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(239) " &  / '  CY :^0 L !J O$ −24 25− ibid,p95 (et autres) : Jaques Aumont- Alain Bergala. BbA s  xYAJ :“ 3  8¼ −26 98} ,2005,vCA  ,o =   3 @F , / A$  $"  &  / '  : E0z 8¼ − 27 www.arrafid.ae x=  $$5 O81 f7 :& 

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(241)    ; : :3CA  f0AE   ‰ −29. 31} ,1990 ,{A;F ,4  PJ ,¿ A*3Y: A9 ,  f!N << ¿–"  f<*  ::"+Y L

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(243) 8¼  −33 ar.wikipedia.org ,0µ  / '  1 : : ° 4J ,L  !*  Ñ ¯  −34 BbA s  xYAJ :“ 3  8¼ −35. BbA s  xYAJ :° 4J ,L  !*  Ñ ¯  −36 ¨¨¨¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨. The aesthetics of cinematic language Dr. Nadjib BEKHOUCHE∗ Abstract: The pioneers of the first studies and research in the aesthetics of cinema emphasized the originality of cinema and its independence as one of the new expressive arts, because it has the same characteristics and rules of ordinary language that it adopts in its cinematographic discourse which aims, through its innovative tools, to express correctly and functionally the ideas through sequences of animated images which ultimately form a film. Keywords: Language - Cinema - Arts - Beauty.. ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ∗ Faculty of Social and Human Sciences - University of Biskra – Algéria.. ”ì¢@kî¬@N…@@òîöbàäîÛa@òÌÜÛa@pbîÛbº@.

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