبئف عيزوت حضوت

ةبنق ثاربهشا يف تيفطبعلا تيعبنقلاا بيلبسلاا بسح

ENNAHAR خاراعشنا واذخرسا خاجاحنا حثطاخي خاٍصخشنا ىهع داًرعلاا حٌٕغهنا ةٍناسلاا جٕرًُنا ىٍظعذ جٕتلاأ حيٕيلاا لاًجنأ ححصنا حزفنأ حثحًنا

(96)

81

(97)

MBC1

23,52% 5,88% 23,52% 17,64% 5,88% 23,52%

مقر تيبسن ةرئاد

16

ثبئف عيزوت حضوت

يف تيلقعلا تيعبنقلاا بيلبسلاا بسح ليلحتلا

ةبنق ثاربهشا

MBC1 حًٍُضنأ حٕضٕنا لذجنا رازكرنا

(98)

83

(99)

23,07% 23,07% 23,07% 7,69% 23,07%

مقر تيبسن ةرئاد

17

ليلحتلا ثبئف عيزوت حضوت

ةبنق ثاربهشا يف تيلقعلا تيعبنقلاا بيلبسلاا بسح

Nessma

حًٍُضنأ حٕضٕنا رازكرنا فٌزعرنا بٕهسا خاٍئاصحلاا حٍعقأ حهثيا

(100)

85 20,00% 30,00% 20,00% 30,00%

مقر تيبسن ةرئاد

18

ثبئف عيزوت حضوت

تيلقعلا تيعبنقلاا بيلبسلاا بسح ليلحتلا

ةبنق ثاربهشا يف

Ennahar

حًٍُضنأ حٕضٕنا رازكرنا فٌزعرنا بٕهسا حٍعقأ حهثيا

(101)

MBC1

Nessma

Ennahar

(102)

87

MBC1

25,00% 25,00% 25,00% 6,25% 12,50% 6,25%

مقر تيبسن ةرئاد

19

ليلحتلا ثبئف عيزوت حضوت

ثاربهشا يف تيتوصلا ثارثؤملا تئف بسح

ةبنق

MBC1

خاراثع ثٌذح حئداْ ىقٍسٕي

(103)
(104)

89 27,27% 27,27% 9,09% 18,18% 9,09% 9,09%

مقر تيبسن ةرئاد

20

بسح ليلحتلا ثبئف عيزوت حضوت

ةبنق ثاربهشا يف تيتوصلا ثارثؤملا تئف

Nessma خاراثع ثٌذح حئداْ ىقٍسٕي حثخاص ىقٍسٕي حٍتزع ًَاغا رإح

(105)

Ennahar 27,27% 27,27% 18,18% 9,09% 9,09% 9,09%

مقر تيبسن ةرئاد

21

ليلحتلا ثبئف عيزوت حضوت

ثاربهشا يف تيتوصلا ثارثؤملا تئف بسح

ةبنق

Ennahar

(106)
(107)

MBC1

MBC1

MBC1

Nessma

(108)

93

(109)

(110)

95

MBC1

Nessma

Ennahar.tv

(111)
(112)
(113)
(114)
(115)
(116)
(117)
(118)
(119)

68. 1Emilie chapus ; Amandine Ancelin: l'image de la femme dans la publicité: sur le sitewww.dea –dtcen.u-paris

2.fr/cours-2006/hazan/pub_2006_image_femme.pdf

:

http://essalamonline.com/ara/watani/37592.html#ixzz4hB0UeqBp

(120)
(121)

تُبرعلا ثاىنقلا ربع ٍنىَسفلتلا ربهشلاا ٍف تُعبنقلاا بُلبسلاا

MBC1

Nessma

Ennahar

1

.

تقَزر تُفَبفق

زورُف ةدَزىب

2

.

مبُه ٌرهاىط

3

.

ًولس ٌدَز

(122)

يىتحولا لُلحت ةربوتسا

تُلولاا ثبنبُبلا

تاىىقلا

تاراهشلاا

:لاوا

؟لُق اذبه ثبئف

عىضىولا تئف

ةيئاسو تامزلتسم فيظىتلا داىم ةيئاذغ داىم

لافطا تامىلتسم

تهدختسولا ثبُصخشلا تئف

عبنقلال

ةيوىتزك تايصخش لاجر ءاسو لافطا

عبنقلال تهدختسولا نُقلا تئف

ةعتملا و ةداعسلا ةفاظىلا لامجلا ذيلاقتلا و تاداعلا

نواعتلا و ةكراشملا

هيفزتلا و ةيلستلا زيفىتلا و داصتقلاا

ةراثلاا هيسىجلا هيب طلاتخلاا سفاىتلا ةىخلاا

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(126)

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