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Puglia Digital Library

Tommaso Di Noia1, Azzurra Ragone2, Andrea Maurino2, Marina Mongiello1, Maria P. Marzocca3, Giuseppe Cultrera3, Mauro P. Bruno4

1 Polytechnic University of Bari, Bari, Italyfirstname.lastname@poliba.it

2 University of Milano-Bicocca, Milano, Italylastname@disco.unimib.it

3 Innovapuglia SpA, Valenzano (BA), Italy {mp.marzocca,g.cultrera}@innova.puglia.it

4 Regione Puglia, Bari, Italymp.bruno@regione.puglia.it

Abstract. The digital revolution has been a big shift in the creation, publication and storage of our digital heritage. New file formats and supports have followed over the years to produce and reproduce audio, photos and video. Based on these observations, the Puglia region started the Puglia Digital Library project with the aim to collect in a single public collection all the digital contents related to Puglia.

Due to its public nature, all the items available in the collection have been described using also RDF-based annotations and the final dataset has been exposed via a SPARQL endpoint. During the data-engineering process, attention has been paid in the selection of shared vocabular- ies thus allowing a plain integration with other projects such as Cul- tura Italia,Europeana, Musei D’Italia, Internet Culturale and Sistema Archivistico Nazionale. Thanks also to its links to DBpedia, Schema.org, FOAF and GeoNames, Puglia Digital Library can be considered as a new player in the Linked Open Data cloud.

1 Introduction

A Digital Library (DL) is a collection of digital resources (text, visual and audio material, etc.) which are stored in knowledge bases or databases. It has to pro- vide means to make easy the storage and retrieval of media in the collection, as well as to link resources among various digital libraries thus allowing the sharing of knowledge among different providers. As of today, we have many examples of Digital Libraries maintained by institutions or organizations (e.g. Europeana,5 World Digital Library6), by libraries (National Science Digital Library7) or aca- demic institutions (Harvard University Library8).

In order to be as effective as possible in the whole document management chain, DLs are designed as very complex information systems which include

5 http://europeana.eu/portal/

6 https://www.wdl.org

7 https://nsdl.org/

8 http://library.harvard.edu/

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digital document preservation, distributed database management, information filtering, information retrieval, intellectual property right management, query answering, resource discovery and selective dissemination of information [8]. The research efforts of the last years have been focused on ways to associate meta- data to resources stored in DLs with the aim to provide an easy cataloging and browsing of the collections themselves.

More recently, the Linked Data initiative [10] has gained momentum as a set of best practices for publishing and connecting structured (open) reusable data on the Web [11]. In this respect, the Linked Open Data (LOD) initiative meets the need for a broader cooperation among different DLs, supporting the sharing of knowledge and resources among them and then a conceptual shift from document-centric to data-centric and metadata-based approaches [1]. In- deed, the reuse of knowledge coming from other repositories can be effective only if data are provided with common and shared metadata. Metadata are a key element in the digital library domain [13]. Indeed, cultural heritage institu- tions (museums, archives, libraries) use metadata, as well as thesauri to describe objects in their collections. Linking these metadata with datasets in the Linked Data cloud (GeoNames, DBpedia, FOAF, ecc.) greatly improves reusability and integration of diverse Digital Libraries [3]. The effectiveness in the use of LOD datasets to annotate digital resources in a DL is also witnessed by some success- ful use cases such as the one of the German National Library9 or the British National Library10as well as the case of the National Library of Spain11and of the National Library of France.12Moreover, many cultural-heritage institutions have started to explore the benefits of LOD as a means for resource discovery for their hidden treasures [12].

There are many benefits in using linked metadata for DLs, among these:

metadata openness and sharing, easiness in information discovery, identification of resource usage patterns, facet-based navigation and metadata enriched with links [1]. This latter has a very important role as makes the user able to navigate among DLs and external information providers. If all the DLs adopted the Linked Data principles they would play a dominant role in the Linked Data cloud as they store a great amount of legacy bibliographic and authority-list data [1]. In order to support the widely adoption of LOD in DLs, some general approaches to data management and transition from metadata to triples needs to be explored;

this results in a fundamental shift in metadata design and development that has important implications for controlled vocabularies in terms of data cleanup and preparation [12].

In this paper we present the Puglia Digital Library13 project (PugliaDL), whose digital resources are described according to standard vocabularies and can be exposed in the LOD cloud as they follow the well-known Linked Data

9 http://www.dnb.de/EN

10http://www.bl.uk/bibliographic/datafree.html

11http://datos.bne.es/

12http://data.bnf.fr/

13http://www.pugliadigitallibrary.it/

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principles.14 The remainder of this paper proceeds as follow. Section 2 reviews some relevant work in the field of DLs focused on linking, sharing and reuse of data. Section 3 describes all the aspects related toPugliaDLincluding its Linked Data model. Section 4 is devoted to show some examples of resources available in PugliaDL. Conclusion closes the paper.

2 Related Work

In the last decades DLs have become very popular and several scientific in- vestigations and practical efforts were put in place on them: there has been a considerable amount of effort in designing vocabularies, metadata standards, and thesauri to annotate DLs objects, so this section cannot be exhaustive.

Thousands of DLs are emerging around the world, crossing all disciplines and media, some are small community-based initiatives, while others are man- aged by e.g. public institutions, as national libraries offering a wide range of cultural treasures in multiple media [8]. Finding a unique definition of DL is almost impossible, as, during the years, different definitions has been proposed in the literature. The Digital Library Federation (DLF) puts more emphasis on the organizational aspects, stating that DLs are organizations that provide the resources to select, offer intellectual access to, distribute, preserve the integrity of, and ensure the persistence over time of collections of digital works so that they are available to a community or set thereof.15 Borgman [4] states: “DLs are a set of electronic resources and associated technical capabilities for creating, searching and using information. The content of DLs includes data and meta- data”. The latter definition is important as it puts the accent on the presence of metadata, which are fundamental to classify and retrieve information in DLs.

At the beginning of the 2000’s in the effort of managing and organizing DLs, several initiatives emerged as OCLC,16 a global library cooperative with thou- sands of library members in more than 100 countries. Several DL Directories exist, among the others, the Library of Congress,17 the Digital Library Direc- tory18 and the Alexandria Digital Research Library.19 Europeana [9] is a DL linking more than 40 million digital items from the cultural and heritage domain (artworks, books, video, artefacts, sounds) that have been digitized throughout Europe. Europeana is a large-scale aggregator where the original data is ab- stracted to a common format and schema [3]. Europeana is a collector of digital objects, it does not store the digital content, but it just collects metadata about the items. Indeed, Europeana collects metadata about digitized content of over 3300 Europes galleries, libraries, museums, archives, etc. When the users find a content of interest, they are linked to the original site (content provider) that

14https://www.w3.org/DesignIssues/LinkedData.html

15DLF, April 21, 1999

16https://www.oclc.org/

17https://www.loc.gov/collections

18http://www.digitallibrarydirectory.com/

19http://www.alexandria.ucsb.edu/

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holds the content itself, e.g. a museum, a library, a regional archive. To make the information searchable using metadata, initially, an extended Dublin Core model was used, named Europeana Semantic Elements. Now this has been superseded by a richer metadata standard named Europeana Data Model20 (EDM), based on Semantic Web languages (OWL, RDF). EDM incorporate community stan- dard such as LIDO21 for museum, EAD22 for archives or METS23 for digital libraries. The EDM has also been used by other DLs. The Europeana approach, on the one side ensures great consistency and interoperability. Unfortunately, on the other side it may lose the richness of the original data [3].

The effort for producing standardized metadata to catalogue DLs started in the nineteenth century with regional and international consortia that tried to institute rigorous cataloguing principles and rules, just to cite a few AACR,24 MARC,25ISBD,26FRBR,27RDA28[1]. Metadata standards such as FRBR and RDA are more devoted to human consumption rather than machine process- ing, indeed when these metadata are implemented using a technical format like MARC they show problems of metadata duplication, data inconsistency, lack of granularity and complexity [6, 1]. The solution to shift from a document-centric view (typical of the previous standards) to a data-centric view lies down in the adoption of LOD for metadata modelling, encoding, representation and sharing.

The use of LOD is also justified by the need to make DLs freely and openly accessible, other than in a shareable, extensible and re-usable format[14]. In this direction, the Library of Congress and the Stanford University Libraries29have paved the way since 2011, followed by the Europeana initiative and the British Library, that have both developed a semantic metadata model compliant with LOD specifications [5, 9].

The task of search and discovery in DLs has often been faced using metadata describing information objects (e.g., documents). As the one of the Dublin Core Metadata initiative (DCMI) [7] focused on developing small usable set of vocab- ulary terms that can be used to describe the essential features of web resources (video, images, web pages, etc.), as well as physical resources like artworks, books, ecc. The Dublin Core Metadata can be used for both resource descrip- tions as well as to combine various metadata standards with the aim to provide interoperability among the metadata vocabularies in the LOD cloud. The cur- rent set of the Dublin Core vocabulary is composed by the DCMI Metadata Terms, all these terms are defined as RDF properties.

20http://pro.europeana.eu/page/edm-documentation

21www.lido-schema.org/

22http://www.loc.gov/ead/

23http://www.loc.gov/mets/

24Anglo-American Cataloguing Rules, 1967

25MAchine-Readable Cataloguing, 1960

26International Standard Bibliographic Description for Monographic Publications,1971

27Functional Requirements for Bibliographic Records, 1996

28Resource Description and Access, 2010

29http://library.stanford.edu/

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3 Puglia Digital Library

Puglia Digital Library (PugliaDL) was conceived with the aim to preserve the memory of the regional heritage and to enable its sharing and reuse. For this reason PugliaDL wants to become a producer and supplier of LOD related to the regional heritage, making available data that usually are hard to find. The PugliaDLis a multimedia archive of books, magazines, newspapers, photographs, sounds and audiovisual materials, museum objects, historical and artistic sites, etc. Having in mind a DL were the information is open and shared, a key role is played by the services that allow the sharing of knowledge from and to national and international aggregators using standard metadata and LOD as access point to the DL. At the moment PugliaDL collects about 40 digital collections and 1700 resources organized with respect to three main levels: topic, collection, digital resource. PugliaDL mainly exposes its data on the Web in an ad-hoc Web portal where each digital resource has a preview (sound or picture), a brief description, a summary sheet, a map with the resource location, and can be downloaded. For what concerns books, it is possible to virtually browse them page by page; in this way it is possible to consult any book, even fragile and precious ones. In describing resources, a set of standard metadata and controlled vocabularies is used in order to favor interoperability. ThePugliaDLis the only digital library in Italy that can interact with other systems, as Cultura Italia30 (and through this with Europeana), Musei d’Italia,31Internet Culturale,32SAN- Sistema Archivistico Nazionale.33 The sets of metadata used by thePugliaDL are depicted in Table 1.

The controlled vocabularies are:

– DCMIType (DCMI Type Vocabulary)

– PICO Thesaurus (that allow interoperability with Cultura Italia) – Vocabularies ICCD (Italian standard for cataloging)

– AAT (Art & Architecture Thesaurus) – TGN (Thesaurus of Geographic Names)

3.1 Puglia Digital Library: data modeling

The Puglia Digital Library is the pilot project in the Puglia region in the field of LOD. With reference to the 5-stars model proposed by Tim Berners-Lee34, the PugliaDLpublishes its data both in 3- and 5-stars level. The choice is justified by the fact that data published as CSV or XML can be exploited also by users that do not have knowledge about RDF and SPARQL. The data ofPugliaDLare in the 5-stars level (LOD) as data are linked in the Semantic Web with external sources (DBpedia, GeoNames, etc.). Before publishing any data, the first step

30http://www.culturaitalia.it

31http://www.culturaitalia.it/opencms/museid/index_museid.jsp?language=en

32http://www.internetculturale.it/opencms/opencms/it/

33http://san.beniculturali.it

34https://www.w3.org/DesignIssues/LinkedData.html

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DC Dublin Core Metadata Initiative DDI Data Documentation Initiative

EAC-CPF Encoded Archival Context - Corporate Bodies, Persons, and Families

EAD Encoded Archival Description finding aid FGDC Federal Geographic Data Committee metadata

ISO 19115 2003 NAP North American Profile of ISO 19115:2003 descriptive metadata LC-AV Technical metadata specified in the Library of Congress A/V

prototyping project

LOM Learning Object Model

MARC MAchine-Readable Cataloging

MAG Administrative and Management Metadata METSRIGHTS TSRights Declaration Schema

MODS Library of Congress Metadata Object Description Schema NISOIMG NISO Technical Metadata for Digital Still Images (MIX) PREMIS PREservation Metadata: Implementation Strategies TEIHDR Text Encoding Initiative Header

TEXTMD textMD Technical metadata for text VRA Visual Resources Association Core

Table 1: Sets of metadata used by thePuglia Digital Library

is their analysis with the aim to identify the data that should be published by following the criteria of integrity, coherence and completeness. The editorial staff of PugliaDLhas defined some publishing rules, among these the fact that each collection should contain at least 5 digital resources (dr) and that to each dr the following metadata should be valued and published in an open format:

– Identifying data: title, ID, description, collection, subject, etc.

– Category data: genre, topic, etc.

– Resource data: title, author, chronological information, etc.

– Geographical data: location, geographic coordinates, curator, etc.

– Technical data: digital format, quality, etc.

– Data on accessibility: the copyright holder, license, etc.

All the data used to describe a dr are released using a CC0 license.35 In the publishing phase the set of metadata is chosen with reference to the Italian legislation36 rules. The collections of the PugliaDL are also published on the Open data portal of the Puglia Region.37One of the added values of using Linked Data technologies in a DL is the possibility to place a particular cultural asset in a proper context. Indeed, it is not possible to describe a cultural asset without reference to its historical period and style, as well as, its geographic location.

35https://creativecommons.org/publicdomain/zero/1.0/

36Italian National guidelines for the valorization of public sector informationpublished by the Agency for Digital Italy (AgID 2014)

37http://dati.puglia.it/

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Consider for instance Medieval art. There are different styles of Romanesque in different Italian regions: the Apulian Romanesque as well as the Lombard and Pisan Romanesque, and each one has its own characteristics. Thanks to Linked Data we can capture all these geographical and historical relations.

3.2 Resource annotation in Puglia Digital Library

Each resource in the system is described in accordance with existing ontologies, to make the system itself highly interoperable. The ontology chosen to describe such resources is CIDOC-CRM,38 developed by ICOM,39 which is the leading conceptual model for the heritage sector. Specifically its OWL implementation (Erlangen CRM/OWL40) has been adopted as more suitable for DLs. Such an ontology is able to model the interweaving of semantic relations among temporal and geographical dimensions, people, material and immaterial object descrip- tions. As a way of example, a video about theDivine Comedy can be linked to the video resource, or to its theatrical opera staged at the Nuovo Teatro Verdi located inBrindisi and to its directorEimuntas Nekroˆsius.

Furthermore, the CIDOC-CRM ontology is highly interoperable as it is mapped to several other ontologies.41PugliaDLitself uses standards that are all mapped to such ontologies: Dublin Core [7], EAD,42VRA,43ICCD,44EDM45and PICO.46

The PICO Application profile mapping47has been the main reference docu- ment to create the RDF annotations inPugliaDL. Indeed, this allows to exchange data withCultura Italia and, through that, withEuropeana. However, CIDOC- CRM has some limitations in describing multimedia resources, e.g. it does not have properties to describe technical details, like data rate mode, mimeType, channel configuration, etc. For this reason,PugliaDLalso adopted other ontolo- gies to overcome such limits, including Dublin Core, DBpedia,48 Schema.org,49 FOAF50and SKOS.51

In the following example one of the limitations of CIDOC is highlighted, in the representation of the asset location:

<crm:P53_has_former_or_current_location>

38http://www.cidoc-crm.org/

39http://icom.museum/

40http://erlangen-crm.org/

41http://www.cidoc-crm.org/crm_mappings.html

42https://www.loc.gov/ead/

43https://www.loc.gov/standards/vracore/

44http://www.iccd.beniculturali.it

45http://pro.europeana.eu/page/edm-documentation

46http://www.culturaitalia.it/opencms/export/sites/culturaitalia/

attachments/documenti/picoap/picoap1.0.xml

47http://www.culturaitalia.it/opencms/documentazione_tecnica_en.jsp

48http://dbpedia.org

49http://schema.org

50http://www.foaf-project.org/

51https://www.w3.org/2004/02/skos/

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<crm:E53_Place>

<crm:P87_is_identified_by>

<crm:E48_Place_Name>

<rdf:value>Bari</rdf:value>

</crm:E48_Place_Name>

</crm:P87_is_identified_by>

</crm:E53_Place>

</crm:P53_has_former_or_current_location>

In such a description it is impossible to distinguish amongMunicipality,Dis- trict or Region. While by integrating the DBpedia ontology it is possible to specify a property for each geographic area:dbp:locationCity,dbo:province, dbo:region,dbo:address. At the same time, Schema.org provides specific vo- cabularies for data with reference to audio, video, images, texts. FOAF is useful to model data about authors of resources. Finally, geospatial information are described throughLinkedGeoData52 andGeonames.53

3.3 Linking Puglia Digital Library to the Linked Data cloud

The digital resources ofPugliaDLhave been linked to external vocabularies and datasets of the Linked Data cloud to enrich the information provided with each resource. DBpedia is our main reference point. PugliaDL URIs are linked to DBpedia resources, especially for what concernscategory data and geographical data, other than resource name, whenever present. Often, the author’s name was not present in DBpedia, especially for local artists; for this reason we created an Authority File to be linked to VIAF54 (Virtual International Authority File).

VIAF is an international standard, accessible in RDF, that collects records coming from several authority files and gives them URIs, supporting in this way the search for author names independently of the language or of the alphabet. For what concerns geographical data, other than DBpedia, we linked our resources also with LinkedGeoData a broad geographical RDF knowledge base, based on data from Open Street Map, and interconnected with DBpedia and GeoNames.

In the near future, we want to also integrate the service Linked Open Street Map(LOSM) [2] inPugliaDL.

With the aim to enhance the semantics of the data, we use controlled vo- cabularies to disambiguate terms in dependence of the context and to resolve synonymy and homonymy. For this reason we link to vocabularies of theGetty Research Institute55that, recently, have been released as Linked Open Data.56 The Getty Research Institute vocabularies are constantly updated and compli- ant with international cataloging standards (e.g., VRA, CIDOC CRM, CCO,57 etc.). They use a specific terminology for cultural and bibliographic fields and

52http://linkedgeodata.org/

53http://www.geonames.org/ontology

54https://viaf.org/

55http://www.getty.edu/research/

56http://www.getty.edu/research/tools/vocabularies/lod/

57http://cco.vrafoundation.org/

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are accessible via SPARQL endpoints.58At the moment the vocabularies avail- able as LOD are: Art & Architecture Thesaurus (AAT), Union List of Artists Names (ULAN) and Getty Thesaurus of Geographic Names (TGN). These vocabularies have been of great use as they are inter-linked, share the same data structure, are multilingual, and each term is identified by an ID59. Another vocabulary is thePICO Thesaurus, created by Cultura Italia. It is multilingual, compliant with RDF and SKOS, released in LOD format and it allows one to classify each resource with respect to its specific cultural do- main. Each term in the vocabulary is identified by an URI. In the context of PugliaDL it has been mainly used to link keywords that identify the digital resource from a contextual and temporal point of view.60 The interoperability is obtained thanks to the Open Archives Initiative Protocol for Metadata Har- vesting61 (OAI-PMH) that supports repository interoperability. Data Provider repositories expose structured metadata via OAI-PMH, while Service Providers make OAI-PMH service requests to harvest that metadata. Thanks to OAI- PMH protocol PugliaDL is linked to Europeana and to the LOD resources of the aforementioned LOD portals.

From a technological point of view, PugliaDL uses OpenLink Virtuoso ad triple-store andLodView as RDF viewer and IRI dereferencer. In Figure 1, the resource “Masseria Aprile - Spazio Interno” belonging toPugliaDLis depicted in its HTML rendering by LodView.

4 PugliaDL Linked Data in action

In this section we highlight how thePugliaDLis highly inter-operable thanks to properties that allow the linking with external dataset.

Content type. In order to model the type of content of digital resources (e.g. manuscript, film poster, book, farm etc.) we can use the following prop- erties:62 crm:P2_has_type, dcterms:type, schema:category, dbo:category, dbp:category. The values of such properties are linked both to the terms of Art & Architecture Thesaurus (AAT) and toDBpedia. As a way of ex- ample, let us look at thePugliaDLresource“Il Gattopardo”; the digital resource is the film poster of the famous 1963 movie“The Leopard”.

<http://dati.puglia.it/resource/DigitalLibrary/Il_Gattopardo> a crm:E38_Image, rdfs:Resource , schema:ImageObject , dbo:Image , dbp:Image ;

rdfs:label "Il Gattopardo" ;

crm:P2_has_type <http://it.dbpedia.org/resource/Poster> ,

<http://vocab.getty.edu/aat/300027221> ;

58http://vocab.getty.edu/sparql

59As a way of example, see the resource poster at http://vocab.getty.edu/aat/

300027221

60As a way of example the 10th cent. A.D. is linked with the URI http://www.culturaitalia.it/pico/thesaurus/4.1#http://culturaitalia.

it/pico/thesaurus/4.1#sec_x_d_c

61https://www.openarchives.org/OAI/openarchivesprotocol.html

62All the prefixes we use are fromhttp://prefix.cc.

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Fig. 1: An example of resource available inPugliaDLand displayed via LodView

dbo:category <http://it.dbpedia.org/resource/Poster> ,

<http://vocab.getty.edu/aat/300027221> ;

schema:category <http://it.dbpedia.org/resource/Poster> ,

<http://vocab.getty.edu/aat/300027221> .

The above example clearly shows that we preferred to add redundant properties in order to ease the reuse and a zero-effort interoperability with other datasets.

Whenever possible we added both redundant properties and redundant resources (even when they could be connected via a owl:sameAsrelation).

Resource author. As for the modeling of authors and their data we may use the following properties:crm:P14_carried_out_by,dc:creator,dcterms:

creator,schema:author,dbo:author,dbp:author,foaf:maker.

Geographical data. Data about cities are modeled via properties linked to DBpedia and LinkedGeoData as well as to Getty Thesaurus of Geo- graphic Names (TGN), among these:dcterms:spatial,dbo:locationCity, dbo:city,dbp:locationCity,dbp:city. The playMacbethbyFrancesco Maria Piave will be described together with geographical information as:

<http://dati.puglia.it/resource/Macbeth> a crm:E33_Linguistic_Object, rdfs:Resource , schema:CreativeWork , dbo:WrittenWork ;

rdfs:label "Macbeth" ;

crm:P14_carried_out_by "Francesco Maria Piave" ; dc:creator "Francesco Maria Piave" ;

schema:author "Francesco Maria Piave" ; dbo:author "Francesco Maria Piave" ; dbp:author "Francesco Maria Piave" ;

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foaf:maker "Francesco Maria Piave" ; dcterms:spatial

<http://linkedgeodata.org/page/triplify/node1699232800> ,

<http://vocab.getty.edu/tgn/7004105> ,

<http://dbpedia.org/page/Barletta> , <http://it.dbpedia.org/resource/Barletta> ; dbo:locationCity

<http://linkedgeodata.org/page/triplify/node1699232800> ,

<http://vocab.getty.edu/tgn/7004105> ,

<http://dbpedia.org/page/Barletta> , <http://it.dbpedia.org/resource/Barletta> ; dbp:city <http://linkedgeodata.org/page/triplify/node1699232800> ,

<http://vocab.getty.edu/tgn/7004105> ,

<http://dbpedia.org/page/Barletta> ,

<http://it.dbpedia.org/resource/Barletta> .

Data about theRegionis modeled by using the following properties:dbo:region, dbp:region,dcterms:spatial. Then, with reference to the digital resource“Il Gattopardo” we can add geographical information as in the following:

<http://dati.puglia.it/resource/DigitalLibrary/Il_Gattopardo> a crm:E38_Image, rdfs:Resource , schema:ImageObject , dbo:Image , dbp:Image ;

rdfs:label "Il Gattopardo" ;

crm:P2_has_type <http://it.dbpedia.org/resource/Poster> ,

<http://vocab.getty.edu/aat/300027221> ;

dbo:category <http://it.dbpedia.org/resource/Poster> ,

<http://vocab.getty.edu/aat/300027221> ;

schema:category <http://it.dbpedia.org/resource/Poster> ,

<http://vocab.getty.edu/aat/300027221> ; dcterms:spatial

<http://it.dbpedia.org/resource/Bari> , <http://dbpedia.org/page/Bari> ,

<http://it.dbpedia.org/resource/Puglia> , <http://dbpedia.org/page/Apulia> ,

<http://vocab.getty.edu/tgn/7010380> ,

<http://linkedgeodata.org/page/triplify/node2315669726> ; dbo:region

<http://it.dbpedia.org/resource/Puglia> , <http://dbpedia.org/page/Apulia> ,

<http://vocab.getty.edu/tgn/7010380> ,

<http://linkedgeodata.org/page/triplify/node2315669726> ; dbp:region

<http://it.dbpedia.org/resource/Puglia> , <http://dbpedia.org/page/Apulia> ,

<http://vocab.getty.edu/tgn/7010380> ,

<http://linkedgeodata.org/page/triplify/node2315669726> .

Finally, with reference to the properties to model keywords that identify the re- source we use the following properties that are linked toPico Thesaurus:crm:

P2_has_type,dc:subject,dcterms:subject,schema:category,dbo:category, dbp:category.

<http://dati.puglia.it/resource/DigitalLibrary/Il_Gattopardo> a crm:E38_Image , rdfs:Resource , schema:ImageObject , dbo:Image , dbp:Image ;

rdfs:label "Il Gattopardo" ;

crm:P2_has_type <http://culturaitalia.it/pico/thesaurus/4.1#cinema> ; dc:subject <http://culturaitalia.it/pico/thesaurus/4.1#cinema> ; schema:category <http://culturaitalia.it/pico/thesaurus/4.1#cinema> ; dbo:category <http://culturaitalia.it/pico/thesaurus/4.1#cinema> ; dbp:category <http://culturaitalia.it/pico/thesaurus/4.1#cinema> .

5 Conclusion

We presentedPuglia Digital Library project, whose main aim is to preserve the memory and the beauty of the Puglia region heritage as well as to promote its sharing and reuse. All the items in the collections available in PugliaDL

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have been described using also RDF annotations in order to be part of the LOD cloud. There are many benefits in using linked metadata for DLs; among these, the easiness of the process of information discovery and sharing. Indeed, the PugliaDL collections, thanks to their semantic annotations, can be easily integrated in other DLs projects such as Europeana. ThePugliaDLdataset has been designed having interoperability in mind and this is the main reason why more than one standard vocabulary has been adopted to model properties and resources of the RDF triples.

AcknowledgementsThe authors acknowledge partial support of PON03PE 00136 1 Digital Services Ecosystem: DSE and Progetto Corvallis.

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