• Aucun résultat trouvé

Postcolonial Thesholds: Gateways and Borders

N/A
N/A
Protected

Academic year: 2021

Partager "Postcolonial Thesholds: Gateways and Borders"

Copied!
1
0
0

Texte intégral

(1)

JOURNAL OF POSTCOLONIAL WRITING Volume 51 Number 1 2015

SPECIAL ISSUE: POSTCOLONIAL THRESHOLDS: GATEWAYS AND BORDERS GUEST EDITORS: JANET WILSON AND DARIA TUNCA

CONTENTS

Special Issue Articles

“Introduction – Postcolonial Thresholds: Gateways and Borders” Janet Wilson and Daria Tunca

“Re-Incorporative Trajectories: The Threshold as Emblem in Amos Oz’s A Tale of Love and Darkness and Orhan Pamuk’s Istanbul: Memories of a City”

Norbert Bugeja

“Shakespeare’s Sisters in Istanbul: Grace Ellison and the Politics of Feminist Friendship”

Asako Nagai

“Pathway under Construction, Spirituality in Unexpected Places: Nadine Gordimer’s Recent Fiction”

Ileana Dmitriu

“The City of Refuge: Deconstructing Cosmopolitanism in Anthony Minghella’s Breaking and Entering”

Natalie Diebschlag

“Postcolonial Epic Rewritings and the Poetics of Relation: A Glissantian Reading of Shashi Tharoor’s The Great Indian Novel and Derek Walcott’s Omeros”

Sneharika Roy

“Performing Blackness in Caryl Phillips’s Dancing in the Dark” Serena Guarracino

“Caryl Phillips’s Drama: Liminal Fiction under Construction?” Benedicte Ledent

“‘As there are hyena-men and panther-men …’: Chris Abani, Pieter Hugo, and the Shocking Life of Images”

Annalisa Oboe General Article

“Savors of place: V.S. Naipaul’s Enigma of Departure” Stanka Radovic

Références

Documents relatifs

For readers of Indian history, Nehru was the champion of anticolonialism, the architect of modern India, the ideologue of a mixed economy at the service of

The excitement in it is that it hasn’t been really thoroughly painted, you know, there are good painters in the Caribbean, but you feel as if, you know, you and probably two

Researchers from the Center for the History of Science coordinate a European project to trace a postcolonial genealogy of intersexuality in the second half

The poet derives his inspiration from the Caribbean environment, from Nature (“a language beyond speech” [10]) and “White Egrets” is reminiscent of such poems

11 L’essai sur Camus dans Culture et impérialisme est directement inspiré des thèses d’O’Brien, auxquelles, à vrai dire, il n’ajoute pas grand chose. Said les intègre à

It is a ritual and religious space wherein the corpse of a 16 th century Jesuit mission- ary-turned-saint takes center stage: pilgrims and tourists stand in the same line to

Reading from a postcolonial perspective the historical experience of a French educational establishment for Chinese youth in the 1920s – the Institut franco-chinois de Lyon –

In his late novels, Armah attempts to dispel wrong assumptions about Africa’s history, advocates adjustment of the way we apprehend the past, and calls for an