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Creative Method of Dealing with Mainstream Music

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CReative In MEasure

CriMe

Damien Sagrillo

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Antecedent Concept 1 «Musik zum Mitmachen»

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Antecedent Concept 1 “Musik zum Mitmachen”

(Music to Participate)

• Evaluation

• “Musik zum Mitmachen” 

– Neuhäuser, M.; Reusch, A; Weber, H (ab 1982). Musik zum

Mitmachen. Spiel‐mit‐Sätze. Acht Hefte, mit Schallplatten

bzw. CDs, Frankfurt/M.,Diesterweg

– Passive, 

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Antecendent Concept 2

Centre Verdi – Kreativ im Takt (KiT)

http://ftp.technolink.lu/CentreVerdi(6/2008)

Creative‐in‐Measure

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KiT-CD –

Musical Structure

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Symbols for Movement and Action

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Description

What?

When?

Who?

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Action, Motion and Dance Symbols (1)

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Action, Motion and Dance Symbols (2)

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The Creative‐in‐Measure Concept

• Evaluation

• “Kreativ im Takt”, Marie‐Thérèse Berns / Martin Straus, 

Centre Verdi, Luxembourg

– More active than, e.g. demand of a more creative 

approach, 

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Further development of the concept

CReative in MEasure – CRiME

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Parts Form Name of the Parts suresMea- Time Comments 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

CReative in MEasure – CRiME

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Dick Brave & the Backbeats –Complicated

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Survivor – Rocky

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Action on

Survivor – Rocky

Parts Form Form-Name Measures Time

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Further development of KiT / CRiME

Invention of new, adapted symbols

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Main Parts

Song English

Song German Comment

Instrumental, classical 

music, German

Intro

Einleitung

Introduction: unique at the 

beginning, gives a first 

impression

Einleitung

Verse

Strophe

Verse: normally same 

melody, different text

Couplet, resp. 

Bezeichnung der 

verschiedenen Teile als 

Thema 1,2,

Chorus

Refrain

Same melody, same text

Ritornell

Bridge

Überleitung

Link between two parts

Überleitung

Break

(instrumentales) 

Zwischenspiel

Instrumental bridge, often 

with improvisation

Outro

Schluss / Koda

Coda, song ending

Coda

Additional parts

RAP

RAP

Hip‐Hop songs combine text passages with melodies

Collison

Überlappung

Overlap of two parts, one ending, the next beginning

Vocal runs

Variation

Melismatic compression

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Further development of the concept

CReative in MEasure – CRiME

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1) Damien Sagrillo, 

« Kreativ im Takt. Zu den Möglichkeiten der Weiterentwicklung eines musikpädagogischen  Konzeptes », in:

Die Musik in der Bildung: Aspekte europäischer Musikerziehung und ihre Anwendung in  Luxemburg, hrsg. von Alain Nitschké und Damien Sagrillo in der Reihe Würzburger Hefte zur  Musikpädagogik, hrsg. von Friedhelm Brusniak, Margraf, Weikersheim 2014, S. 114‐161.

2) Marie‐Thérèse Berns‐Merker, Henri Junck, Martin Straus, Kreativ im Takt: Klassik, Tanzmusik:  Rock & Pop, Rhythmen, 4 CDs , Education Nationale, Luxembourg 2002.

3) Meinolf Neuhäuser / Arnold Reusch / Horst Weber, Musik zum Mitmachen. Spiel‐mit‐Sätze,  acht Hefte, mit Schallplatten bzw. CDs, Diesterweg, Frankfurt/M. 1982ff.

(1) To be downloaded here: 

Google: 

Damien Sagrillo Kreativ im Takt

http://orbilu.uni.lu/simple‐search?query=kreativ+im+takt

References

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23

Damien Sagrillo

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