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Reading the Mother from Antiquity to Shakespeare:  

Critical Approaches to Maternity in Premodern Texts 

 

An Interdisciplinary Workshop   King's College and the Faculty of  lassics, University of Cambridge C   6­7 JULY 2012

 

 

 

    Speakers:    Elizabeth Herbert McAvoy (Swansea)      Chris Laoutaris (UCL)  Peggy McCracken (Michigan)      Kathryn Moncrief (Washington)  Ellen Oliensis (UC Berkeley)      Beatrice Priest (Cambridge)  Miri Rubin (Queen Mary)      Finn Sinclair (Edinburgh)  Angeliki Tzanetou (Illinois)    No conference fee. Open to all.  http://www.kings.cam.ac.uk/research/research­events.html      Contact: Mairéad McAuley ([email protected]

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Reading the Mother from Antiquity to Shakespeare: 

     Critical Approaches to Maternity in Premodern Texts 

  Programme    FRIDAY 6th:   1:00pm: Registration and coffee (King’s College)    2:00pm­4.30pm: Session 1 (King’s College)  Miri Rubin (History, QMUL):   Imagined Maternities: Text and Image from Medieval Europe  Liz McAvoy (English, Swansea):   From Miles Christi to Motherhood of God: Julian of Norwich Rewrites the  uage of the Anchorhold  Lang Finn  TBA Sinclair (Medieval Studies, Edinburgh):     7:00pm: Dinner, King's College Saltmarsh Rooms    SATURDAY 7th:  9.30am: Session 2 (Classics Faculty)   Beatrice Priest (Italian, Cambridge):   Mary on Dante's Mount Purgatory: Young Mother or Virtuous Exemplar?  Peggy McCracken (Romance Languages and Women Studies, Michigan):   Nursing Animals: Intimacy, Contagion, and Maternity in Medieval Narratives    11:30am: Session 3 (Classics Faculty)    Angeliki Tzanetou (Classics, Urbana­Ch and Athenian tragedy  ampaign):   Civic motherhood  Ellen Oliensis (Cla Mothers in Ovid’s Amores ssics, UC Berkeley):     1:00pm: Lunch, King's College Saltmarsh Rooms    2:00pm: Session 4 (Classics Faculty)    Chris Laoutaris (English, UCL):   Demonic Knowledge: Maternity and the Archaeologies of Witchcraft in Early  Modern England  Kathryn Moncrief (English, Washington College):   “Then let them anatomize Regan”: The Reproductive Body, Performance, and  King Lear 

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