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Book Review: Obskure Geschäfte mit Kunst und Antiquitäten. Ein Kriminalreport : BlutkeGünter, Obskure Geschäfte mit Kunst und Antiquitäten. Ein Kriminalreport [Obscure Business with Art and Antiques. A Criminal Report] Links Druck Verlag, Berlin (1990) 18

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Kurt Siehr*

Book Reviews

Gunter Blutke, Obskure

Ge-schafte mit Kunst und Antiquitd-ten. Ein Kriminalreport [Obscure

Business with Art and Antiques. A Criminal Report] Links Druck Verlag, Berlin (1990) 182 pp. 'Power tends to corrupt and ab-solute power corrupts absolu-tely'. The continued relevance of Lord Acton's observation is shown by the late East German government's attitude toward private art collections: L'art c'est a moi! In 1973 the government of the former German Demo-cratic Republic (GDR), nor-mally acting by governmental departments, organisations or enterprises, established one of the few 'private' companies for import and export: the 'Kunst & Antiquitaten GmbH' [Art & An-tiques Ltd.]. The book of Gunter Blutke (chief reporter of a Berlin newspaper) is devoted to the obscure business of this limited company.

The examples of the early days of the Soviet Union1 and of Nazi Germany where private art col-lections and 'degenerate art' were nationalized and confis-cated by the State and sold ab-road are well known.2 The East * Professor of Law at the University of Zurich, Switzerland, Faculty of Law.

German government did not dare to touch public art collec-tions (except for a few pieces of minor importance). Instead, it wanted to obtain private collec-tions through formal legal pro-cedures, which were of an unfair and humiliating character. The Inland Revenue authorities, who had not asked for tax declara-tions for many years, unexpect-edly sent their officials to see a number of art collectors. They seized the collections, evaluated them arbitrarily (because there was no free market for art in the GDR and collectors were for-bidden to sell their treasure ab-road) and assessed the income, value-added and property tax which had accrued (since at least 1972). The 'Kunst & Antiquita-ten GmbH' then took control of collections and sold them to cover the collectors' tax liability. Most of these liquidated East German art treasures were not given to East German museums, but were sold to foreigners for urgently needed hard Western currency.

In several cases the 'expropri-ated' East German collectors left East Germany before 1989, and it so happened that they found parts of their collection on dis-play in West German antiques shops. In one case a collector brought a suit against an art

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Book Reviews

dealer in West Berlin for return of a precious grandfather clock. The West German Federal Su-preme Court reversed a Berlin judgment in favour of the

plain-tiff.3 The case is still pending with the Federal Constitutional Court.

Blutke's book describes the activities of the 'Kunst & An-tiquitaten GmbH', the 'expro-priating' taxation of East Ger-man art collectors by the late GDR and the sad destiny of sev-eral victims of the East German tax-raid on art collectors. While all this is (now) history the gen-eral experience that States them-selves do not always carry out their own statutory duties to protect their national cultural property is however, still impor-tant (it may also raise constitu-tional problems in Germany). They disregard their own policy and, for some reason, they openly or in disguise export their cultural property. This aspect has to be taken into account by the Convention on Stolen or Ille-gally Exported Cultural Objects in preparation with UNIDROIT in Rome.4

Notes

1 Princess Paley Olga v Weisz, [1929] 1 KB 718 (C.A.);

Stroganoff-Scher-batoffv Weldon, 420 F. Supp. 18

(S.D.N.Y. 1976); Tribunal de grande

instance de la Seine 12.1.1966

(Stroganoff-Scherbatoff v Bensi-mori), 56 Revue critique d.i.p. 120

(1967) with note by Yvon Loussou-arn; Amtsgericht Berlin-Schoneberg 5.11.1928, 2 Rabels Zeitschrift fuer auslaendisches und internationales Privatrecht 791 (1928) = Die deut-sche Rechtsprechung auf dem Ge-biete des internationalen Privat-rechts 1928 no. 16; Landgericht II Berlin 11.12.1928 (Scherbatov v

Lepke), 3 Zeitschrift fuer Ostrecht

1366 (1929) with approving notes by Ernst Isay and Ernst Frankenstein = Die deutsche Rechtsprechung auf dem Gebiete des internationalen Pri-vatrechts 1929 no. 9.

2 Swiss Federal Court 12.12.1968, 94 Entscheidungen des Schweizerischen Bundesgerichts II 297 {Koerfer v

Goldschmidt).

3 Kurt Siehr, 'The Return of Cultural Property Expropriated Abroad' in:

Comparative and Private Inter-national Law. Essays in Honour of John Henry Merryman on his Seven-tieth Birthday (Berlin 1990)

p. 431-441 (440).

4 Preliminary Draft UNIDROIT Convention on Stolen or Illegally Exported Cultural Objects, UNID-ROIT 1990 Study LXX-Doc. 19 (August 1990). Kurt Siehr, 'Prelimi-nary Draft Unidroit Convention on Stolen or Illegally Exported Cultural Objects (approved by the UNID-ROIT Study Group on the Inter-national Protection of Cultural Property at its Third Session on 26 January 1990), (1992) 1 International

Journal of Cultural Property

pp. 252-5. Also, pp. 321-330, above.

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