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Geographies of Mobilization and Territories of Belligerence during the First World War
Olivier Compagnon, Pierre Purseigle
To cite this version:
Olivier Compagnon, Pierre Purseigle. Geographies of Mobilization and Territories of Belligerence
during the First World War. Annales. Histoire, Sciences sociales, Armand Colin, 2016. �halshs-
01667792�
GEOGRAPHIES OF MOBILIZATION AND TERRITORIES OF BELLIGERENCE DURING THE FIRST WORLD WAR
Olivier Compagnon, Pierre Purseigle
Editions de l’E.H.E.S.S. | « Annales. Histoire, Sciences Sociales »
2016/1 71st Year | pages 37 - 64 ISSN 2268-3763
ISBN 9782713225116
This document is the English version of:
--- Olivier Compagnon, Pierre Purseigle« Géographies de la mobilisation et territoires de la belligérance durant la Première Guerre mondiale », Annales. Histoire, Sciences Sociales 2016/1 (71st Year), p. 37-64.
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--- https://www.cairn.info/article-E_ANNA_711_0037--geographies-of-mobilization- and.htm
--- How to cite this article :
--- Olivier Compagnon, Pierre Purseigle« Géographies de la mobilisation et territoires de la belligérance durant la Première Guerre mondiale », Annales. Histoire, Sciences Sociales 2016/1 (71st Year), p. 37-64.
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Dossier Geographies of the First World War
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Geographies of Mobilization and Territories of Belligerence during the First World War
O l i v i e r C o m p a g n o n a n d P i e r r e P u r s e i g l e
From now on, when a battle takes place anywhere in the world, nothing will be easier than to make its artillery heard around the globe. The roar of Verdun would have been heard in the antipodes. One will even be able to glimpse something of the fighting and of men falling six thousand nautical miles away, three hundredths of a second after the shot.
Paul Valéry, Regards sur le monde actuel.
1First World War studies have significantly evolved over the past thirty years.
The present vitality of this field largely stems from the cultural and comparative turn taken by historiography since the 1980s. In these decades, eager to break free of national frameworks in order to examine the transnational dimension of the conflict and the systems of representation relating to it, historians of the Great War frequently emphasized its cultural aspects, and their preferred themes came to occupy center stage in the historiography: the image of the enemy and the representations associated with various national communities, the mobilization of artists, intellectuals, and scientists in the service of belligerent states or in opposition to mass violence, the religious transformations that took place between 1914 and 1918, and the memory of the conflict and the forms taken by its commemoration.
2In a context marked by the linguistic turn and the critique of what was seen as an excessively conventional social and economic history, these developments were hardly surprising.
Marked by the end of the Cold War and a reorganization of the international order that favored comparative approaches, the political context of the time also
This article was translated from the French by Ethan Rundell and edited by Chloe Morgan and Nicolas Barreyre.
1. Paul Valéry, Regards sur le monde actuel (Paris: Stock, Delamain and Boutelleau, 1931).
2. Jay M. Winter, “Catastrophe and Culture: Recent Trends in the Historiography of the First World War,” Journal of Modern History 64, no. 3 (1992): 525–32; Antoine Prost and Jay M. Winter, The Great War in History: Debates and Controversies, 1914 to the Present
(Cambridge: Cambridge University Press, 2005). 37
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played an important role in these historiographical developments. The events of 1989–1991, in particular, seemed to abruptly call into question the Concert of Nations that had resulted from the peace treaties of 1919–1923 (largely reshaped, it is true, in the aftermath of the Second World War). From one end of the ruins of the Iron Curtain to the other, calls were heard for a general revision of the grand narrative of European history. Even as French commemorations of the bicentenary of the 1789 Revolution drew to a close, political and intellectual milieus were confronted with the issue of the continent’s further economic and political integration, from the signature of the Single European Act in February 1986 to that of the Maastricht Treaty six years later. Allied with the grandiloquent announcement of the “end of history,”
3all of these changes were the source of a new interest in “Europe” as a category of historical analysis.
Against the backdrop of the brutal breakup of Yugoslavia—a reminder that war and mass violence are not just the scars of the European past but also very contemporary realities and permanent risks—historians set about rethinking European identity, and many cultural institutions responded in kind. Inaugurated in 1990 and 1992 respectively, the museum at Kobarid (formerly Caporetto) on Slovenia’s Isonzo front and the Historial de la Grande Guerre in the town of Péronne (France) adopted a deliberately transnational approach that was hailed by European commentators and authorities alike. At the same time, the all-out pursuit of economic and financial globalization underpinned by neoliberal “good governance” and the “Washington Consensus” seemed to lend credence to the notion that the world of twentieth-century borders had once and for all come to an end. It was in this context that global history gradually established itself on the historiographical agenda, opening the prospect of a genuine reorientation of First World War studies.
Sizing Up a Global Conflict
A quarter of a century later, after the centenary of 1914 has given rise to countless colloquia, publications, and commemorations throughout the world, it must nevertheless be admitted that the history and memory of the First World War remain strongly anchored in national, and even sometimes resolutely nationalist, frameworks. While comparative and transnational approaches have gained ground in nearly all historiographical domains, a global history of the war seems as elusive as ever. Although a large portion of the profession now claims to be ready to produce a narrative of the conflict that will do justice to its geographical scale and to the multiple circulatory phenomena that characterized it, most recent work remains confined by the fetters of national borders, historiographical subfields, and the disciplines of the human and social sciences. As a result, vast chasms continue to exist between the military, diplomatic, economic, social, and cultural histories of the
3. Francis Fukuyama, “The End of History?” The National Interest 16, no. 3 (1989): 3–18.
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war, between the various disciplinary and methodological approaches developed within First World War studies, and between the countless monographs devoted to particular spaces.
Hew Strachan has brilliantly deconstructed the process by which a conflict successively referred to as the Third Balkan War, the European War, the Great War, and, finally, the World War came to be named.
4These terms do not simply refer to the geopolitical aspects of the war, its imperial dimension, or its global economic impact, but also reflect the full ideological burden of a conflict constructed in existential terms: it was precisely the protagonists’ Weltanschauung (vision of the world) that explained their determination to fight and win this Weltkrieg. In other words, any consideration of the nature and geography of the First World War must take into account the high degree of globalization that—independently of considerations specific to imperial domination—already characterized the world on the eve of 1914: the commercial and financial globalization that spread outwards from the hubs of economic power that were the United States, Great Britain, and Germany; the demographic globalization brought about by the massive transatlantic migrations of the late nineteenth and early twentieth centuries; and the intellectual and cultural globalization that took place within the “Global Republic of Letters”
and the transnational space of artistic avant-gardes.
5The several attempts that have been made to write this global history of the conflict can be divided into two distinct genres. The first is that of the overarching synthesis, an example of which was offered by Strachan in the first volume of his history of the First World War.
6Few scholars, however, are capable of meeting the linguistic, narrative, and analytical challenges posed by this kind of global history of the war. The second genre takes the form of edited volumes or thematic issues of academic journals, productions that nevertheless generally limit themselves to a juxtaposition of national case studies or disciplinary approaches.
7Unprecedented in its ambition and scope, the Cambridge History of the First World War edited by Jay Winter in 2014 constitutes one of the first real successes in this genre. It offers an authentically transnational vision of the conflict and attempts to give attention to every part of the world, even though it also demonstrates the degree to which global history continues to depend on national or regional case studies.
8While these pioneering works have decisively contributed to our understand- ing of the conflict’s global dimension, a question nevertheless remains: How can we integrate the diversity and complexity of experiences that unfolded at the
4. Hew Strachan, “The First World War as a Global War,” First World War Studies 1, no. 1 (2010): 3–14.
5. Pascale Casanova, The World Republic of Letters, trans. M. B. DeBevoise (Cambridge:
Harvard University Press, 2007); Béatrice Joyeux-Prunel, Les avant-gardes artistiques, 1848–1918. Une histoire transnationale (Paris: Gallimard, 2015).
6. Hew Strachan, The First World War, vol. 1, To Arms (Oxford: Oxford University Press, 2001); Strachan, The First World War (London: Free Press, 2006).
7. John Horne, ed., A Companion to World War I (Chichester: Wiley-Blackwell, 2010).
8. Jay M. Winter, ed., The Cambridge History of the First World War, vol. 1, Global War,
vol. 2, The State, and vol. 3, Civil Society (Cambridge: Cambridge University Press, 2014). 39
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global scale into a common analytical framework? This question is all the more crucial as a pronounced Eurocentrism continues to dominate the historiography of the First World War. While the conflict’s military and strategic epicenter was undeniably located in Europe, historians have everything to gain from examining what have traditionally been described as “peripheral” experiences in order to better understand the nature of this first truly global war. This is the main objective of the present collection of articles: to “de-Europeanize,” as it were, the historiography of the conflict by offering two possible paths to a global history of the First World War. On the one hand, it suggests broadening the discussion to encompass a number of objects that lend themselves to global history, including natural resources and manufactured goods, propaganda and its impact, scientific activity, diasporas, and wartime artistic production. The environmental history of the war proposed by Tait Keller offers some particularly innovative perspectives in this regard. On the other hand, the dossier advocates reevaluating the experience of war in what have long been considered—in both geographical and historical terms—
“peripheral” regions of the world. One of course thinks of colonial territories, which histories of the years 1914–1918 generally approach in terms of their “contribution”
to the war effort, thereby betraying a pronounced ethnocentrism that remains tenacious despite calls for history to be written in “equal parts.”
9It is in order to break with this traditional approach to colonial spaces in wartime that Pryia Satia addresses non-European theaters of the conflict. By evaluating their reciprocal effects on Europe and deconstructing representations of the Middle East, she seeks to understand how the geographical imaginary of the British Empire was employed in the service of what were simultaneously national and imperial projects. But this effort at decentering is also worth bringing to bear on spaces that escaped European colonial domination such as Latin America, where several recent works have shown that, contrary to traditional national narratives, the experience of the war was intense and contributed to major upheavals.
10The attention given to global history here is neither a fad nor merely a matter of methodological interest; it is a necessity stemming from the very nature of the Great War, something that older approaches tend to obfuscate. The 1914–1918 sequence was thus long understood as a quintessentially modern industrial conflict, with much ink spilled over whether it amounted to a “total war” or constituted a
“revolution in military affairs.”
11These debates, which continue to engage many
9. Romain Bertrand, L’histoire à parts égales. Récits d’une rencontre Orient-Occident,
XVIe