LES CAHI ERS DU NUM ÉRI QUE VOLUM E 7 – N° 3 -4 / 2 0 11

(1)

LES CAHI ERS DU NUM ÉRI QUE

VOLUM E 7 – N° 3 -4 / 2 0 11

7 CONTRIBUTORS

9 Introduction–C^AROLINEA^NGÉ

15 Creation and reality. How theatre depicts internet based relationship and hypertextual links

OLIVIER FOURNOUT

This paper focuses on a long term experiment (2008-2012) in which students in engineering and young actors had the possibility to show on stage the way they perceive the internet, its hypertextual structure and the human relationships that it generates. This paper aims at showing that theatre can be considered a powerful means of exploring social representations and practices. Its value comes from the use of a material that involves language, body and emotions.

47 Hypertext and iconic irradiation ALEXANDRA SAEMMER

Hypertext does not only link a text to another text. It is also characterized by its “manipulability”, its interactive nature. I propose to consider the specific sequence of gestures mobilized by a

“clickable” hypertext as an “iconic” sign that, thanks to its physically

“manipulable” structure, comes close to the representation of its experienced referent. In a manipulable text, the iconic sign is coupled to the linguistic sign in order to emphasize, clarify and reinforce its potential meanings, through a process that I call “iconic irradiation”.

In some cases, this iconic irradiation results in the “imitation” of the referent and may constitute a powerful immersion factor. In other cases, a tension emerges between the iconic sign and the linguistic sign, recalling tropes as metaphors. I present some elements of a new terminology for these “figures of manipulation” in the digital text.

Cet article des Editions Lavoisier est disponible en acces libre et gratuit sur lcn.revuesonline.com

(2)

148 Les cahiers du numérique – n° 3-4/2011

71 Hypertexte: experimental and hermeneutic approaches PÂULINAKÔSZOWSKA-NÔWAKOWSKA,F^RANCKRÊNUCCI

This article discusses the reading of hypertext and what characterizes it in his report to the screen. Because reading a hypertext grasp an object means textual, visual and interactive very complex, we decided to study this non-linear reading, under both approaches, experimental and hermeneutics. This is the search for traces of the process of meaning to the reader through quantitative data from its eye movements. This experiment using eye-tracking device (Eye- Tracking) provides elements that will help us to reconstruct and understand the pattern of hypertextual reading. It also allows us to indicate where the attention of a reader arises. Will it, however, tracking compliance, or the type of our reactions and interactions on screen? We emphasize then, unlike researchers in ergonomics of the Web, that the path of the eye on the screen can not match the interpretive path. What are the limitations of such a device when it is confronted with the question the construction of meaning?

Hypertext the prism of objectification takes the figure of the labyrinth, the opening can be given by a hermeneutic approach, interpretative.

93 Hypertextual generator for the interpretation of social media in semantic topology

SÂMUELS^ZONIECKY,HÂKIMHÂCHOUR,NÂSREDDINEBÔUHAI

This paper presents the researches of Jean-Pierre Balpe and Pierre Lévy showing their complementarity, especially regarding their vision of hypertext as a coherent semantic generator and a principle of design and purpose. We then show how these two approaches can be mutually enrich each other in order to develop an hypertextual ecosystem of information that enhances the interoperability textual data and the capacity of natural language processing and treatment.

The authors finally propose that these enhancements could be permit to evaluate social media through the study of the dynamic interpretive processes involved in these hypertextual ecosystems of information.

(3)

Abstracts 149

123 New editorial artefacts. Editing on line the documentary files of Bouvard et Pécuchet (Flaubert)

S^TÉPHANIEDÔRD-C^ROUSLÉ,E^MMANUELLEMÔRLOCK-GÊRSTENKORN, RAPHAËL TOURNOY

Editing on line the documentary files of Bouvard et Pécuchet is a project with a twofold objective: to provide access to numerous and complex documents (2500 pages), firstly, and secondly, to make this large corpus (3500 images) be manipulated in order to produce conjectural reconstructions of the second volume of a novel Flaubert's sudden death left unfinished. For this purpose, six types of editorials objects were created (corpus, pages, fragments, texts, quotes and layouts) that contribute to renew the literary hypertext and offer the reader an original apprehension of the work - as close as possible to the functioning and the choice of its internal structures.

147 Summary/Abstracts

(4)

B

ON DE COMMANDE D

’

ABONNEMENT

2012 2012 S

UBSCRIPTION FORM

Renvoyer à / Return to: Lavoisier SAS, Abonnements Revues 14, rue de Provigny – 94236 Cachan cedex – France

tel : (33) 01-47-40-67-00 – Fax : (33) 01-47-40-67-02 – [email protected]

R

EVUE

LES CAHIERS DU NUMÉRIQUE

LCN–VOLUME 8/2012 4 N°/AN(4 issues/year)

Tarif d’abonnement Union européenne + Suisse Autres pays

Version imprimée 205 € 264 €

Version on line 205 € 205 €

Version imprimée + on line 250 € 309 €

CONDITIONS D’ABONNEMENT /CONDITIONS OF SUBSCRIPTION

Les abonnements sont enregistrés à réception de leur règlement. Les abonnements sont acceptés pour l’année civile uniquement. / Subscriptions are entered upon receipt of payment. Subscriptions are accepted for a calendar year only.

Les prix indiqués s’entendent TTC, franco de port et d’emballage. / All prices are inclusive of postage and handling.

Nom / Name. . . Organisation / Organization . . . Adresse / Address . . . . . . Code postal – Ville / ZIP – City. . . Pays / State. . .

Règlement par chèque joint à l’ordre de Lavoisier /Cheque enclosed payable to Lavoisier

Règlement par carte VISA /Payment by VISA card

N°carte / Card No

Date d’expiration / Expiry Date

3 derniers chiffres du cryptogramme au dos de votre carte

The last 3 digits of the cryptogram on the reverse of your card Date et signature / Date and signature