Mark Themann
Museum of Installation
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Made while listening to:
Pont du Garigliano
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Made while listening to:
Pont du Mirabeau
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Made while listening to:
Pont du Grenelle
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Made while listening to:
Pont du Bir-Hakeim
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Made while listening to:
Pont d’Iéna
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Made while listening to:
Passerelle Debilly
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Made while listening to:
Pont de l’Alma
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Made while listening to:
Pont des Invalides
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Made while listening to:
Pont Alexandre III
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Made while listening to:
Pont de la Concorde
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Made while listening to:
Passerelle Solférino
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Made while listening to:
Pont Royal
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Made while listening to:
Pont du Carrousel
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Made while listening to:
Pont des Arts
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Made while listening to:
Pont Neuf
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Made while listening to:
Pont au Change
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Made while listening to:
Pont St Michel
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Made while listening to:
Pont Notre Dame
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Made while listening to:
Petit Pont
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Made while listening to:
Pont au Double
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Made while listening to:
Pont d’Arcole
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Made while listening to:
Pont de l’Archevêché
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Made while listening to:
Pont St Louis
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Made while listening to:
Pont Louis Phillippe
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Made while listening to:
Pont de la Tournelle
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Made while listening to:
Pont Marie
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Made while listening to:
Pont de Sully
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Made while listening to:
Pont d’Austerlitz
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Made while listening to:
Pont Charles de Gaulle
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Made while listening to:
Pont de Bercy
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Made while listening to:
Pont de Tolbiac
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Made while listening to:
Pont National
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38 Index to page 4
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39 Index to page 5
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40 Index to page 6
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41 Index to page 7
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42 Index to page 8
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43 Index to page 9
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44 Index to page 10
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45 Index to page 11
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46 Index to page 12
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47 Index to page 13
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48 Index to page 14
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49 Index to page 15
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50 Index to page 16
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51 Index to page 17
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52 Index to page 18
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53 Index to page 19
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54 Index to page 20
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55 Index to page 21
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56 Index to page 22
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57 Index to page 23
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58 Index to page 24
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59 Index to page 25
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60 Index to page 26
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61 Index to page 27
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62 Index to page 28
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63 Index to page 29
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64 Index to page 30
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65 Index to page 31
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66 Index to page 32
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67 Index to page 33
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68 Index to page 34
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69 Index to page 35
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Index to page 38-39
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Index to page 40-41
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Index to page 42-43
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Index to page 44-45
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Index to page 46-47
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Index to page 48-49
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Index to page 50-51
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Index to page 52-53
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Index to page 54-55
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Index to page 56-57
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Index to page 58-59
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Index to page 60-61
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Index to page 62-63
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Index to page 64-65
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Index to page 66-67
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Index to page 68-69
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90 Index to page 72
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91 Index to page 73
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92 Index to page 74
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93 Index to page 75
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94 Index to page 76
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95 Index to page 77
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96 Index to page 78
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97 Index to page 79
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98 Index to page 80
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99 Index to page 81
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100 Index to page 82
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105 Index to page 87
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106 Index to page 90
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108 Index to page 92
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109 Index to page 93
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111 Index to page 95
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113 Index to page 97
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120 Index to page 105
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124 Index to page 90
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125 Index to page 91
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Using the Trojan horse of orthodoxy, in the form of “content and index”, the Museum of Installation opens up to a multivalent layering and circularity. No matter where one enters the book, via the obese presence of an indexical structure, one is continuously guided back to its beginning section. On second glance, it could be said that this
“beginning”, evidences a certain ambivalence, regarding authenticity, authorship, place and time, while citing all the bridges crossing the Seine, in the city of Paris.
The remaining 80% of the book, is devoted to a superstructure of multiple indexes. Such an overbearing structure, may give cause for suspicion, regarding the content it seeks to reference. If some deem the contents of this index, “necessary”, for both “subjectivity” and a hermeneutic of its gestures, maybe this Trojan horse can be co-opted, to investigate the possibility of the provisional, oscillating within the covers of a museum reference.
In this spirit, the Museum of Installation continues certain conceptual strategies, employed in my previous works, such as “Solvitur Ambulando Tokyorama 1” (Palais de Tokyo, Paris 2001) and “Metronom” (Museum of Installation, London 1999).
M.T.
Mark Themann was born in Australia in 1958. Since 1984, his works have been realized in Galleries, Museums and other sites, in Australia, Europe and the USA. In a practice not delimited by artistic disciplines or media, his works have taken the form of performances, site-specific projects/
Installations, 2D and 3D works, collaborations, print and book works.
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First edition limited to 250 numbered copies.
A 30 copy deluxe limited edition of this book, accompanied by a signed and numbered original photograph by the artist, is available from Onestar Press Layout and photos: Mark Themann
Assistant to the artist: Mélanie Scarciglia Printed and bound by Dupli-print, France
© 2002 Mark Themann & Onestar Press
For their kind support of this project, the artist wishes to thank:
Helène Aziza, Amanda Browne, Paul-Armand Gette, Horst + Erica Kron, Dieter Maug, Sophie N’Diaye.
www.onestarpress.com Write us at:
Onestar Press
“a collection of books, movies and multiples by artists”
16, rue Trolley de Prévaux 75013 Paris France Tel: +33 (0)6 61 77 38 25
info@onestarpress.com
This project has been supported by the Victorian Government through Arts Victoria - Department of Premier and Cabinet.
Mark Themann
Museum of Installation
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