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Who Does Control the Attack Transients of the Recorder, the Musician or the Instrument Maker?

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HAL Id: hal-02432795

https://hal.archives-ouvertes.fr/hal-02432795

Submitted on 9 Jan 2020

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Who Does Control the Attack Transients of the Recorder, the Musician or the Instrument Maker?

Augustin Ernoult, Benoît Fabre

To cite this version:

Augustin Ernoult, Benoît Fabre. Who Does Control the Attack Transients of the Recorder, the Musi- cian or the Instrument Maker?. International Symposium on Musical Acoustics, Jun 2017, Montréal, Canada. pp.18 - 22. �hal-02432795�

(2)

Who controls the attack transients of recorder?

zugustin Ernoult. Venoît Fabre

Lutherie"zcoustique"Musique. Institut Jean le Rond dTzlembert.

Université Pierre et Marie %urie. Paris 8. %NRS. Sorbonne Universités

w wD4 wD: wD8 wD& O OD4 OD: OD8 OD& 4

w :ww

&ww

w wD4 wD: wD8 wD& O OD4 OD: OD8 OD& 4

−2ww w 2ww

Time (s)

Time (s) SupplyPressure pm(Pa)zcDPressure pac(Pa)

PRondeauP JD5D Vraun

10 20 30 40 50 60 70 80 90 100

0 100 200 300

10 20 30 40 50 60 70 80 90 100

−100 0 100

Growth 90%

Onset

Rising time

10% 90%

target pressure

target amplitude

10%

pac pm

♫ : equiped recorders

(Vass. zlto. Soprano. Sopranino)

♫ 3 playersk

Expert 1 (: recordersk 4&ww notes)

Expert 2 (zlto S Sopranok 9ww notes)

Novice (zlto S Sopranok 8ww notes)

♫ Tasksk Scales S Music

zcquisition of musical attacks

No blow

Oscillating Jet

No Jet

No sound

Steady Pressure

Steady Soundk

frequency. amplitude

Onset of Oscillation

zir supply

Growth of Oscillation

1ms0 10ms 100ms 1s

0.02 0.04 0.06 0.08 0.1 0.12 0.14 0.16

10−6 10−5 10−4 10−3 10−2 10−1 10−2

10−1

´

Novice

Fast Slow

5urationofjetformation(s)

Rise time of pressure (s)

Fast Slow

0 10 20 30 40 50 60 70

0 0.05 0.1 0.15 0.2

1 T10 3 T1 10 T1 30 T1 100 T1 0.02

0.04 0.06 0.08 0.1 0.12 0.14 0.16 0.18

0 2 4 6 8 10

0 0.02 0.04 0.06 0.08 0.1

0 20 40 60 80 100 120

0 5 10

0 20 40 60 80 100 120

0 0.02 0.04 0.06

ampD(f1) ampD(f2)

10 20 30 40 50 60 70

0.5 1 1.5 2 2.5 3 3.5 4 4.5 5

10 20 30 40 50 60 70

0.5 1 1.5 2 2.5 3 3.5 4 4.5 5

♫ Independent ofk

♪ Tessiture

♪ Instrument

♪ Target pressure

♫ 4 expertsk similare

♫ Novice x Ow x Experts

Pressure Jet velocity

♫ Limited by the channel inertia

♫ Expertsk reach the recordersT boundary

Musician: control the pressure rise Manufacturer: control the channel inertia

Rise time (logD scale)

Fractionofdata

♫ Proportional to the period (T

1

)

♫ Novice x Ow x Experts

♫ 4 expertsk slightly different

Musician: energy input

Manufacturer: recorderTs response

♫ Proportional to the period (T

1

)

♫ (Time/T

1

)k Independent ofk

♪Instrument ♪Tessiture ♪Player

High frequencies components

Musician: trajectory in the Pbifurcation diagramP Manufacturer: zones of growth

Hard zttacksk

Fast pressure rise

Strong energy input

Soft zttacksk

Slow pressure rise

No energy input

5urationk 5urationk

Fractionofdata Fractionofdata

(Growth time)x f1 (Onset time)xf1 (logD scale)

Frequency(kHz)

Time (ms) Time (ms) Jet Velocityk θ=Uj/(Wf1)

Jetvelocityk θ=U j/(Wf 1) zcDPressurekp ac/(ρcU j)

zcDPressurek p ac/(ρcU j)

Expert O Expert 4 Novice

Expert O Expert 4 Novice

Expert O Expert 4 Novice

Experts

increase

f2 f1

Musician: low control

Manufacturer: impose the duration

Supply pressure ( Pa ) zcD pressure ( Pa )

ptarg x 4ww Pa ptarg x O kPa Vass

zlto Soprano Sopranino

decrease increase

f2 f1

decrease

f2

f1increase increase

Stationnary

f2

f1increase increase

Stationnary

increase

f2 f1

decrease

Time (ms)

Time (ms)

OwN of pm targD

OwN of pac targD OwN of pm targD

OwN of pac targD

Frequency(kHz)

Time (ms)

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