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The ambivalent identity of Wong Kar-wai's cinema

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Academic year: 2021

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Figure

Figure 1: Deframings (scenes from Fallen Angels, 2046, My Blueberry Nights and Happy Together,  clockwise)
Figure 2: Scene from Days of Being Wild
Figure 3: Three close-ups of Maggie Cheung (Ashes of Time, In The Mood for Love and Days of  Being Wild
Figure 4: the expressive qualities of arms, legs and hands (scenes from In The Mood for Love and 2046)
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