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GOVERNMENT OF THE REPUBLIC OF ARMENIA DECISION

No 293-A of 24 March 2016

ON AMENDING OF DECISION N 310-A OF MARCH 11,2010 OF THE GOVERNMENT OF THE REPUBLIC OF ARMENIA

In compliance with point 3 of part 1 of Article 7 of the Law of the Republic of Armenia

"On

Intangible Cultural Heritage" and guided with part 1 of Article 70 of the Law of the Republic of Armenia "On Legal Acts" the Government of the Republic of Armenia hereby decides:

To approve the following amendments in decision No 31 0-A as of 11 March 2010 on "Criteria for compiling lists of intangible cultural values and the list of values of intangible cultural heritage of the Republic of Armenia".

1) 1-7 sub-points of point 2 of Annex N 1 of Decision edit as follows:

«1)Name 2) Sphere

3) Area of distribution 4) Bearer

5) Brief historical reference

6) Characteristics (description, features)

7) Viability (historical, cultural, economic, social significance):»

2) Annex N 2 of the Decision edit in accordance with Annex.

Prime Minister of the Republic of Armenia H.ABRAHAMYAN

24 March 2016 Yerevan

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iili\j _Name

1 2

2. Kochari

Reference to Annex

Decision of the Government of the Republic of Armenia No 293-A of 24 March 2016 CRITERIA FOR COMPILING LISTS OF INTANGIBLE CULTURAL VALUES OF THE REPUBLIC OF ARMENIA

Sphere Area of distribution Bearer Brief historical reference Characteristics (description, features) Viability (historical, cultural, economic social significance)

3 4 5 6 7 8

Folk dance art The element is The bearers of Earliest records date back That is Armenian traditional folk group Preserved in the society, popular in the rural the element are to the early Middle Ages. dance. "Kochari" is now the most popular taught through formal and and urban ~unior, young, and most preserved Armenian dance in informal education and handed communities of the middle-aged and the Armenian Highland. I! comprises two down in families from the Republic of older people. parts with tempo ranging from moderate elders to the young. "Kochari"

Armenia, particularly to fast. The musical measure is 2/4, 4/4, has numerous variations

in Aparan, Nerkin 8/8. The rhythm is quite flexible, distinguished by bearing the

Bazmaberd, impetuous and with frequent syncope. geographical name (Aparani

Sasunik, Aragats, The pas are dignified, distinguished by Kochari, Alashkerti Kochari,

Kakavadzor, sharp, grand bendings, as well as sharp Msho Kochari, Sasna Kochari,

Ashtarak, Agarak and accentuated bendings of the knees. etc.) and by the dancing

communities of The dance is attractive with its virile manner (Mek-tak Kochari,

Aragatsotn marz dynamics. When dancing, dancers hold Erku-tak Kochari, Erek-tak

and in Dilijan, each other's hands in a tight, inseparable Kochari, etc.). Actually, the root

ljevan, Berd manner, keep heads up; the dancing "koch" is connected with the

communities of order is the straight line or semicircle. The names of non-castrated

Tavush marz, as dance is accompanied by zurna and dhol- sheep/ram/goch/ghoch and

well as in capital city musical instruments. khoch. lt comes from ancient

ofYerevan. times and is connected with

worship of ram totem. From the noun "ghoch" the adjective

"ghochagh" is formed, which means courageous, bold, brave. Dancers no longer remember that the original content of the dance is connected with rams and goats; however, time and later stratification could not result in complete loss of its primal (ancient) form. The genuine type of Kochari clearly preserves the motion roots of ancient movements, behaviour, jum_moo and leaping,_ fight

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.

Minister- Head of Staff of the Government of the

Republic of Armenia D.HARUTYUNYAN

butting of rams and goats, movements of a satyr. The meaning of movements is more obviously expressed in forward swift offensive movements and weight transfers, as if desiring to butt the foe. lt is viable, as it is danced during family and public ceremonies, festivities and events.