LES CAHI ERS DU NUM ÉRI QUE
VOLUM E 8 – N° 3 / 2 0 12
7 CONTRIBUTORS
9 Introduction–EMMANUELLE CHEVRY PÉBAYLE
15 Archives and Outreach: the twelve works of archivists in the digital age
YVON LEMAY,ANNE KLEIN
The aim of this article is to show the different challenges that archivists must take up in the digital age with regard to outreach or public programs. The context of Quebec and Canada is used as a point of reference. In conclusion, we underline the practical and theorical impacts on archival science.
49 The development of digital mapping to help the readership of digital archival heritage
STEPHANIE BEAUVALET,JULIEN MUNIER
By popular demand, the digital archival heritage is going to become on line; this advance encourages to take a new readership into consideration.The development of modern methods is necessary to improve the cultural mediation with the internet surfers. Our project concerns the publication with a digital map database on the website of the Moselle's archives department. We need to provide tools to assist and direct the research on the web with the same attention than the ordinary one.
75 Valuing a digital library through referencing and diffusion on the web: The Sainte-Genevieve Library experience MATHIEU ANDRO,MARION CHAIGNE,FRANCK SMITH
This feedback is about how digital projects at the Sainte-Genevieve Library have widely considered the diffusion questions of
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164 Les cahiers du numérique – n° 3/2012
dissemination, SEO, but also communication and enhancement of digital library projects.
91 Historical documents processing using ontologies
MICKAËL COUSTATY,NORBERT TSOPZE,KARELL BERTET, ALAIN BOUJU,GEORGES LOUIS
This paper presents an ontology-based approach of the semantic gap problem resolution in the case of of historical images, and more particularly to lettrines. This approach automatically creates some links between the regions of interest issuing from the computer vision algorithms in one hand, and their meaning on the other hand.
These links will then be used to help historians. They need to identify the printed period of the documents and to find an automatic interpretation to the scene of the cap letter. Three ontologies are combined to annotate these images. In this way, we have defined some rules to annotate images (to characterize some lettrines as figuratives for example), or to annotate some regions (this region is a letter, this region correspond to a body-part,...) as the letter, some body-parts, or to characterize.
119 Enhancing access to contemporary music resources MICHAEL FINGERHUT
The Portal to contemporary music resources in France is the result of an initial one-year project which took place in 2007 in the framework of the national digitization plan of the French ministry of culture, and subsequently renewed several times on a yearly basis. It brings together ca. 40 French organizations which operate in post- 1945 music creation, production and preservation, and provides them with the financial and technical means to enhance access to many of their text and audiovisual holdings through digitization and inform the public about their activities. This single access point, enriched with documentation and information tools, greatly facilitates the localization of close to 250,000 relevant resources. This article describes the historical context of the project, as well as its conceptual, technical and organizational aspects. It concludes with a review of its current status and a reflection on future steps.
163 Summary/Abstracts
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