R´eflexions sur la dissipation surfacique et sur l’interaction tangentielle ` a distance

AZEVEDO, Carlos (1989), “‘ What Did I Do to Be so Black and Blue?’,. Registos da Catábase em Invisible Man.” Porto, Prova Complementar para Doutoramento em Literatura Norte-Americana apresentada à Faculdade de Letras do Porto, FLUP, Instituto Norte Americano, pp. 1-55.

– – (1999), “Emerson Revisitado: Ralph Ellison, Invisible Man e a Tradição Americana”, Porto, Revista da Faculdade de Letras «Línguas e Literaturas», II série, volume XVI., pp. 91-109.

BELL, Bernard W. (1987), The Afro-American Novel and Its Tradition, Amherst, The University of Massachussets Press.

BYERMAN, Keith E. (1985), Fingering the Jagged Grain: Tradition and Form in Recent Black Fiction, Athens and London, The University of Georgia Press.

CALDEIRA, Maria Isabel (1980), “A Palavra e o Poder: Invisible Man de Ralph Ellison”, Porto, Biblos 56, pp. 521-72.

– – (1980), “‘All coloured People Sing’: Do Estereótipo À Identidade”, Coimbra, Revista Crítica de Ciências Sociais, pp. 157-185.

CALLAHAN, John F. (1979), “Chaos, Complexity, and Possibility: The Historical Frequencies of Ralph Waldo Ellison”, in Kimberly W. Benston (ed.) (1987), Speaking for you/The vision of Ralph Ellison, Washington, D.C., Howard University Press, pp. 125-143.

– – (1988), “Frequencies of Eloquence: The Performance and Composition of Invisible Man”, in Robert O’Meally (ed.) (1988), New Essays on Invisible Man, New York, Cambridge University Press, pp. 55-94.

– – (2004), “Epilogue”, in Lucas E. Morel (ed.) (2004), Ralph Ellison and the Raft of Hope: A Political Companion to Invisible Man, Kentucky, The University Press of Kentucky, pp. 218-228. GUTTMANN, Allen (1972),” Focus on Ralph Ellison’s Invisible Man: American Nightmare”, in David Madden (ed.) (1972), American Dreams, American Nightmares, London, Southern Illinois University Press, pp. 188-196.

LEWIS, R. W. B. (1964), “Ellison’s Essays”, in Kimberly W. Benston (ed.) (1987), Speaking for you/The vision of Ralph Ellison, Washington, D.C., Howard University Press, pp.45-48.

MCPHERSON, James M./L. Holland/J. Banner/Jr./N. Weiss/M. Bell (1971), Blacks in America/Bibliographical Essays, New York, Anchor Books

MCSWEENY, Kerry (1988), Invisible Man/Race and Identity, Boston, Twayne Publishers.

OSTENDORF, Berndt (1988), “Ralph Waldo Ellison: Anthropology, Modernism and Jazz”, in Robert O’Meally (ed.) (1988), New Essays on Invisible Man, New York, Cambridge University Press, pp. 95- 121.

PORTER, Horace A. (2001), Jazz country: Ralph Ellison in America, Iowa City, University of Iowa Press.

REILLY, John M. (1987), “The Testament of Ralph Ellison”, in Kimberly W. Benston (ed.) (1987), Speaking for you/The Vision of Ralph Ellison, Washington, D.C., Howard University Press, pp. 49-62. SKERRET, Jr., Joseph T. (1980), “The Wright Interpretation: Ralph Ellison and the Anxiety of Influence”, in Kimberly W. Benston (ed.) (1987), Speaking for you/The Vision of Ralph Ellison, Washington, D.C., Howard University Press, pp. 217-230.

SMITH, Valerie (1988), “The Meaning of Narration in Invisible Man”, in Robert O’Meally (ed.) (1988), New Essays on Invisible Man, New York, Cambridge University Press, pp. 25-53.

D OUTROS TEXTOS

AZEVEDO, Carlos (1994), “James e Hemingway: As Artes da Ficção”, Porto, Revista da Faculdade de Letras do Porto, II série, vol. XI, pp.281-290.

ADORNO, Th. W. (2003), Experiência e Criação Artística, Lisboa, Edições 70. AGOSTINHO, Stº (1984), Confissões, Porto, Livraria A.

ATKINSON, Brooks (ed.) (1964), The Selected Writings of Ralph Waldo Emerson, New York, The Modern Library, Random House.

BACHELARD, Gaston, (1978), La Poétique De L´Espace, Paris, Presses Universitaires de France. BAKHTINE; M. M., (1978), Esthétique et Théorie du Roman, France, Gallimard.

– – (1989), Esthétique de la Création Verbale, Paris, Éditions Gallimard. – – (1981), The Dialogic Imagination, Austin, University of Texas Press.

BERCOVITCH, Sacvan (1993), The Rites of Assent: Transformations in the Symbolic Construction of America, New York and London, Routledge.

– – (ed.) (2004), The Cambridge History of American Literature (vol. 4), Cambridge, Cambridge University Press.

BERGSON, Henri (1959), Matière et mémoire: Essai sur la Relation du Corps à l’Esprit, Paris, Presses Universitaires de France.

– – (2001), A Evolução Criadora, Lisboa, Edições 70.

– – (1926), Durée et Simultanéité: A Propos de la Théorie d’Einstein, Paris, Librairie Félix Alcan. BERTENS, Hans (1995), The Idea of the Postmodern: a history, London and New York, Routledge. BÍBLIA SAGRADA (1988), Lisboa, Difusora Bíblica, Missionários Capuchinhos.

BROOKER, Jewel Spears (ed.) (2004), T. S. Eliot: The Contemporary Reviews, Cambridge, Cambridge University Press.

BRUMM, Ursula (1970), American Thought and Religious Tipology, New Jersey, Rutgers University Press.

CASH, W. J. (1969), The Mind of the South, New York, Vintage Books.

CASSIRER, Ernst (2004), A Filosofia das Formas Simbólicas: II – O Pensamento Mítico, São Paulo, Martins Fontes.

CHOAY, Françoise (2000), A Alegoria do Património, Lisboa, edições 70. ELIADE, Mircea (1992), Tratado de História das Religiões, Porto, ASA..

– – (1994), Le Mythe de L’Éternel Retour: Archétypes et Répétitions, Les Essays XXXIV, France, Gallimard.

– – (1985), L’Epreuve du Labyrinthe: Entretiens avec Claude-Henri Rocquet, Paris, Pierre Belfond. ELIOT, T. S. (1948), Notes Towards the Definition of Culture, London, Faber and Faber.

EMERSON, Ralph Waldo (1964), “Circles”, in Brooks Atkinson (ed.) (1964), The Selected Writings of Ralph Waldo Emerson, New York, The Modern Library, Random House, pp.279-291.

– – (1983), Essays and Lectures, New York, The Library of America. FOUCAULT, Michel (1969), As Palavras e as Coisas, Lisboa, edições 70. – – (1969), L’Archéologie du Savoir, France, Gallimard.

FRIEDMAN, Susan Stanford (1998), Mappings: Feminism and the Cultural Geographies of Encounter, New Jersey, Princeton University Press.

GREENBERG, Alvin (1972), Choice: Ironic Alternatives in the World of the Contemporary Novel, in Madden David (ed.) (1972), American Dreams, American Nightmares, London, Southern Illinois University Press.

JANSON, H: W: (1977), História da Arte, Lisboa, Fundação Calouste Gulbenkian.

KANT; Immanuel (1998), Crítica da Faculdade do Juízo, Lisboa, Imprensa Nacional Casa da Moeda LAUPIES; Frédéric (1996), Leçon Philosophique sur le Temps, Paris, Presses Universitaires de France. LEHAN, Richard (1973), A Dangerous Crossing: French Literary Existentialism and the Modern American Novel, London and Amsterdam, Southern Illinois University Press, Carbondale and Edwardsville.

LEWICKI, Zbigniew (1984), The Bang and the Wimper: Apocalypse and Entropy in American Literature, Westport, Connecticut, Greenwood Press.

LUTWACK, Leonard (1984), The Role of Place in Literature, New York, Syracuse University Press. LYOTARD, Jean-François (1957), A Fenomenologia, Lisboa, Edições 70, [1954].

MACHOR, James L. (1987), Pastoral Cities: Urban Ideals and the Symbolic Landscape of America, Winsconsin, The University of Winsconsin Press.

MALRAUX, André (1965), Le Musée Imaginaire, Paris, Gallimard. – – (1989), La Condition Humaine, France, Larousse..

MENDILOW, A. A. (1972), Time and the Novel, New York, Humanities Press.

METZINGER, Jean (1911), “Cubism and Tradition”, in Edward F. Fry (ed.) (1996), Cubism, London, Thames and Hudson, pp.66-67.

MOI, Toril (1985), Sexual/Textual Politics: Feminist Literary Theory, London and New York, Routledge.

NIETZSCHE, Friedrich W. (1986), Assim Falou Zaratustra, Rio de Janeiro, Civilização Brasileira. ONG, Walter J. (1970, La Presenza della Parola, Bologna, Società editrice il Mulino.

PANOFSKY, Erwin (1994), Idea: A Evolução do Conceito do Belo, São Paulo, Martins Fontes. PERNIOLA, Mario (1998), A Estética do Século XX, Lisboa, Editorial Estampa

PEARSON, Keith Ansell (2002), Philosophy and the Adventure of the Virtual, Bergson and the Time of Life, London and New York, Routledge.

PONTY, M. Merleau (2005), O Visível e o Invisível, São Paulo, Perspectiva.

RAUSCHENBERG, Robert (2008), Robert Rauschenberg: Travelling ’70-76’, Porto, Catálogo da Exposição organizada no Museu de Serralves.

RICOEUR, Paul (1975), Les Cultures et le Temps, Paris, Les Presses de L’Unesco.

RICOEUR, Paul (1986), Du Texte à L’Action: Essais d’Herméneutique II, Paris, Éditions du Seuil. ROSTON, Murray (2000), Modernist Patterns: in Literature and the Visual Arts, London, MacMillan Press Ltd.

RUPP, Richard H. (1970), Celebration in Postwar American Fiction 1945-1967, Florida, University of Miami Press.

SABINO, Isabel (2000), A Pintura Depois da Pintura, Lisboa, Biblioteca d’Artes.

SANTOS, Maria Irene Ramalho (1987), “Lugares de Sentido Na Literatura Americana”, Coimbra, Revista Crítica de Ciências Sociais, nº 22, pp. 159-172.

SARTRE, Jean-Paul (1949), L’Être et le Néant: Essai d’ontologie phénémonologique, France, Librairie Gallimard.

SCHEICK, William J. (1992), “An Intrinsic Luminosity: Poe’s Use of Platonic and Newtonian Optics”, in Robert J. Scholnick (ed.) (1992), American Literature and Science, Kentucky, The University Press, pp.77-90.

SMITH, Grover (1996), T. S. Eliot and the Use of Memory, London, Associated University Presses.