تجديد المنهج في الخطاب العقدي عند أبي الحسن الندوي
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(68) ' ,E " x + iI ,g:P q'K N g\& ,B:P nN i& Y= " .! _ ' 33" . _h 6! %1 o . AP 2 =P O W.1N P `K> ¨ `¹ ^T N (& >C N # L67 5[ j='. o , ± S n#C 1E. Y= ÇN< An#C ,`C S)K `C7 T Y= N1 (& V Bz + =>. P gt!= 43 LC A2 ,AE 67 O ^T : ! 1P6K QT 67 + B.1 b 2 u1h >. & YGS!. ,`! =>. 6 qE=nE I _1tK b )2 m=9 & 43 N1 ! . −1 VN1 =P V1:P '":5'h +1G© K © G. V} N1 =P " g:>h G. >h x 67 + 1B# ,{! ?Q= P1N T! j 67 + }3 G + WC } ,bÍ & " 1:P& 7 T- f 2 Y!=C ,+1G© K © 34" h7. `=N 1w q ( n=. & ,¤- v c q b=. _ $ K " SK . ¯2 #!C ¼ _1P6 > V7 T- ÇN ± S- An#= _ £ −2 } XEh":5' ,u < 5t 2 `SI& Y7 V S)K + e. h ,Az B= ÇN< } 'SC } C h ,u < 5t 2 `SI& Y7 Y= V S)K} 2 ' } `& + I Ç $ Ê1C `2 1I =#. & q)=#. } ,L7 I 1=#. & #K q)=#. 35 "m?&. & _6 & = & ( n3 " u 7 ÓBK 1\& " `h. אאðë‡äÛa@å¨a@ïic@‡äÇ@ð‡ÔÈÛa@lbİ©a@À@wèä¾a@‡í‡¤.
(69) 257. ●. 2018 1439
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(71) - ,N1 (& 2 =P + `n ! #« " ÔZ< (1G- + S& %< 67 5[ " zC 1. :%1 v{ + ¢| V1P6 −& qs %1 v{ mz 43 1951 ! ^T Z N1 Õ¤. ( => , h 1>B _ Z , ²} O 81= ,YX=} YE Y!. )Z< L67 Xh Æ1Fh ,E= q. T- ,Nz ,7 !- ,E !. ¤T pF2. P , S w ` . + r S)K AP ,p.N AP An#. >h ` 1tK X2 N1 L67 " `S=P 38" ,.. 1 + FW ,A'! + Z 1F=.. & p.N & ,_ .0 & 2 ' AP 13 O `C S)K ,`C tN `|@ b22 x= XP ¢. (& + c AP An#. & ,ÓBK 1\& & Ah " Ç $ `N& , T AE¥ YN #K3 " 1.WC z h"39 BF= EG " 2 8T> 40" 7. x. Y= S L67 ¥ ,A: mZ Ö SE2 " ¤. ,_' B '. S Z _ £ ,(< EQ2 ^T X=7 7 ¤- 67 + L S=K} iB. ;. P ,v[< q| S) V#Bh , < + H g\QC 1\& 6 81F!- (< s .Z 41`K C 6
(72) $ + # ,21G (× g)* " 1 6N Z ! & 43 '- 67 + `S!= «. ●. ●.
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(76) $ 1976 ! ÔZ< (1G- 43 ^T Z N1 ( => 67 ,`C S=> L \& O q AE© S 67 N1 L67 5[ 0 V © `C S)K L1 T " h k Y= V1P6- L67 =P ,`|X `SI O 81C O Æ1¥ SC P & }3 ,Y = q2 ) V1P6- L67 O G. ,2 A¡ (Q2 B= K© W `2 =P b nh ,` 1=. Z & T AP ! `C S)K An#C `C' L1>h " X| W. 6 C > WI " k ,m#- qE=n- T. b I< & >h< & Æ I< q A =. DN `=B ". Y= , < TC Y= Z[< KX. 0< 5N ( => _1>h V O _1tK e?&" :| Z 0< L67 W. =>h ,ÔZ< (1GE `=N + , 77I ¯2 `=h ':2 `C 1:2 `| 2 ,L1h& 2 :bÍ A>2 Y!w `K3 L0. c 1t& Y o V 7 / + 1¤ } ,Y- x- + ' E. } `P c mw `!> ,`| P62 44"
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(81) 02: ,04 : ●. o + =K > 7x _ = != < !#=. =N , :m (& −3−2−4 r " `| 2@ L& ` (& , Ì< Ç 2 1\QC "B 67 + ! =P 1G P A2 ,`h 2 => `h + J < S# 67 ">. o g# m ^. = 2. E=h ,b1' JBK + $ W _ ' T! ,. >h& " `E¥ 1.1y 7 Ó|1 `n ! 1= ASZ < 2 X=7} ,E ,v[< Æ[ " g:> ! ASZ `n ! m (Q2 81K "B 67 + .n= m²QTK 1P6. m 81. ,5 1 m. 6 2 => " rK :`Q2 m "h 81.Ù m =K > ,#B! m W| W[ ,E m71\ m² B¤ " ÇF=. m7 S[& 6 j X=} h ': .1>B m' " g:> `! ½=#. ; ,X=} 45`h ± 2 FW DF- V 'S)2 E#- bX m=7 & 6! m.' 6! "B 67 81 b1T ( => V 'S ,D.G D.F! V 'S O j=' .S + >h ,, !- '.1) + W k )C "B 67 T. ÇN< 1 + 1F= Z x=C ! Z O Y!2 m , S[< V - S[< A'K EI eZ z 1F=. " < V h " `2 =P + Ò681 >[ "2 P 0 = WW* L6 ":c + ! `! 5'. ,8z- > BW qs. ,k*. " x b !M& b S& < V h " `2 =P + Ò681 >[ "2 ¹& ". §EI ,`'B & F! `'2 D¡- " N& z c3 `Kh ,g# ¡ =P YB¤ D2 " Ó|1 `K > " `=NxN0 #- " §h , & , G & ,B- & ,.< & 46 "1[& 'S + `s. Ñ W=[}. Êc `n ! 1 t. - m.' D2 qE« h ,"B 67 + ! ^T , ! & 3 V WT m " E O AE=T. 6 "=P V WI" `2 =P +. ●. ●.
(82) ●. 2018 1439
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(86) C ,`E= + Lg\QC ,`C Bz `Z[& ,` mE E !. m , SC ,WT SN x. Ö ' A« ! L67 AFh , AS + } : qS=. _ Z ` m- ¢SW , < .
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(88) Z q q '=. N 1 E V WT EP b3 ". * m² N 6K ".6 _ 1>B 5 1 ¡ L =[ %1G l = ' , _ ./ + & " pFS 7 DE#- אאðë‡äÛa@å¨a@ïic@‡äÇ@ð‡ÔÈÛa@lbİ©a@À@wèä¾a@‡í‡¤.
(89) 261. ●. 2018 1439
(90) 02: ,04 : ●. 5 I g[ & gh , V E=n- + (' 5' 2 W. 6 qE=n- _b2- HS Fh > O x v[< m.'C ] 1 _ 3 7- .n= ]z bX0 ,5 1 bXt g Y7 < ¿ - Y #= , B 48" D'.W DK 21 , B< #2 xE=. >h ,(< " r! 67 2 =P + ^T (& " & ` ,Ö ' + g\Q= ,_g:P V E2 _ h ,r = ,´ - ]s m m. ".6 Æ I< _ N 5[ " N = Ä. @ @Zðë‡äÛa@‹Äã@À@‹È“Ûaë@l†ÿÛ@éuì¾a@kí†þa@xˆì¹@ÞbjÓg@‡à«@M5 ` B ¸ Wh ,z [ 1T 2 (< + 5 SZ3 Ea `=2 1\QC XË& ! 1\QC ! ] Z ,(< " E¥ 8#B 1 T P Y= _1t! C g\Q=2 ( + c P Z ,(< 1T 43 5 SZ3 _1tK Y7 L67" :5 'h ,S ! " 1:P& + 62 `K FS ¨ 3 ,1T (< o + ,1T ^. C + ,(< ^. C + _ ''$ V B#B 'Z 'E V D2 q¡ g[< j 67 + ¯Z Z 4 C + . _h 2 & + 5 SZ3 Ea Î 'h ,(f !B :.$ V B#B E.' + ".1>B- SP 2! SP D2 Î ,EZ Vc E Z , ² kP. # `= S= 7 =[ ,- K #K3 3 1 L =[ ¨ "> , 2 & 49" 1T # (< + 1\& ,1T + _. QT& `K3 " : F2 2& `& `! 5'. m 50" _. ´ . ,_. [& _. P1C ÇN& ,b 2< b1T g>BC. : ! 1Pc _ A .1T >E- Î1 O 5 SZ3 q21C ! q1. g:P ` 6 h ,#Fh Fz + _' _Z 7 ! § _' _Z :} & A© + _' L6 1\Qh Nz + _' Z P `!> ,J ! " Z }3 1 I .& " Xh ,%< `2Q2 1\& XP .! _ ' `SI + .© ':- V0 n- V =} + [< + P + ,gS= + , B< + 5 SZ2 1\QC ●. ●.
(91) ●. 2018 1439
(92) 02: ,04 : ●. 262. ,.Z WI Lb >. =N g\Q= O '. } (< < ,`=WI _Z : K 51 7g>BC , ! , = 71>h 71\& 1BC Nz ,* _' (< O YB
(93) C Y= Y7 B _'h ,`=B _Z : : xP1 N `< ,`3 Az ; `=!> B L67 JB! _1Z + 5$ , T=K}. >h ,". 6 0x=} _Z _' _Z = h ,`SN xP1 >h ,`. $ + 5'. >h ,K #K A > A:- Ea 51 ,K #K ". 1. K 6 # 3 ,gW$ O Z1. P P u C `= & i 6 # 3 " :L1I , V c ¿ b1N w + pS ' ,!2 AF=>. } iS. P Ê- _Ì& O LS 52 ". VN. ,= . , & V & >h. : A L6 L1I 5 SZ3 WT2 21w Z± o X=7 ! 1. K l< .xnK A: $ V G + % & 1 I 5 K ":5'h ,_P6- `= & `=.1 I & `Cg#2 b à X=7} 67 A: 21 B #K1B S# q1. ,milton = } shakespeare gS#>I } ;5 SZ3 5 K XP à .1>B 53 " : B _Z. , K _' _Z ,} & `=WI _' c +. o 3" :5'h `. " %1 o b1I D2 5 SZ3 D2 ! As B. Y!w ,V © 2 Y!w ,DB¤- 2 Y!w ,".1>B- 2 Y!w ,bX S>2 Y!w ¨ E$ %1 Lj + b1T g & YZI P ' ,5 SZ3 A: .1'S 1 I v01. o `!> V S=>- 2 ,m7123 h N `. ,p.$ %1 1T + KX.3 EGK 3 Z ` ,Lj 54"5 SZ3 Ea ' '. " v{- 43 (1G- " %1 o eh& O b `!> ' + `P1¥ 1T 67 w2 _Z A
(94) B2 L1I 5 SZ K >- L67 ! x. ,' C & Ê1¥ 6 g:- ,S ' Y 1T 5'h ":5'h , ,%1 (< b TN& + ,Y %1 qE=n- b TN& + AGG=. ,© (1 >. 55"`=H2 Lj + 5 SZ3 Ea `: 6 1T (< + : ' 7 67 b1I " Lgw ,5 SZ3 A: %1 o + Y 3 1 I ~ 5N } #C g:. XP אאðë‡äÛa@å¨a@ïic@‡äÇ@ð‡ÔÈÛa@lbİ©a@À@wèä¾a@‡í‡¤.
(95) 263. ●. 2018 1439
(96) 02: ,04 : ●. ,58 [ Ð 1BÂ ,57 M& ç D#N kP& # ,56¿ N D#N 8 )?& 5 : & ".xE=- ! + (< ^. C '! (< +− xP ( 43 `[ " ! . 5 #= 67 c 43 ( S< pF2 O − 21 S 43 F2 Y o P 43 * ucE! 67 1= 2 ^T . (< 7 (< " r! 67 . ,_ N _. _ N JB! + ^B!. (& 7 67 ,_. N _. _ N !BK + ^B!. (& 43 f u =FK !K3" 5'h ,Y$ ,59DS %1 @1Z `Q2 `#BK zh ,`CZ S # E'2 @1' I& ,Y$ (< ,`= A| } eE!= e. x= Ð m| ' 81[x- (< " `#BK iZ + 6¥ %1 o N 67 N != N "> 81[x (& + ÄK "FK" :5'h AE¥ 6 _' 2 eh=- .$ 2 eh ,m# 8 (< Y7 ,z [ BW2 60"- 3 K #K3 ,. X _' 1E. ,N 1nF2 ".BW `#BK f + (°. , ! !I nK 6>7 b `#BK iZ + =[ , '=- 'K h z AWC & 7& ! qh l Y= FK h , < 5 @ }@ " k 1¤ , K #K3 Z 2& `/ Q2 ,`tB tB¥ w& ,& A
(97) h& AS'=# @ @Zò¸b©a ( )* + .n= 17 t " 1 t O b
(98) b ' a 5 '- 67 + b k=. ,.n= c 17 t '2 b W'= + m7 #C _6h K F- L67 k=& , ! ! ' C 43 u !=>C Y= ( W ¯2 A6C ,T- 67 5X>= O D:N S #C 1>S `=t'. ..n= ! n2 gP6= 43 F- L67 . ~ + ½[& ,XG LPQC , ' ( )* 1.1E= `& ` !& A>2 (< Y7 }& L67 5G=} `=WI Y!S. FK `- ½! ,h W' 5[ " ,.© A© HT!C + `=& O m.1> ` ". 6 ®SC1- YB `#N Y `' E# 87& ` ,`!.2 `=z 'C m#- ( T WI L67 Y!SC XP. ●. ●.
(99) ●. 2018 1439
(100) 02: ,04 : ●. 264. P XP ,`=B `C' `=WT2 ' rS- ucEK >h ,`Z[& 'C `N BP ! L1. XP 21w Z± 1 b1T 62 6 1'S 1>B- 1 T 5 : 5 SZ3 Ea h ;". [ + X ,½| W[ X qs. rS- r2 ! x 62. ,_ S O LjZ ,B=- _ $ YN ! " !. S= + < L6 E| Z 'C ' ( ) (< An2 ,xP1- Aa .n= ` {E2 ". 6 Qh ' A« »W= c3 ;E.' A| ` Bw3 c Y!. } , [ " A'=!. ,` W.3 ! & 6 ( )* & ,m V 'N V © 2 J V Z + z [ ` g=h ,`'!C & A| = ">E. h A' `- ( )* 7 L6 GT2 E© AS'. Y= (< J !& 1| ,m ,N1 (& ,W' r.6 T=K} Ì ,Ê 5z ( )* 6 "E
(101) ,gSP Zpüby⁄aë@ï’aì¨a@M 361Æ ,1u , !S ,V g2 , z ,(1 # ,1> "2 Ea ". 5 ¡ t! "2 1 {! S) 1 #¤ ,2: , j- Ea Ä. K :¢C ,V > , B> b 'S M& :1t!. 2 419Æ ,1998 , !S ,V g2 ,q.0= , !S ,V g2 ,%1 ( => ,ÐE© :¢C ,2: , >N< 5z& + >N ,Ea "2 Ð f 3 136Æ ,1u ,1986 113Æ ,1990 , < , X ,gTS ,1: ,(< + V1tK , ! "#$ M& 4 105Æ ,`#BK q1- 5 38−37Æ ,1982 ,bÌ #¤ ,!)!#Z ,4: ,_1$ 2 FK , ! "#$ M& 6 06Æ ,(< + V1tK , ! "#$ M& 7 "#$ M& ^T ( =P "Es ,Y (< [ + ! "#$ M& ^T ,2 ® S S :1t!. 8 72 557Æ ,2002 , < , X ,gTS ,V g2 , 1 #¤ ,1: ,V ÇF2 , ! 121 ,1987 ,eT ,m' ,_ $ _g# + , ! "#N M& 9 16 Æ ,_17 ' ,%1 1>B ,8: , 'K `K!h (< ,AX3 ". x 10 35Æ ,(< + V1tK , ! "#$ M& 11 113 Æ ,`#BK q1- 12 32Æ ,`#BK q1- 13 34Æ ,`#BK q1- 14 75 − 74Æ ,`#BK q1- 15. אאðë‡äÛa@å¨a@ïic@‡äÇ@ð‡ÔÈÛa@lbİ©a@À@wèä¾a@‡í‡¤.
(102) 265. ●. 2018 1439
(103) 02: ,04 : ●. 75Æ ,`#BK q1- 16 113Æ ,`#BK q1- 17 105Æ ,`#BK q1- 18 106−105Æ ,`#BK q1- 19 58Æ ,1999 , T ,V g2 , ,5 SZ3 q| , ! "#$ M& 20 `#BK q1- 21 32Æ ,(< + V1tK , ! "#$ M& 22 110 Æ ,`#BK q1- 23 6Æ ,1993 , !S ,V g2 , 1 #¤ ,18: ,5 B DS! ½WZ , ! "#$ M& 24 146−145 Æ ,1u ,_ $ _g# + , ! "#$ M& 25 `#BK q1- 26 04Æ ,( => ' ,5 B DS! ½WZ , ! "#$ M& 27 57Æ ,2010 ,eT ,g:P "2 ,eT ,4: ,5 B Y ^. = " ½WZ , ! "#$ M& 28 `#BK q1- :1t!. 29 `#BK q1- ,W' " 4 < _1'B :1t!. 30 11Æ ,`#BK q1- 31 91Æ ,`#BK q1- :1t!. 32 66 ,65 :Æ ,(< + V1tK , ! "#$ M& 33 64Æ ,`#BK q1- 34 `#BK q1- 35 65Æ ,`#BK q1- 36 17Æ ,2001 ,V g2 ,eT ,g:P "2 ,1: ,%1 v{ + ¢| V1P6 , ! "#$ M& 37 18 −17Æ ,`#BK q1- 38 18Æ ,`#BK q1- 39 67 Æ ,(< + V1tK ,`#BK q1- 40 99−98Æ ,%1 v{ + ¢| V1P6 , ! "#$ M& 41 57Æ ,5 SZ3 q| ,243Æ ,DE#- )FK 2 o [ c , ! "#$ M& 42 154−153 Æ ,1988 ,m' ,eT ,6 ,. " 43 , ! "#$ M& 43 113Æ , 1998 ,V g2 , 1 #¤ ,2: ,ÔZ< (1G- + S& , ! "#N M& 44 M& ^T ( =P "Es , ! "#$ %& ^T ! .n= o m , ! , ¹ %1 D#$ :1t!. 45 373Æ ,V ÇF2 ! "#$ 58Æ ,(< + V1tK , ! "#$ M& 46 7−6Æ ,eT ,m' ,=P V WI ,58 −57 :Æ ,`#BK q1- 47 7Æ ,1999 ,m' :i.> ,11: , + _ 1>B 5 , ! "#$ M& 48 ●. ●.
(104) ●. 2018 1439
(105) 02: ,04 : ●. 266. 107 − 106Æ ,(< + V1tK , ! "#$ M& 49 108 − 107Æ ,`#BK q1- 50 107Æ ,`#BK q1- 51 110Æ ,`#BK q1- 52 108Æ ,`#BK q1- 53 112Æ ,`#BK q1- 54 `#BK q1- 55 " DE#- _ N + x© - " ! + _g T t!- N z 56 + V1tK :1t!. , Z i>!C ,m> = rc} (& + ,_S=#- [ _h _
(106) F '- L1T2 81 57 80Æ ,(< ,c .xnK} `C} ' + `=.1'S i/ YS! N B 2 ¢
(107) !. .< G 2 Z 1I ` 58 82Æ ,`#BK q1- :1t!. ,xnK >$ ²b1Z O Æ1¥ >h , xnK m>$ O E> =- 111 −110Æ ,`#BK q1- 59 113Æ ,`#BK q1- 60. The renewal of the method in the doctrinal discourse of (AQid‘ah) at Abi Alhassan Annadoui. The model: literary writing By: Djamel Lachraf E.A.K. UNIVERSITY- Constantine & El-Oued University. Abstract The objective of this article is to show the methodical renewal in the doctrinal discourse (of AQid‘ah) in "Abi Alhassan Annadoui", which is manifested in the dynamisation of the mechanism of the literary writing, containing the notions of AQid‘ah who will implant them later in the spirit and soul of the new generation. This is practiced through the focus on Unity (Tawhid) and its dimensions, the belief in what is called the qualities of Allah and its moral and intellectual effect, This is practiced through the focus on Unity (Tawhid) and its dimensions, the belief in what is called the qualities of Allah and its moral and intellectual effect, Fuel the fires of friendship in the hearts and love of the Prophet Muhammad peace be upon him, and Deepening the relationship with him, insist on faith in the other day. all this at a time crept into many ideas and values, purely physical, to the minds and hearts of the sons of Islam through literary writing. This article is an attempt to reveal the aspects of this renovating work, to put it under the light of the interested people of this subject in order to broaden and deepen the research, to collect the studies in this matter in order to serve our Our nation . Keywords: the method, the doctrinal discourse ( of AQid’ah), Abou Alhassan Annadoui, literary writings.. אאðë‡äÛa@å¨a@ïic@‡äÇ@ð‡ÔÈÛa@lbİ©a@À@wèä¾a@‡í‡¤.
(108)
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